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Category Archives: Hymnology

Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights

04 Saturday Feb 2017

Posted by michelinewalker in Feasts, Hymnology, Liturgy

≈ 4 Comments

Tags

festival of lights, Hypapante, nature's calendar, Nunc Dimittis, Pidyon haben, Presentation of Jesus in Temple, Simeon's Prophecy, Simeon's Song of Praise

Presentation of Jesus at the Temple, by Rembrandt van Rijn

Presentation of Jesus at the Temple by Rembrandt van Rijn (Photo credit: Wikipedia)

Rembrandt van Rijn (15 July 1606 – 4 October 1669)

262px-aert_de_gelder_-_het_loflied_van_simeon

Simeon’s Song of Praise by Aert de Gelder (Photo credit: Wikipedia)

Aert de Gelder (26 October 1645 – 27 August 1727)

Simeon the Righteous

Linked to the presentation of Jesus at the Temple is the touching story of Simeon the Elder, or Simeon Senex. “According to the Biblical account, Simeon had been visited by the Holy Spirit and told that he would not die until he had seen the Lord’s Christ. On taking Jesus into his arms he uttered the prayer Nunc dimittis” (Wikipedia), also called the Canticle of Simeon, found in St. Luke’s Gospel (2:29-32). The Nunc dimittis is still used liturgically in many Christian churches.  Simeon also prophesied the crucifixion. He said to Mary:

Behold, this child is set for the falling and the rising of many in Israel, and for a sign which is spoken against. Yes, a sword will pierce through your own soul, that the thoughts of many hearts may be revealed (Luke 2:34-35).

East and West

In the Eastern Orthodox Church, the Presentation is called Hypapante (Meeting), “in reference to Jesus’ meeting in the Temple with the aged Simeon” (Wikipedia). Moreover, in the Eastern Church, the Presentation is a celebration of Christ and it is one of The Twelve Feasts, four of which honour Mary. But in the Western Church, Candlemas is the fourth of the Joyful Mysteries of the Rosary (from rose, the flower) that commemorate Mary.

The Festival of Lights

Candlemas is also joyful because it is a festival of lights and has been so since the fifth century. Candlemas is the day that “all the Church’s candles for the year were blessed” (BBC). As a festival of lights, Candlemas is among the celebrations which, from time immemorial, have been associated with the degree of daylight.

Christianity shaped its liturgical calendar according to what could be called a pagan calendar but is in fact nature’s calendar: the two solstices (Christmas and St John’s Day) and the two equinoctial points (Easter and Michaelmas: end of September). Candlemas is celebrated between the winter solstice, Christmas, and the spring equinox, Easter.

Rome: Candles

According to Brewers’ Dictionary of Phrase and Fable, “the ancient Romans had a custom of burning candles to scare away evil spirits.”[1]  Well, that practice was also long perpetuated, particularly in England, and might be revived.

Groudhog day

We then come to the matter of Groundhog day. Foretelling what the remainder of winter would bring is not new, but the manner differs:

If Candlemas day be dry and fair,
The half o’winter’s come and mair`
If Candlemas Day be wet and foul,
The half o’winter was gone at Youl.

Scottish Proverb[2]

Love to everyone ♥
_________________________
[1] “Candle.Candlemas Day,” Brewer’s Dictionary of Phrase and Fable, revised by Adrian Room, Sixteenth Edition (London: Cassell 2001[1959]).
[2] Ibid.

composer: Palestrina (3 February 1525 or 2 February 1526 – 2 February 1594)
title: Nunc dimittis
performers: The Tallis Scholars

© Micheline Walker
2 February 2012
Reposted 4 February 2017
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The Twelve Days of Christmas

06 Wednesday Jan 2016

Posted by michelinewalker in Epiphany, Feasts, Hymnology

≈ 10 Comments

Tags

Botticelli, Christmas, Epiphany, Feasts, Hymnology, Sassetta, The Twelve Days of Christmas, Twelfth Night, We Three Kings

hb_43_98_1

The Journey of the Magi by Stefano di Giovanni Sassetta, 1435 (Courtesy The Metropolitan Museum of Art, NY)

http://www.metmuseum.org/toah/works-of-art/43.98.1

Twelfth Night

A list of articles based on the Nativity was posted on 16 December 2015. It can be found at the foot of the current post. This year’s Nativity post is based on Twelfth Night & Carnival Season (8 January 2014), and the story of Epiphany, celebrated on January 6th. We are closing the “twelve days of Christmas.”

12-days-title

The Twelve Days of Christmas

  • Mirth without Mishief, 1780 (origin of lyrics)
  • cumulative and chain-song (type of song)
  • Roud Folk Song Index number of 68 (classification)
  • Frederic Austin, 1909 (composer)

The “Twelve Days of Christmas” is a song published in England in 1780 in a book of children’s songs entitled Mirth without Mischief. The song has a longer title: “The Twelve Days of Christmas Sung at King Pepin’s Ball.” There was a King Pépin, Pépin the Short, Pépin le Bref or, literally, Pepin the Brief, the first Carolingian to be king. And the song may be French in origin:

Cecil Sharp observed that from the constancy in English, French, and Languedoc versions of the ‘merry little partridge,’ I suspect that ‘pear-tree’ is really perdrix (Old French pertriz) carried into England”; and “juniper tree” in some English versions may have been “joli perdrix,” [pretty partridge]. Sharp also suggests the adjective “French” in “three French hens”, probably simply means “foreign”. (See The Twelve Days of Christmas, Wikipedia.)

It is a cumulative song, in folklore and Stith Thomson calls it a “chain song” in his Motif-Index of Folk-Literature (1955-1958). It is Roud Folk Song Index number of 68. 

On each of the twelve days between Christmas and Epiphany, January 6th, a new gift is offered to the loved one: a ‘partridge in a pear tree,’ 2 turtle doves, 3 French hens, 4 Calling Birds, 5 Gold Rings, 6  Geese a-Laying,  7 Swans a-Swimming, 8 Maids a-Milking, 9 ladies Dancing, 10 Lords a-Leaping, 11 Pipers Piping, 12 Drummers Drumming.

The song’s current musical form was set by Frederic Austin (30 March 1872 – 10 April 1952) and dates back to 1909.

800px-XRF_12days

Botticelli_-_Adoration_of_the_Magi_(Zanobi_Altar)_-_Uffizi

Adoration of the Magi by Sandro Botticelli, 1475 (Photo credit: Wikipedia)

We Three Kings…

  • John Henry Hopkins, Jr., 1857 (US composer)
  • We Three Kings (Lyrics; Wikipedia)
  • Melchior, Caspar, Balthazar (kings)
  • gold, frankincense and myrrh (gifts)

Associated with the Epiphany, the twelfth day of Christmas, or January 6th, is “We Three Kings.” The three kings are Melchior, Caspar and Balthazar. Spellings vary.

“[A]ccording to Western church tradition, Balthasar is often represented as a king of Arabia, Melchior as a king of Persia, and Gaspar as a king of India.” (Encyclopædia Britannica.) They brought gifts to Jesus. (See Biblical Magi, Wikipedia.)

The Julian & Gregorian calendars: Eastern & Western churches

The Western church does not celebrate Christmas on the same days as the Eastern church, the Orthodox church. In Russia, Christmas is celebrated on January 7th. The difference is due to the Orthodox church’s use of the Julian (45 BCE) rather than Gregorian calendar (1582 CE) to situate Christmas. Gregory VIII‘s (7 January 1502 – 10 April 1585) calendar introduced the leap year. In Russia, festivities begin on December 31st and end on January 10th. The Orthodox church has fewer days of Christmas. (see Christmas in Russia, Wikipedia ), but Advent begins on 28 November and lasts until December 31st. (See whychristmas.com.)

In the Western church, Christmas is celebrated on or near the Winter Solstice which, this year, was December 22nd. Protestant churches celebrate Christmas on the same day as Roman Catholics. But both the Western Christmas (Catholic and Protestant) and Eastern Christmas are celebrated at the same time as a former ‘pagan’ feasts. Therefore, the seasons have remained the marker. The Christianization of Kievan Rus’  dates to the year 988 CE, when Vladimir the Great was baptized in Chersonesus and then went on to baptise members of his family and the people of Kiev (Ukraine). (See Christmas in Russia, Wikipedia.)

Babushka

In Russia, a story is associated with the Kings of Orient (the Wise men), that of Babushka, who gives the kings a room to rest. They leave without her noticing. She goes to Bethlehem, but the kings have left. The origin of this story may be American. (See whychristmas.com.)

http://www.whychristmas.com/cultures/russia.shtml

With kind regards to every one. ♥

Nativity Feasts and Hymnology

  • Musings on the Origins of Christmas (22 December 1914)
  • The Four Seasons: from Darkness into Light (6 December 2012)
  • Epiphany: Balthasar, Melchior & Gaspar (6 January 2012 – 3)
  • Twelfth Night & Carnival Season (8 January 2014) ←
  • Candlemas: Presentation of Jesus at the Temple, a Festival of Lights (2 February 2012)

Robert Shaw Chorale

800px-Sandro_Botticelli_083© Micheline Walker
5 December 2016
WordPress

Sandro Botticelli (detail)
Adoration of the Magi
(self-portrait)

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Caccini’s “Ave Maria”

25 Friday Dec 2015

Posted by michelinewalker in Feasts, Hymnology

≈ 15 Comments

Tags

Ave Maria, Count Bardi, equal temperament, Florentine Camerata, Giulio Caccini, Sumi Jo, Vincenzo Galilei

m_03

Annonce aux bergers (Announcement to the Shepherds)
Livre d’images de Madame Marie Hainaut, vers 1285-1290.
Paris BnF Naf 16251

A few years ago, I published a post on Vincenzo Galilei, Galileo Galilei‘s father. Vincenzo was a member of Count Giovanni de’ Bardi‘s Florentine Camerata.

I spoke of Giulio Caccini who published an important treatise on music, Le Nuevo Musiche. The difficulty at the time was “temperament.” For instance, using a string instrument not restricted by a keyboard, one could produce more sounds.

Vincenzo Galilei suggested “equal temperament.” A chromatic scale would contain twelve keys: the five black keys and seven white keys of a piano keyboard. It was not perfection, but instruments could play together harmoniously and it has not been replaced.

In my earlier post, I featured Giulio Caccini’s “Ave Maria.” Russian composer Vladimir Vavilov wrote an “Ave Maria” from an anonymous source. The source was Caccini.

RELATED ARTICLE

  • The Renaissance: Galilei & Galileo (28 December 2011)

 

A Merry Christmas to everyone. ♥

Vavilov (Caccini) – Ave Maria (Inese Galante)

m_03

© Micheline Walker
25 December 2015
WordPress

 

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Feasts and Hymnology

16 Wednesday Dec 2015

Posted by michelinewalker in Feasts, Hymnology

≈ 6 Comments

Tags

Candlemas, Christmas, Epiphany, Feasts, Hymnology, Twelfth Night

head-of-christ-1652

Head of Christ by Rembrandt, c. 1650 – 52  (Photo credit: WikiArt.org)

The posts listed below tell the story of our Seasons, Feasts, Festivals and feature Christian Hymnology. Our first feast is Christmas (“The Four Seasons…”), the origin of comedy, and posts related to the birth of Christ.

This post will become a page, or a category, entitled “Feasts and Hymnology.”

Feasts and Hymnology

  • Musing on the Origins of Christmas (22 December 1914)
  • The Four Seasons: from Darkness into Light (6 December 2012)
  • Epiphany: Balthasar, Melchior & Gaspar (6 January 2012 – 3)
  • Twelfth Night & Carnival Season (8 January 2014)
  • Candlemas: Presentation of Jesus at the Temple, a Festival of Lights (2 February 2012)

(to be continued)

800px-Bellini_maria1

Presentation of Christ at the Temple by Giovanni Bellini (Photo credit: Wikipedia)

Giovanni Bellini  (c. 1430 – 26 November 1516) (art)
Giovanni Gabrieli (c. 1554-57 – 12 August 1612) (music)
Exultavit cor meum
O Jesu mi dulcissime from Sacrae Symphoniae, 1615
Concerto Palatino Ensemble 

[youtube https://www.youtube.com/watch?v=5W3a9w2ZMi4&w=854&h=480

Giovanni_Bellini_018

© Micheline Walker
16 December 2015
WordPress

 

 

 

 

Naked Young Woman in Front of the Mirror, Bellini’s first female nude, painted when he was about 85 years old, circa 1515)
(Giovanni Bellini, Wikipedia)

 

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Candlemas: its Stories & its Songs, updated

03 Tuesday Feb 2015

Posted by michelinewalker in Feasts, Hymnology

≈ 2 Comments

Tags

Candlemas, Canticle, Chandeleur, Feasts, Groundhog Day, Marian Antiphons, Marian hymnology, Nunc Dimittis

Putti, by Raphaël

Putti (Chérubins), by Raphaël

Marian Antiphons (Antiennes)

Today, 2 February 2015, we are entering the Marian year’s second season, the first takes us from Advent to Candlemas (la Chandeleur), once an observed feast commemorating the presentation of the child Jesus at the Temple. The second lasts until Good Friday.

In other words, as of today the Marian song is the Ave Regina Cælorum. From the beginning of Advent until today, it had been the Alma Redemptoris Mater. Several composers have set the words of the Alma Redemptoris Mater and the same is true of the Ave Regina Cælorum.

In the Church of England, today, Candlemas, is the end of the Epiphany season which follows the Christmas season.

The “Nunc dimittis” or Canticle of Simeon (Cantique)

Also sung today is the Nunc dimittis (“Now you dismiss…,” Luke 2:29–32), The Song of Simeon or Canticle of Simeon). Simeon had been promised he would see Jesus and did.  A canticle is a song of praise. In this respect, the Nunc Dimittis resembles the Magnificat, or Canticle of Mary.  Mary sang the Magnificat when she heard her cousin Elizabeth was with child. To listen to the Nunc Dimittis and read its story, simply click on one of the links below:

  • Nunc Dimittis, Simeon’s Song of Praise (2 February 2012)
  • Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights (2 February 2012)

Groundhog Day

Moreover, today is Groundhog Day. How long will winter last? See the link below.

http://www.cbc.ca/news/canada/groundhog-day-what-do-meteorologists-think-1.2940617

Humans have always situated their feasts when a change occurs in the weather. We go from season to season and the following year, we also go from season to season and this continues year after year.

The Labours of the Months

Remember Jean de France’s Très Riches Heures. (See Les Très Riches Heures du Duc de Berry). It’s a Book of Hours, but it is also a calendar. The Très Riches Heures has a large illuminated (enluminures) page for each month of the year illustrating the Labours of the Months.  With Jean de France, there was another motive. In the background of each page, we see one of his castles.

Greek poet Hesiod, who is believed to have been active between 750 and 650 BCE, wrote Works and Days, a book Wikipedia describes as a farmer’s almanac. In Works and Days, he is teaching his brother Perses about the agricultural arts. (See Works and Days.)

Although we are leaving the first Marian season, I am including both the Alma Redemptoris Mater and the Ave Regina Cælorum.

—ooo—

During Canonical Hours, the Antiphon (antienne) is a liturgical chant that precedes and follows a Psalm or a Canticle.  In a Mass, it is also a chant to which a choir or the congregation respond with a refrain.  It is therefore a call and response chant.

  • Alma Redemptoris Mater (Advent through February 2)
  • Ave Regina Cælorum  (Presentation of the Temple through Good Friday)
  • Regina Cœli  (Eastertide)
  • Salve Regina  (from first Vespers of Trinity Sunday until None of the Saturday before Advent)

Sources and Resources

Hesiod’s Works and Days (r. 700 BCE) is an online publication (click on the title).

—ooo—

Posts on Marian Hymnology & More

  • Posts on Marian Hymnology (6 January 2013)
  • Epiphany: Balthasar, Melchior & Gaspar (6 January 2013)
  • A Christmas Offering (cont’d): Hymns to Mary (26 December 2012)
  • From the Magnificat to the Stabat Mater (6 April 2012)
  • Raphael and Marian Liturgy at NDP (4 April 2012)
  • Fra Angelico & the Annunciation (3 April 2012)
  • On Calendars & Feast Days (2 April 2012)
  • Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights (2 February 2012)
  • Nunc Dimittis, Simeon’s Song of Praise (2 February 2012)
  • A Christmas Offering: Hymns to Mary (25 December 2011)
  • The Blessed Virgin: Mariology (24 December 2011)
  • A Portrait of Giovanni Battista Pergolesi (20 December 2011)
  • Liturgy as a Musical Form (15 December 2011)
  • Canonical Hours and the Divine Office (19 November 2011) ←
composer: Giovanni Pierluigi da Palestrina (3 February 1525 or 2 February 1526 – 2 February 1594)
piece: Alma Redemptoris Mater
performers: Cappella Gregoriana (Tokyo, Japan)
From First Vespers of Christmas until the Presentation
 
piece: Ave Regina Cælorum
performers: Philippe Jaroussky (French countertenor, b. 13 February 1978)
Marie-Nicole Lemieux (Quebec contralto, b. 26 June 1975)
From the Presentation of the Lord through Good Friday
Raffael_027© Micheline Walker
2 February 2013
WordPress
updated
2 February 2015

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Nunc Dimittis, Simeon’s Song of Praise

02 Thursday Feb 2012

Posted by michelinewalker in Feasts, Hymnology, Liturgy

≈ 13 Comments

Tags

Antiphon, Canticle, Feasts, Hymnology, in fine arts, in music, Nunc Dimittis, Simeon's Song of Praise

Nunc Dimittis, Simeon's Song of Praise, by Aert de Gelder

Nunc Dimittis, Simeon’s Song of Praise, by Aert de Gelder (Photo credit: Wikipedia)

Aert de Gelder (or Arent, 26 October 1645 – 27 August 1727) is one of Rembrandt’s last pupils while in Amsterdam (1661 to 1663) (Wikipedia). I discovered Christian liturgy, first, when taking courses in the Fine Arts and, second, as a student of musicology. Students of musicology must learn liturgy and the Nunc dimittis is a good example. There was a demand for liturgical music. As a result, the development of polyphony, the combination of voices, occurred from liturgical chant to liturgical chant and from madrigal to madrigal, its secular counterpart. Liturgy also constitutes one of the main subject matters of the visual arts.

In my family Candlemas was celebrated, but I was not told that the Nunc dimittis was Simeon’s Song of Praise, a canticle. In fact, although I attended a Catholic school, we were never told that Candlemas was a commemoration of the Presentation of Jesus at the Temple and of Mary’s Purification after Childbirth.

Nunc dimittis

February 2nd is “Nunc dimittis” day and “Nunc dimittis” is Simeon’s Song of Praise. In yesterday’s poat I inserted Palestrina’s “Nunc dimittis,” but today we will hear William Byrd‘s “Nunc dimittis.”

Here are the words of the “Nunc Dimittis:”

English (Book of Common Prayer, 1662)
 
Now Thou dost dismiss Thy servant, O Lord, according to Thy word in peace;
Because my eyes have seen Thy salvation,
Which Thou hast prepared before the face of all peoples:
A light to the revelation of the Gentiles, and the glory of Thy people Israel.
 
Latin (Vulgate)
 
Nunc dimittis servum tuum, Domine, secundum verbum tuum in pace:
Quia viderunt oculi mei salutare tuum
Quod parasti ante faciem omnium populorum:
Lumen ad revelationem gentium, et gloriam plebis tuae Israel. 
 
_________________________
Religious art
 
composer: William Byrd (1540 or late 1539 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) 
title: Nunc Dimittis 
performers: Alexander Kamerkoor

Jesus (Egypte)

© Micheline Walker
2 February 2012
WordPress

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Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights

02 Thursday Feb 2012

Posted by michelinewalker in Feasts, Hymnology, Liturgy

≈ 5 Comments

Tags

festival of lights, Hypapante, nature's calendar, Nunc Dimittis, Pidyon haben, Presentation of Jesus in Temple, Simeon's Prophecy, Simeon's Song of Praise

Presentation of Jesus at the Temple, by Rembrandt van Rijn

Presentation of Jesus at the Temple by Rembrandt van Rijn (Photo credit: Wikipedia)

Rembrandt van Rijn (15 July 1606 – 4 October 1669)

262px-aert_de_gelder_-_het_loflied_van_simeon

Simeon’s Song of Praise by Aert de Gelder (Photo credit: Wikipedia)

Aert de Gelder (26 October 1645 – 27 August 1727)

Simeon the Righteous

Linked to the presentation of Jesus at the Temple is the touching story of Simeon the Elder, or Simeon Senex. “According to the Biblical account, Simeon had been visited by the Holy Spirit and told that he would not die until he had seen the Lord’s Christ. On taking Jesus into his arms he uttered the prayer Nunc dimittis” (Wikipedia), also called the Canticle of Simeon, found in St. Luke’s Gospel (2:29-32). The Nunc dimittis is still used liturgically in many Christian churches.  Simeon also prophesied the crucifixion. He said to Mary:

Behold, this child is set for the falling and the rising of many in Israel, and for a sign which is spoken against. Yes, a sword will pierce through your own soul, that the thoughts of many hearts may be revealed (Luke 2:34-35).

East and West

In the Eastern Orthodox Church, the Presentation is called Hypapante (Meeting), “in reference to Jesus’ meeting in the Temple with the aged Simeon” (Wikipedia). Moreover, in the Eastern Church, the Presentation is a celebration of Christ and it is one of The Twelve Feasts, four of which honour Mary. But in the Western Church, Candlemas is the fourth of the Joyful Mysteries of the Rosary (from rose, the flower) that commemorate Mary.

The Festival of Lights

Candlemas is also joyful because it is a festival of lights and has been so since the fifth century. Candlemas is the day that “all the Church’s candles for the year were blessed” (BBC). As a festival of lights, Candlemas is among the celebrations which, from time immemorial, have been associated with the degree of daylight.

Christianity shaped its liturgical calendar according to what could be called a pagan calendar but is in fact nature’s calendar: the two solstices (Christmas and St John’s Day) and the two equinoctial points (Easter and Michaelmas: end of September). Candlemas is celebrated between the winter solstice, Christmas, and the spring equinox, Easter.

Rome: Candles

According to Brewers’ Dictionary of Phrase and Fable, “the ancient Romans had a custom of burning candles to scare away evil spirits.”[1]  Well, that practice was also long perpetuated, particularly in England, and might be revived.

Groudhog day

We then come to the matter of Groundhog day. Foretelling what the remainder of winter would bring is not new, but the manner differs:

If Candlemas day be dry and fair,
The half o’winter’s come and mair`
If Candlemas Day be wet and foul,
The half o’winter was gone at Youl.

Scottish Proverb[2]

_________________________

[1] “Candle.Candlemas Day,” Brewer’s Dictionary of Phrase and Fable, revised by Adrian Room, Sixteenth Edition (London: Cassell 2001[1959]).

[2] Ibid.

composer: Palestrina (3 February 1525 or 2 February 1526 – 2 February 1594)
title: Nunc dimittis
performers: The Tallis Scholars

 

© Micheline Walker
2 February 2012
Revised 4 February 2017
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