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Tag Archives: Nunc Dimittis

Winter Scenes

22 Wednesday Feb 2023

Posted by michelinewalker in Art, Feasts

≈ 3 Comments

Tags

Candlemas, genre painting, Groundhog Day, Hendrick Avercamp, Nunc Dimittis, The Four Seasons, Valentine's Day, Vivaldi

Hendrick Averkamp, A Scene on the Ice (Wikimedia.commons)
Hendrick Avercamp, A Scene on Ice (WikiArt.org)

—ooo—

I haven’t posted an article since Epiphany, Ukraine’s Christmas. I was very busy during the last month. John has been evicted, but there is nothing I can do to help him. He requires more than I can offer. A home for seniors could be his best option. John suffers from Ménière’s disease. He is nearly deaf and he hugs the walls.

February …

Candlemas

  • Candlemas: its Stories & its Songs, updated (3 February 2015)
  • Feasts and Liturgy (page)

But today February is foremost in my mind. It has been extremely cold. We missed groundhog day but we did not Candlemas, la chandeleur. La Chandeleur invites longer days. In the Northern hemisphere, each new day is slightly longer than the previous day. Candlemas, is also the day Simeon recognized the child Jesus as the Savior and the day His mother was purified.

The season’s Marian antiphon, une antienne, is the Ave Regina Cælorum. The Nunc Dimittis, a canticle, un cantique, is Simeon’s song of praise. He had seen the savior so he could be recalled.

Valentine’s Day / la Saint-Valentin

February also brings Valentine’s Day. We have read many post on a page called:

  • Posts on Love Celebrated (page)

Hendrick Avercamp

Hendrick Avercamp (1585-1634) is a painter of the  Dutch Golden Age of painting. He was born in Amsterdam, where he was trained by Danish-born portrait painter Pieter Isaacsz. He moved to Kampen in 1608. Avercamp’s favorite subject matter was winter inhabited by people and their pets going about their everyday activity: working, fishing, or skating and otherwise amusing themselves on the ice. In other words, he was genre artist when genre painting was a new frontier. Moreover, Avercamp lived during a period known as the “little ice age.”

Interestingly, Avercamp painted as though he stood slightly above his subject matter. He used an aerial perspective. He made sketches of his winter scenes which he transformed into paintings in warmer seasons. Hendrick Avercamp was mute and probably deaf, and he is therefore known as “de Stomme van Kampen.”

Hendrik Avercamp, A Winter Scene with Skaters (WikiArt.org)

Conclusion

February was a busy month, but we have almost caught up. The Pagan precursor of St Valentine’s Day was Lupercalia.

Hendrick Avercamp, The music is from the second movement of the fourth concerto of Vivaldi‘s Four Seasons.
Candlemas day by Marianne Stokes, 1901

© Micheline Walker
22 February 2023
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Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights

04 Saturday Feb 2017

Posted by michelinewalker in Feasts, Hymnology, Liturgy

≈ 4 Comments

Tags

festival of lights, Hypapante, nature's calendar, Nunc Dimittis, Pidyon haben, Presentation of Jesus in Temple, Simeon's Prophecy, Simeon's Song of Praise

Presentation of Jesus at the Temple, by Rembrandt van Rijn

Presentation of Jesus at the Temple by Rembrandt van Rijn (Photo credit: Wikipedia)

Rembrandt van Rijn (15 July 1606 – 4 October 1669)

262px-aert_de_gelder_-_het_loflied_van_simeon

Simeon’s Song of Praise by Aert de Gelder (Photo credit: Wikipedia)

Aert de Gelder (26 October 1645 – 27 August 1727)

Simeon the Righteous

Linked to the presentation of Jesus at the Temple is the touching story of Simeon the Elder, or Simeon Senex. “According to the Biblical account, Simeon had been visited by the Holy Spirit and told that he would not die until he had seen the Lord’s Christ. On taking Jesus into his arms he uttered the prayer Nunc dimittis” (Wikipedia), also called the Canticle of Simeon, found in St. Luke’s Gospel (2:29-32). The Nunc dimittis is still used liturgically in many Christian churches.  Simeon also prophesied the crucifixion. He said to Mary:

Behold, this child is set for the falling and the rising of many in Israel, and for a sign which is spoken against. Yes, a sword will pierce through your own soul, that the thoughts of many hearts may be revealed (Luke 2:34-35).

East and West

In the Eastern Orthodox Church, the Presentation is called Hypapante (Meeting), “in reference to Jesus’ meeting in the Temple with the aged Simeon” (Wikipedia). Moreover, in the Eastern Church, the Presentation is a celebration of Christ and it is one of The Twelve Feasts, four of which honour Mary. But in the Western Church, Candlemas is the fourth of the Joyful Mysteries of the Rosary (from rose, the flower) that commemorate Mary.

The Festival of Lights

Candlemas is also joyful because it is a festival of lights and has been so since the fifth century. Candlemas is the day that “all the Church’s candles for the year were blessed” (BBC). As a festival of lights, Candlemas is among the celebrations which, from time immemorial, have been associated with the degree of daylight.

Christianity shaped its liturgical calendar according to what could be called a pagan calendar but is in fact nature’s calendar: the two solstices (Christmas and St John’s Day) and the two equinoctial points (Easter and Michaelmas: end of September). Candlemas is celebrated between the winter solstice, Christmas, and the spring equinox, Easter.

Rome: Candles

According to Brewers’ Dictionary of Phrase and Fable, “the ancient Romans had a custom of burning candles to scare away evil spirits.”[1]  Well, that practice was also long perpetuated, particularly in England, and might be revived.

Groudhog day

We then come to the matter of Groundhog day. Foretelling what the remainder of winter would bring is not new, but the manner differs:

If Candlemas day be dry and fair,
The half o’winter’s come and mair`
If Candlemas Day be wet and foul,
The half o’winter was gone at Youl.

Scottish Proverb[2]

Love to everyone ♥
_________________________
[1] “Candle.Candlemas Day,” Brewer’s Dictionary of Phrase and Fable, revised by Adrian Room, Sixteenth Edition (London: Cassell 2001[1959]).
[2] Ibid.

composer: Palestrina (3 February 1525 or 2 February 1526 – 2 February 1594)
title: Nunc dimittis
performers: The Tallis Scholars

© Micheline Walker
2 February 2012
Reposted 4 February 2017
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From Lupercalia to Valentine’s Day, cont’d

02 Tuesday Feb 2016

Posted by michelinewalker in Feasts

≈ 9 Comments

Tags

Antiphon, Candlemas, Canticle, equinox, Lupercalia, Nunc Dimittis, Simeon, solstice, Valentine's Day

Presentation_of_Christ_in_the_TemplePresentation of Christ in the Temple, from the Sherbrooke Missal c. 1310 – c. 1320
(Photo credit: Wikipedia)

Candlemas

Today is Candlemas, now better known as “grounhog day” or “pancake day.” When I was a child, Candlemas, la Chandeleur, was a religious holiday that was also a festival of lights: la fête des lumières. We didn’t know it was groundhog day, nor did we know it was pancake day. We lived in the very Catholic province of Quebec, which was then a priest-ridden province and is now, otherwise ridden.

However, times have changed. In Quebec, today is le jour de la marmotte and la fête des crêpes. Quebec has therefore caught up to the rest of the world. Apparently, Groundhog Day is a German tradition. (See Groundhog Day, Wikipedia.) Ironically , it could be that many Quebecers do not remember la Chandeleur, or Candlemas.

Candlemas commemorated and still commemorates:

  • the Presentation of Jesus at the Temple
  • the Feast of the Purification of the Virgin
  • the Meeting of the Lord (see Simeon, Gospel of Luke, Wikipedia)

Saint Gelasius I

  • St Gelasius
  • a commemoration
  • the seasons

We owe Candlemas to Pope Gelasius I who died in Rome on the 19 November c. 496 CE and is now a saint. Saint Gelasius wanted to replace Lupercalia, a disorderly pagan feast with a Christian feast, celebrated about 12 days later than 2 February. It was Candlemas, which eventually would take place on 2 February, according to the Gregorian calendar. Most Christian feasts are celebrated on the same day as a pagan feast and they inaugurate or close a season, the four seasons and liturgical seasons.

Humans have also celebrated the day of the longest night, the winter Solstice, and the day of the longest day, the summer Solstice. They have also celebrated the days when day and night are the same length: equinoctial points, or an Equinox.  This is the logic according to which Christian feasts are celebrated. It is a matter of season and one of continuity.

In 2016, solstices and equinoctial points are on:

  • 20 March, the spring Equinox
  • 20 June, the summer Solstice
  • 22 September, the fall Equinox
  • 21 December the winter Solstice

Christmas is celebrated on 25 December, near the winter Solstice.
Easter is a movable feast, near the spring Equinox, 27 April 2016.
St John’s Day is celebrated on 24 June, near the summer Solstice.
Michaelmas is celebrated on 29 September, near the fall Equinox.

Easter is the only movable feast, but it occurs near the vernal equinox. As for Candlemas, it is celebrated on 2 February and is a festival of lights or la Fête des lumières. It closes Epiphany Season and introduces a new Marian antiphon: Ave, Regina Cælorum, of which there are four. Moreover, it is the day when the canticle entitled Nunc Dimittis (Now let me leave) is sung. Antiphons are call and respond songs: a responsory, but canticles are songs of praise, such as the Magnificat.

Beginning today the Marian antiphon is the Ave Regina Cælorum. It will last until Good Friday.

800px-Aert_de_Gelder_-_Het_loflied_van_Simeon
Simeon’s Song of Praise by Aert de Gelder,
around 1700–1710 (Photo credit: Wikipedia)

The Canticle of Simeon or the Nunc Dimittis

According to the book of Luke (Luke 2:29-32), Simeon, a devout Jew, had been promised by the Holy Ghost that he would see the Saviour before his death. He recognized Jesus when he was brought to the Temple for the ceremony of the Presentation of the first-born son. Having seen Jesus, a Jew, with his own eyes, he sang a canticle in which he says that now (nunc) he could leave: “Now let me leave…”

Lord, now lettest thou thy servant depart in peace according to thy word.
For mine eyes have seen thy salvation,
Which thou hast prepared before the face of all people;
To be a light to lighten the Gentiles and to be the glory of thy people Israel.
Book of Common Prayer,
1662

Houghton_MS_Richardson_5_-_92
The Houghton ms Richardson, Harvard (c. 1400)

The Ave, Regina Cælorum is as follows:

Hail, O Queen of Heaven enthroned.
Hail, by angels mistress owned.
Root of Jesse, Gate of Morn
Whence the world’s true light was born:

Glorious Virgin, Joy to thee,
Loveliest whom in heaven they see;
Fairest thou, where all are fair,
Plead with Christ our souls to spare.

V. Vouchsafe that I may praise thee, O sacred Virgin.
R. Give me strength against thine enemies.

(See Raphael & Marian Liturgy at Notre-Dame de Paris)

Tides

There are equinoctial tides that occur near the time of an equinox. In France, they are called marées d’équinoxe. They were spectacular where I lived in Normandy. One could not see the water from the shore. When the water returned, it did rapidly. Sheep grazed on the prés salés (salted meadows), called présalés, at Mont-Saint-Michel. It could be that the tides brought the salt. Before or after walking to the Abbey, we would eat crêpes. There was a lovely restaurant at the foot of the hill. Sometimes we drove to Saint-Malô to eat crêpes. Tides occurring on solstices are less dramatic than equinoctial tides.

The Christian seasons are also called “tides:” Christmastide, Epiphanytide, Eastertide, etc. Christianity has more seasons than nature’s four seasons. We are not entering a tide, but an Ordinary Time that will end on Ash Wednesday (10 February, this year) or Pentecost. (See Eastertide, Wikipedia.)

The RELATED ARTICLES, listed below, will lead you to all relevant posts and songs.

RELATED ARTICLES

  • The Twelve Days of Christ (6 January 2016)
  • Candlemas: its Stories and its Songs, updated (12 February 2015)
  • From Lupercalia to Valentine’s Day (12 February 2013)
  • Raphael & Marian Liturgy at Notre-Dame de Paris (4 April 2012)

Kindest regards to everyone. ♥

 


Presentation_of_Christ_in_the_Temple

© Micheline Walker
2 February 2016
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Candlemas: its Stories & its Songs, updated

03 Tuesday Feb 2015

Posted by michelinewalker in Feasts, Hymnology

≈ 2 Comments

Tags

Candlemas, Canticle, Chandeleur, Feasts, Groundhog Day, Marian Antiphons, Marian hymnology, Nunc Dimittis

Putti, by Raphaël

Putti (Chérubins), by Raphaël

Marian Antiphons (Antiennes)

Today, 2 February 2015, we are entering the Marian year’s second season, the first takes us from Advent to Candlemas (la Chandeleur), once an observed feast commemorating the presentation of the child Jesus at the Temple. The second lasts until Good Friday.

In other words, as of today the Marian song is the Ave Regina Cælorum. From the beginning of Advent until today, it had been the Alma Redemptoris Mater. Several composers have set the words of the Alma Redemptoris Mater and the same is true of the Ave Regina Cælorum.

In the Church of England, today, Candlemas, is the end of the Epiphany season which follows the Christmas season.

The “Nunc dimittis” or Canticle of Simeon (Cantique)

Also sung today is the Nunc dimittis (“Now you dismiss…,” Luke 2:29–32), The Song of Simeon or Canticle of Simeon). Simeon had been promised he would see Jesus and did.  A canticle is a song of praise. In this respect, the Nunc Dimittis resembles the Magnificat, or Canticle of Mary.  Mary sang the Magnificat when she heard her cousin Elizabeth was with child. To listen to the Nunc Dimittis and read its story, simply click on one of the links below:

  • Nunc Dimittis, Simeon’s Song of Praise (2 February 2012)
  • Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights (2 February 2012)

Groundhog Day

Moreover, today is Groundhog Day. How long will winter last? See the link below.

http://www.cbc.ca/news/canada/groundhog-day-what-do-meteorologists-think-1.2940617

Humans have always situated their feasts when a change occurs in the weather. We go from season to season and the following year, we also go from season to season and this continues year after year.

The Labours of the Months

Remember Jean de France’s Très Riches Heures. (See Les Très Riches Heures du Duc de Berry). It’s a Book of Hours, but it is also a calendar. The Très Riches Heures has a large illuminated (enluminures) page for each month of the year illustrating the Labours of the Months.  With Jean de France, there was another motive. In the background of each page, we see one of his castles.

Greek poet Hesiod, who is believed to have been active between 750 and 650 BCE, wrote Works and Days, a book Wikipedia describes as a farmer’s almanac. In Works and Days, he is teaching his brother Perses about the agricultural arts. (See Works and Days.)

Although we are leaving the first Marian season, I am including both the Alma Redemptoris Mater and the Ave Regina Cælorum.

—ooo—

During Canonical Hours, the Antiphon (antienne) is a liturgical chant that precedes and follows a Psalm or a Canticle.  In a Mass, it is also a chant to which a choir or the congregation respond with a refrain.  It is therefore a call and response chant.

  • Alma Redemptoris Mater (Advent through February 2)
  • Ave Regina Cælorum  (Presentation of the Temple through Good Friday)
  • Regina Cœli  (Eastertide)
  • Salve Regina  (from first Vespers of Trinity Sunday until None of the Saturday before Advent)

Sources and Resources

Hesiod’s Works and Days (r. 700 BCE) is an online publication (click on the title).

—ooo—

Posts on Marian Hymnology & More

  • Posts on Marian Hymnology (6 January 2013)
  • Epiphany: Balthasar, Melchior & Gaspar (6 January 2013)
  • A Christmas Offering (cont’d): Hymns to Mary (26 December 2012)
  • From the Magnificat to the Stabat Mater (6 April 2012)
  • Raphael and Marian Liturgy at NDP (4 April 2012)
  • Fra Angelico & the Annunciation (3 April 2012)
  • On Calendars & Feast Days (2 April 2012)
  • Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights (2 February 2012)
  • Nunc Dimittis, Simeon’s Song of Praise (2 February 2012)
  • A Christmas Offering: Hymns to Mary (25 December 2011)
  • The Blessed Virgin: Mariology (24 December 2011)
  • A Portrait of Giovanni Battista Pergolesi (20 December 2011)
  • Liturgy as a Musical Form (15 December 2011)
  • Canonical Hours and the Divine Office (19 November 2011) ←
composer: Giovanni Pierluigi da Palestrina (3 February 1525 or 2 February 1526 – 2 February 1594)
piece: Alma Redemptoris Mater
performers: Cappella Gregoriana (Tokyo, Japan)
From First Vespers of Christmas until the Presentation
 

piece: Ave Regina Cælorum
performers: Philippe Jaroussky (French countertenor, b. 13 February 1978)
Marie-Nicole Lemieux (Quebec contralto, b. 26 June 1975)
From the Presentation of the Lord through Good Friday

Raffael_027© Micheline Walker
2 February 2013
WordPress
updated
2 February 2015

Micheline's Blog

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News, Comments & Andrea Mantegna

03 Sunday Feb 2013

Posted by michelinewalker in Art, Sharing

≈ 4 Comments

Tags

Andrea Mantegna, Ave Regina Caelorum, Candlemas, Feasts, Groundhog Day, Jesus, Lupercus, Nunc Dimittis, Presentation of Jesus at the Temple, Simeon

Présentation de Jésus au temple, Andrea Mantegna, 1465
Présentation de Jésus au temple, Andrea Mantegna, 1465
Andrea Mantegna (c. 1431 – 13 September 1506) Italian Renaissance
Photo credit: Wikipedia
 

More on Candlemas

Today is February 3rd, but there are more Candlemas stories to tell.  For instance, Candlemas is also “pancake feast,” la fête des crêpes, a tradition that goes back to ancient Greece.  In ancient Greece, Lupercus was the god Pan.  In ancient Roman, the feast was called Lupercalia (lupus, loup) but it was usually celebrated in mid-February, on the 13th.  It had to do with keeping the wolf away from innocent sheep.  Lupercus was the god of shepherds.  I will tell more stories next February 2nd.

We now have three posts on Candlemas and know about

  • the Presentation of Jesus at the Temple,
  • the Nunc dimittis, a canticle, Simeon’s song of praise,
  • the Purification of the Virgin,
  • the beginning of a new Marian season,
  • the antiphon of the season “Ave Regina Cælorum,”[i]
  • and Groundhog Day.

I realize that fewer people go to a service on Sunday or attend Mass, but music and the fine arts have kept alive religious, mythological and mythical “reality.”  Aert de Gelder (or Arent, 26 October 1645 – 27 August 1727), a student of Rembrandt, painted Simeon holding the child Jesus and, as noted above, Simeon sang the Nunc dimittis when he saw Jesus, as he had been told by none other than the Holy Ghost.  (See Nunc Dimittis, Wikipedia).  Religious feasts are usually associated with the seasons, mythologies give us a past, myths provide metaphors, and feed the imagination.  Yet myths are the fruit of imagination.

William Byrd (English Renaissance) composed a very fine “Nunc Dimittis.”  It is featured in a post entitled: Nunc Dimittis, Simeon’s Song of Praise (2 February 2012).  A second “Nunc Dimittis,” composed by Giovanni Pierluigi da Palestrina (3 February 1525 or 2 February 1526 – 2 February 1594), is featured in Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights (2 February 2012).

Palestrina is known for composing “transparent” polyphonic (many voices) music.  Although the voices blend, one can still hear the text.  This was important because the Reformed Churches favoured simple songs.  I have found precious gems in the Church of England’s anthems.  They engaged the faithful who were invited to sing.  The English wrote lovely, melodious anthems.  Martin Luther wrote hymns, the most famous of which is Ein’ feste Burg is unser Gott  (A Mighty Fortress is our God).

In the News

Canadian Conrad Black, no choirboy himself, has stated that “[t]he election of Kathleen Wynne and Pauline Marois’ Scotland visit might incite fear that much of Canada is being led by nasty women.”  (See The National Post.)

He could be right; women can be as nasty as men.  I know, from personal experience, that women can in fact surpass men in cruelty, jealousy, hypocrisy, etc.  They can be extremely manipulative, devious and vindictive.  Think of my little blue house.  (See From House to House.)  My “case manager” was a woman employed by a fine insurance company.  She did not lose her position.

One day, a “good” woman posted the results of an examination on the door of her office, listing her students’ marks, not next to a number, but next to a name.  I talked with her gently, but she did not know what I was talking about…   However, a little later, such behaviour became an official violation.  This may seem a detail, but good educators respect their students.  That’s rule number one.

Not that men are better.  I am thinking of that student in India, raped and probably impaled to death.  The poor young woman and her poor parents!  And there is violence in the Middle East.  Why?  Also in the news is suicide.  Young people are committing suicide!

The News

English
The Globe and Mail
The Montreal Gazette
The National Post
The New York Times
The Washington Post
Le Monde diplomatique EN 
 
CBC News
CTV News
CNN News
 
French 
Le Devoir
La Presse
Le Monde
Le Monde diplomatique
 
German 
Die Welt
_________________________

[i] or Cœlorum.  The two are used.

Andrea Mantegna was capable of crying.

madonna_with_childb5f2© Micheline Walker
February 3, 2013
WordPress

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Candlemas: its Stories & its Songs

02 Saturday Feb 2013

Posted by michelinewalker in Feasts, Marian Hymnology

≈ 7 Comments

Tags

Alma Redemptoris Mater, Christmas, Feasts, Groundhog Day, Magnificat, Mary, Nunc Dimittis, Presentation of Jesus at the Temple

Putti, by Raphaël

Putti (Chérubins), by Raphaël

Marian Antiphons

Today, 2 February 2013, we are entering the Marian year’s second season, the first takes us from Advent to Candlemas (la Chandeleur), once an observed feast commemorating the presentation of the child Jesus at the Temple. The second lasts until Good Friday.

In other words, as of today the Marian song is the Ave Regina Cælorum. From the beginning of Advent until today, it had been the Alma Redemptoris Mater. Several composers have set the words of the Alma Redemptoris Mater to music and the same is true of the Ave Regina Cælorum. 

In the Church of England, today, Candlemas, is the end of the Epiphany season which follows the Christmas season.

The “Nunc dimittis” or Canticle of Simeon

Also sung today is the Nunc dimittis (“Now you dismiss…,” Luke 2:29–32), The Song of Simeon or Canticle of Simeon). Simeon had been promised he would see Jesus and did.  A canticle is a song of praise. In this respect, the Nunc Dimittis resembles the Magnificat, or Canticle of Mary. Mary sang the Magnificat when she heard her cousin Elizabeth was with child. To listen to the Nunc Dimittis and read its story, simply click on one of the links below:

  • Nunc Dimittis, Simeon’s Song of Praise (2 February 2012)
  • Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights (2 February 2012)

Groundhog Day

Moreover, today is also Groundhog Day. Punxutawney Phil has not seen his shadow which means that we are nearing spring. (See the Washington Post.) So, humans have always situated their feasts when a change occurs in the weather. We go from season to season and the following year, we also go from season to season and this continues year after year.

The Labours of the Months

Remember Jean de France’s Très Riches Heures. (See Les Très Riches Heures du Duc de Berry).  It’s a Book of Hours, but it is also a calendar. The Très Riches Heures has a large illuminated (enluminures) page for each month of the year illustrating the Labours of the Months. With Jean de France, there was another motive. In the background of each page, we see one of his castles.

Greek poet Hesiod, who is believed to have been active between 750 and 650 BCE, wrote Works and Days, a book Wikipedia describes as a farmer’s almanac. In Works and Days, he is teaching his brother Perses about the agricultural arts. (See Works and Days.)

Although we are leaving the first Marian season, I am including both the Alma Redemptoris Mater and the Ave Regina Cælorum.

—ooo—  

During Canonical Hours, the Antiphon (antienne) is a liturgical chant that precedes and follows a Psalm or a Canticle. In a Mass, it is also a chant to which a choir or the congregation respond with a refrain. It is therefore a call and response chant. The following links take one to Notre-Dame de Paris:

  • Alma Redemptoris Mater (Advent through February 2)
  • Ave Regina Cælorum (Presentation of the Lord through Good Friday)
  • Regina Cœli (Easter season)
  • Salve Regina (from first Vespers of Trinity Sunday until None of the Saturday before Advent)

Sources and Resources

Hesiod’s Works and Days is an online publication.

—ooo—

Posts on Marian Hymnology & More

  • Posts on Marian Hymnology (6 January 2013)
  • Epiphany: Balthasar, Melchior & Gaspar (6 January 2013)
  • A Christmas Offering (cont’d): Hymns to Mary (26 December 2012)
  • From the Magnificat to the Stabat Mater (6 April 2012)
  • Raphael and Marian Liturgy at NDP (4 April 2012)
  • Fra Angelico & the Annunciation (3 April 2012)
  • On Calendars & Feast Days (2 April 2012)
  • Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights (2 February 2012)
  • Nunc Dimittis, Simeon’s Song of Praise (2 February 2012)
  • A Christmas Offering: Hymns to Mary (25 December 2011)
  • The Blessed Virgin: Mariology (24 December 2011)
  • A Portrait of Giovanni Battista Pergolesi (20 December 2011)
  • Canonical Hours and the Divine Office (19 November 2011) ←
composer: Giovanni Pierluigi da Palestrina (3 February 1525 or 2 February 1526 – 2 February 1594)
piece: Alma Redemptoris Mater
performers: Cappella Gregoriana (Tokyo, Japan)
From First Vespers of Christmas until the Presentation

piece: Ave Regina Cælorum
performers: Philippe Jaroussky (French countertenor, b. 13 February 1978)
Marie-Nicole Lemieux (Quebec contralto, b. 26 June 1975)
From the Presentation of the Lord through Good Friday
 

Raffael_027© Micheline Walker
2 February 2013
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Nunc Dimittis, Simeon’s Song of Praise

02 Thursday Feb 2012

Posted by michelinewalker in Feasts, Hymnology, Liturgy

≈ 13 Comments

Tags

Antiphon, Canticle, Feasts, Hymnology, in fine arts, in music, Nunc Dimittis, Simeon's Song of Praise

Nunc Dimittis, Simeon's Song of Praise, by Aert de Gelder

Nunc Dimittis, Simeon’s Song of Praise, by Aert de Gelder (Photo credit: Wikipedia)

Aert de Gelder (or Arent, 26 October 1645 – 27 August 1727) is one of Rembrandt’s last pupils while in Amsterdam (1661 to 1663) (Wikipedia). I discovered Christian liturgy, first, when taking courses in the Fine Arts and, second, as a student of musicology. Students of musicology must learn liturgy and the Nunc dimittis is a good example. There was a demand for liturgical music. As a result, the development of polyphony, the combination of voices, occurred from liturgical chant to liturgical chant and from madrigal to madrigal, its secular counterpart. Liturgy also constitutes one of the main subject matters of the visual arts.

In my family Candlemas was celebrated, but I was not told that the Nunc dimittis was Simeon’s Song of Praise, a canticle. In fact, although I attended a Catholic school, we were never told that Candlemas was a commemoration of the Presentation of Jesus at the Temple and of Mary’s Purification after Childbirth.

Nunc dimittis

February 2nd is “Nunc dimittis” day and “Nunc dimittis” is Simeon’s Song of Praise. In yesterday’s poat I inserted Palestrina’s “Nunc dimittis,” but today we will hear William Byrd‘s “Nunc dimittis.”

Here are the words of the “Nunc Dimittis:”

English (Book of Common Prayer, 1662)
 
Now Thou dost dismiss Thy servant, O Lord, according to Thy word in peace;
Because my eyes have seen Thy salvation,
Which Thou hast prepared before the face of all peoples:
A light to the revelation of the Gentiles, and the glory of Thy people Israel.
 
Latin (Vulgate)
 
Nunc dimittis servum tuum, Domine, secundum verbum tuum in pace:
Quia viderunt oculi mei salutare tuum
Quod parasti ante faciem omnium populorum:
Lumen ad revelationem gentium, et gloriam plebis tuae Israel. 
 
_________________________
Religious art
 
composer: William Byrd (1540 or late 1539 – 4 July 1623, by the Julian calendar, 14 July 1623, by the Gregorian calendar) 
title: Nunc Dimittis 
performers: Alexander Kamerkoor

Jesus (Egypte)

© Micheline Walker
2 February 2012
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Candlemas: the Presentation of Jesus in the Temple & a Festival of Lights

02 Thursday Feb 2012

Posted by michelinewalker in Feasts, Hymnology, Liturgy

≈ 5 Comments

Tags

festival of lights, Hypapante, nature's calendar, Nunc Dimittis, Pidyon haben, Presentation of Jesus in Temple, Simeon's Prophecy, Simeon's Song of Praise

Presentation of Jesus at the Temple, by Rembrandt van Rijn

Presentation of Jesus at the Temple by Rembrandt van Rijn (Photo credit: Wikipedia)

Rembrandt van Rijn (15 July 1606 – 4 October 1669)

262px-aert_de_gelder_-_het_loflied_van_simeon

Simeon’s Song of Praise by Aert de Gelder (Photo credit: Wikipedia)

Aert de Gelder (26 October 1645 – 27 August 1727)

Simeon the Righteous

Linked to the presentation of Jesus at the Temple is the touching story of Simeon the Elder, or Simeon Senex. “According to the Biblical account, Simeon had been visited by the Holy Spirit and told that he would not die until he had seen the Lord’s Christ. On taking Jesus into his arms he uttered the prayer Nunc dimittis” (Wikipedia), also called the Canticle of Simeon, found in St. Luke’s Gospel (2:29-32). The Nunc dimittis is still used liturgically in many Christian churches.  Simeon also prophesied the crucifixion. He said to Mary:

Behold, this child is set for the falling and the rising of many in Israel, and for a sign which is spoken against. Yes, a sword will pierce through your own soul, that the thoughts of many hearts may be revealed (Luke 2:34-35).

East and West

In the Eastern Orthodox Church, the Presentation is called Hypapante (Meeting), “in reference to Jesus’ meeting in the Temple with the aged Simeon” (Wikipedia). Moreover, in the Eastern Church, the Presentation is a celebration of Christ and it is one of The Twelve Feasts, four of which honour Mary. But in the Western Church, Candlemas is the fourth of the Joyful Mysteries of the Rosary (from rose, the flower) that commemorate Mary.

The Festival of Lights

Candlemas is also joyful because it is a festival of lights and has been so since the fifth century. Candlemas is the day that “all the Church’s candles for the year were blessed” (BBC). As a festival of lights, Candlemas is among the celebrations which, from time immemorial, have been associated with the degree of daylight.

Christianity shaped its liturgical calendar according to what could be called a pagan calendar but is in fact nature’s calendar: the two solstices (Christmas and St John’s Day) and the two equinoctial points (Easter and Michaelmas: end of September). Candlemas is celebrated between the winter solstice, Christmas, and the spring equinox, Easter.

Rome: Candles

According to Brewers’ Dictionary of Phrase and Fable, “the ancient Romans had a custom of burning candles to scare away evil spirits.”[1]  Well, that practice was also long perpetuated, particularly in England, and might be revived.

Groudhog day

We then come to the matter of Groundhog day. Foretelling what the remainder of winter would bring is not new, but the manner differs:

If Candlemas day be dry and fair,
The half o’winter’s come and mair`
If Candlemas Day be wet and foul,
The half o’winter was gone at Youl.

Scottish Proverb[2]

_________________________

[1] “Candle.Candlemas Day,” Brewer’s Dictionary of Phrase and Fable, revised by Adrian Room, Sixteenth Edition (London: Cassell 2001[1959]).

[2] Ibid.

composer: Palestrina (3 February 1525 or 2 February 1526 – 2 February 1594)
title: Nunc dimittis
performers: The Tallis Scholars

 

© Micheline Walker
2 February 2012
Revised 4 February 2017
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