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Tag Archives: Antiphon

From Lupercalia to Valentine’s Day, cont’d

02 Tuesday Feb 2016

Posted by michelinewalker in Feasts

≈ 9 Comments

Tags

Antiphon, Candlemas, Canticle, equinox, Lupercalia, Nunc Dimittis, Simeon, solstice, Valentine's Day

Presentation_of_Christ_in_the_TemplePresentation of Christ in the Temple, from the Sherbrooke Missal c. 1310 – c. 1320
(Photo credit: Wikipedia)

Candlemas

Today is Candlemas, now better known as “grounhog day” or “pancake day.” When I was a child, Candlemas, la Chandeleur, was a religious holiday that was also a festival of lights: la fête des lumières. We didn’t know it was groundhog day, nor did we know it was pancake day. We lived in the very Catholic province of Quebec, which was then a priest-ridden province and is now, otherwise ridden.

However, times have changed. In Quebec, today is le jour de la marmotte and la fête des crêpes. Quebec has therefore caught up to the rest of the world. Apparently, Groundhog Day is a German tradition. (See Groundhog Day, Wikipedia.) Ironically , it could be that many Quebecers do not remember la Chandeleur, or Candlemas.

Candlemas commemorated and still commemorates:

  • the Presentation of Jesus at the Temple
  • the Feast of the Purification of the Virgin
  • the Meeting of the Lord (see Simeon, Gospel of Luke, Wikipedia)

Saint Gelasius I

  • St Gelasius
  • a commemoration
  • the seasons

We owe Candlemas to Pope Gelasius I who died in Rome on the 19 November c. 496 CE and is now a saint. Saint Gelasius wanted to replace Lupercalia, a disorderly pagan feast with a Christian feast, celebrated about 12 days later than 2 February. It was Candlemas, which eventually would take place on 2 February, according to the Gregorian calendar. Most Christian feasts are celebrated on the same day as a pagan feast and they inaugurate or close a season, the four seasons and liturgical seasons.

Humans have also celebrated the day of the longest night, the winter Solstice, and the day of the longest day, the summer Solstice. They have also celebrated the days when day and night are the same length: equinoctial points, or an Equinox.  This is the logic according to which Christian feasts are celebrated. It is a matter of season and one of continuity.

In 2016, solstices and equinoctial points are on:

  • 20 March, the spring Equinox
  • 20 June, the summer Solstice
  • 22 September, the fall Equinox
  • 21 December the winter Solstice

Christmas is celebrated on 25 December, near the winter Solstice.
Easter is a movable feast, near the spring Equinox, 27 April 2016.
St John’s Day is celebrated on 24 June, near the summer Solstice.
Michaelmas is celebrated on 29 September, near the fall Equinox.

Easter is the only movable feast, but it occurs near the vernal equinox. As for Candlemas, it is celebrated on 2 February and is a festival of lights or la Fête des lumières. It closes Epiphany Season and introduces a new Marian antiphon: Ave, Regina Cælorum, of which there are four. Moreover, it is the day when the canticle entitled Nunc Dimittis (Now let me leave) is sung. Antiphons are call and respond songs: a responsory, but canticles are songs of praise, such as the Magnificat.

Beginning today the Marian antiphon is the Ave Regina Cælorum. It will last until Good Friday.

800px-Aert_de_Gelder_-_Het_loflied_van_Simeon
Simeon’s Song of Praise by Aert de Gelder,
around 1700–1710 (Photo credit: Wikipedia)

The Canticle of Simeon or the Nunc Dimittis

According to the book of Luke (Luke 2:29-32), Simeon, a devout Jew, had been promised by the Holy Ghost that he would see the Saviour before his death. He recognized Jesus when he was brought to the Temple for the ceremony of the Presentation of the first-born son. Having seen Jesus, a Jew, with his own eyes, he sang a canticle in which he says that now (nunc) he could leave: “Now let me leave…”

Lord, now lettest thou thy servant depart in peace according to thy word.
For mine eyes have seen thy salvation,
Which thou hast prepared before the face of all people;
To be a light to lighten the Gentiles and to be the glory of thy people Israel.
Book of Common Prayer,
1662

Houghton_MS_Richardson_5_-_92
The Houghton ms Richardson, Harvard (c. 1400)

The Ave, Regina Cælorum is as follows:

Hail, O Queen of Heaven enthroned.
Hail, by angels mistress owned.
Root of Jesse, Gate of Morn
Whence the world’s true light was born:

Glorious Virgin, Joy to thee,
Loveliest whom in heaven they see;
Fairest thou, where all are fair,
Plead with Christ our souls to spare.

V. Vouchsafe that I may praise thee, O sacred Virgin.
R. Give me strength against thine enemies.

(See Raphael & Marian Liturgy at Notre-Dame de Paris)

Tides

There are equinoctial tides that occur near the time of an equinox. In France, they are called marées d’équinoxe. They were spectacular where I lived in Normandy. One could not see the water from the shore. When the water returned, it did rapidly. Sheep grazed on the prés salés (salted meadows), called présalés, at Mont-Saint-Michel. It could be that the tides brought the salt. Before or after walking to the Abbey, we would eat crêpes. There was a lovely restaurant at the foot of the hill. Sometimes we drove to Saint-Malô to eat crêpes. Tides occurring on solstices are less dramatic than equinoctial tides.

The Christian seasons are also called “tides:” Christmastide, Epiphanytide, Eastertide, etc. Christianity has more seasons than nature’s four seasons. We are not entering a tide, but an Ordinary Time that will end on Ash Wednesday (10 February, this year) or Pentecost. (See Eastertide, Wikipedia.)

The RELATED ARTICLES, listed below, will lead you to all relevant posts and songs.

RELATED ARTICLES

  • The Twelve Days of Christ (6 January 2016)
  • Candlemas: its Stories and its Songs, updated (12 February 2015)
  • From Lupercalia to Valentine’s Day (12 February 2013)
  • Raphael & Marian Liturgy at Notre-Dame de Paris (4 April 2012)

Kindest regards to everyone. ♥

 


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© Micheline Walker
2 February 2016
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Nunc Dimittis, Simeon’s Song of Praise

02 Thursday Feb 2012

Posted by michelinewalker in Feasts, Hymnology, Liturgy

≈ 13 Comments

Tags

Antiphon, Canticle, Feasts, Hymnology, in fine arts, in music, Nunc Dimittis, Simeon's Song of Praise

Nunc Dimittis, Simeon's Song of Praise, by Aert de Gelder

Nunc Dimittis, Simeon’s Song of Praise, by Aert de Gelder (Photo credit: Wikipedia)

Aert de Gelder (or Arent, 26 October 1645 – 27 August 1727) is one of Rembrandt’s last pupils while in Amsterdam (1661 to 1663) (Wikipedia)I discovered I had to know Christian liturgy, first, when taking courses in the Fine Arts and, second, as a student of musicology. Students of musicology simply have to learn liturgy and the Nunc dimittis is a good example. There was a demand for liturgical music. As a result, the development of polyphony, the combination of voices, occurred from liturgical chant to liturgical chant and from madrigal to madrigal, its secular counterpart. Liturgy also constitutes one of the main subject matters of the visual arts.

In my family Candlemas was celebrated, but I was not told that the Nunc dimittis was Simeon’s Song of Praise, a canticle. In fact, although I attended a Catholic school, we were never told that Candlemas was a commemoration of the Presentation of Jesus at the Temple and of Mary’s Purification after Childbirth.

Nunc dimittis

February 2nd is “Nunc dimittis” day and “Nunc dimittis” is Simeon’s Song of Praise. In yesterday’s poat I inserted Palestrina’s “Nunc dimittis,” but today we will hear William Byrd‘s “Nunc dimittis.”

Here are the words of the “Nunc Dimittis:”

English (Book of Common Prayer, 1662)
 
Now Thou dost dismiss Thy servant, O Lord, according to Thy word in peace;
Because my eyes have seen Thy salvation,
Which Thou hast prepared before the face of all peoples:
A light to the revelation of the Gentiles, and the glory of Thy people Israel.
 
Latin (Vulgate)
 
Nunc dimittis servum tuum, Domine, secundum verbum tuum in pace:
Quia viderunt oculi mei salutare tuum
Quod parasti ante faciem omnium populorum:
Lumen ad revelationem gentium, et gloriam plebis tuae Israel. 
 
_________________________
Religious art
 
composer: William Byrd (1540 or late 1539 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) 
title: Nunc Dimittis 
performers: Alexander Kamerkoor

Jesus (Egypte)

© Micheline Walker
2 February 2012
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The Blessed Virgin: Mariology

24 Saturday Dec 2011

Posted by michelinewalker in Feasts, Liturgy, Music

≈ Comments Off on The Blessed Virgin: Mariology

Tags

Alma Redemptoris Mater, Antiphon, Ave Regina Coelorum, Canonical Hours, Handel, Hermann of Reichenau, Mozart, Regina Coeli, Salve Regina, Vivaldi

Annunciation by Paolo de Matteis, 1712. The white lily in the angel's hand is symbolic of Mary's purity in Marian art.

Annunciation by Paolo de’ Matteis, 1712. The white lily in the angel’s hand is symbolic of Mary’s purity in Marian art. (Photo credit: Wikipedia)

Hymns to the Virgin Mary, or Marian hymnology, as I will call it, constitute a substantial part of sacred music. Moreover, Marian art is abundant. Mary’s main feasts are the Annunciation, the Nativity, the Assumption and the Immaculate Conception, three of which are related to the Nativity Cycle. The exception would be the Assumption. Mary did not die. She ascended into heaven.

1. The Annunciation

The Feast of the Annunciation commemorates the day on which the Archangel Gabriel visited Mary to announce that she would bear and give birth to the son of God. The Feast of the Annunciation (see Rubens, below) is celebrated on 25 March, exactly nine months before Christmas Day, when Christians celebrate the birth of Christ. The above image is by Paolo de’ Matteis (9 February 1662 – 26 January 1728). 

2. The Nativity

The central Marian feast is the Nativity. The Nativity is in fact a celebration of the birth of Christ, but Marian feasts are rooted in the Nativity cycle. Where Marian art is concerned, the Nativity includes portrayals of the Shepherds in adoration, of the visit by the Kings of Orient, as well as portrayals of the Presentation of Jesus as firstborn son, and the Purification of Mary. Just below, I have inserted a visit by the Shepherds, by Gerard van Honthorst (4 November 1592 – 27 April 1656), a Dutch Golden Age artist who is also called Gerrit van Honthorst.

honthorst_aanbidding_herders_1622_grt

The Adoration of the Shepherds, by Gerard van Honthorst, 1622

3. The Assumption

Mary did not die. She ascended into heaven and her Assumption is celebrated on 15 August. In the Eastern Church, Byzantine Emperor Maurice selected 15 August as the date of the feast of Dormition and Assumption. The 15th of August is also the Acadian’s Feast Day. Acadians are the French-speaking inhabitants of Canada’s Atlantic provinces. Their national anthem is the Ave Maris Stella. 

The Assumption of the Virgin Mary, by Rubens, 1626

(Please click on the picture to enlarge it.)

4. The Immaculate Conception

According to Roman Catholicism, Jesus was conceived without stain or macula. This dogma is disputed as it is linked with the notion of an inherent fault, the original sin, the sin committed by Adam and Eve. Newborns or infants who die before Baptism do not go to heaven. They are sent to Limbo.

—ooo—

THE FOUR ANTIPHONS (Antiennes)

Marian hymnology

As for Marian hymnology, it originally consisted of four antiphons (antiennes, in French) sung in Gregorian Chant. Two (the Alma Redemptoris Mater and the Salve Regina were composed by Hermann of Reichenau, and would have been Gregorian chants. The four Marian antiphons are in fact linked to the Liturgy of the Hours, the Canonical Hours, and commemorate the four seasons.

  • Alma Redemptoris (Advent through February 2)
  • Ave Regina Cælorum (Presentation of the Temple through Good Friday)
  • Regina Cœli (Easter season)
  • Salve Regina (from first Vespers of Trinity Sunday until None of the Saturday before Advent)

Antiphons are “responsories” or the response by the choir or the congregation to a psalm or hymn. But they may involve responsorial singing by alternating choirs. Simply expressed, antiphons resemble a refrain. “The refrain was called an antiphon (A). The resulting musical form was A V1 A V2…”[1] Antiphons are not restricted to Marian hymnology. We should also note that Marian feasts are associated with the seasons, as are other Christian feasts. Antiphons are not restricted to Marian hymnology.

The Marian liturgical calendar is divided as follows:

  • first, of Advent, Christmastide, Epiphany, Pre-Lent, Lent, Easter Triduum, Eastertide, Ascensiontide
  • second, of some 32 feast days
Magnificatio, by Sandro Botticelli

Magnificatio, by Sandro Botticelli

(Please click on the picture to enlarge it.)

DETAILS ON THE ANTIPHONS

The Alma Redemptoris Mater

Traditionally, the Alma Redemptoris Mater is sung at the end of Compline, one of the Canonical Hours. It is said to have been composed by Hermannus Contractus (Herman the Cripple) (1013–1054).

The Ave Regina Cælorum

Traditionally, the Ave Regina Cælorum has been sung at the end of each Canonical Hours, but mainly Compline, between 2 February (Candlemas or Chandeleur in French) until the Holy Week. Candlemas is the day commemorating the Presentation of the Jesus at the Temple and the Purification of the Virgin Mary.

The Regina cœli 

The Regina Cœli or Cæli (Queen of Heaven), is a night prayer (Compline or Vespers).  Its authorship has not been determined but it was sung by Franciscans in the twelfth century.  It was sung in place of the Angelus from Holy Saturday through Pentecost.  It is therefore associated with the celebration of Easter.

The Salve Regina

The Salve Regina (Hail Holy Queen) is sung at Compline from the Saturday before Trinity Sunday until the Friday before the first Sunday of Advent. (Wikipedia).  It was composed by German monk Hermann of Reichenau, the above-mentioned Hermannus Contractus (Herman the Cripple) (1013–1054), the composer of the Alma Redemptoris Mater.

—ooo—

However, to the four antiphons, we may add the above-mentioned Ave Maris Stella, Mozart’s breathtaking Ave Verum Corpus, various Ave Maria‘s, the most famous of which are Schubert’s Ave Maria, and the Ave Maria Charles Gounod composed on the first prelude of Johann Sebastian Bach’s Wohltemperierte Klavier (BWV 846-893).  I will discuss these in my next blog.

—ooo—

(Please click on the title to hear the music.)

  • Alma Redemptoris, Tomás Luis de Victoria (c. 1548 – 27 August 1611)
  • Alma Redemptoris, Giovanni Pierluigi da Palestrina (1525 – 1594)
  • Alma Redemptoris, Antifona gregoriana, t. simplex, Studio di Giovanni Vianini, Milano, Italia
  • Alma Redemptoris Mater Gregorian, monophonic
  • Ave Regina Cælorum, Andrea Mattioli, Philippe Jaroussky, countertenor
  • Salve Regina, Monteverdi, Philippe Jaroussky, countertenor
  • Salve Regina in C minor (RV 616) – Part I, by Vivaldi (1678 – 1741)
  • Salve Regina in G minor HWV 241, by Handel (1685 -1759)
  • Salve Regina, Tomás Luis de Victoria
  • Regina Cæli Lætare, Antifona gregoriana, Schola Gregoriana Mediolanensis, direttore Giovanni
  • Regina Cæli Lætare, Tomás Luis de Victoria
  • Regina Cœli, Marco Frisina (b. 1954)
  • Regina Cœli, Mozart  (1756 – 1791)

[1] “antiphon.” Encyclopædia Britannica. Encyclopædia Britannica Online. Encyclopædia Britannica Inc., 2011. Web. 23 Dec. 2011. <http://www.britannica.com/EBchecked/topic/28480/antiphon>

thvr01ubhn

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