Belaud was three months old when he entered my life, but he died in 2019. When I first saw him I thought there could not be a lovelier kitten.
However, for the first two weeks, Belaud was in mid-air. He was flying. I think he was nervous. He didn’t know me and he had just left his family. I could not go and meet Belaud, but the breeder sent me a picture of his father, Tennessee, and she told me Belaud would look like Tennessee. His mother was an aristocrat. She had a very long name.
Belaud was my second chartreux. There was a previous Belaud: Belaud I. Chartreux look almost the same, but my first Belaud was more dependent on me. Everytime I left the house, he looked worried. Fortunately, he was with Mouchette. They played together. They were lovely to watch. My house was not very large, but it had more space than we needed.
This is a strange time in history. There is not a single chartreux available in Quebec. I would have to fly to France to find Belaud III, but even French breeders have been affected by Covid and I could not afford to fly to France, not at this point. The markets are fluctuating.
The above photograph was taken in Magog. Magog is less than a half-hour drive from Sherbrooke. Chartreux enjoy cars. The law demands that cats be inside their carrier, but with chartreux, the carrier protects the chartreux, not the driver.
I did not live in this building when Belaud was adopted. I wanted to move, but decided not to do because I was not feeling well. I lost the former apartment to a dishonest realtor and an unconscionable lawyer. I asked the lawyer to phone the realtor and explain that I wasn’t feeling well. It ruled out moving to a new home. I didn’t pay his bill. It was the beginning of emphysema. It causes shortness of breath, but it is not a great obstacle.
This building I live in is perfect for an aging woman, but it is a smaller apartment and it needed and still needs renovations. Moreover, it could not accommodate hundreds of books. So, I have missed my former apartment. And now I miss Belaud.
I am looking for a third Belaud, but I may not find one.
The war in Ukraine has not ended, so I believe this will be a humble Christmas. The days are getting shorter and the light will return.
I’m about to work again, but life changed drastically today (29 November). I took my cat Belaud to his vet. Cancer was diagnosed. Dr de Vette (that is his real name) thought the only humane thing to do was euthanasia. Belaud was the French chartreux who was my constant and beloved companion since 2008.
He had stopped eating several days ago, drank smaller and smaller amounts of fresh water, and he wouldn’t eat his treats. The last two nights, he didn’t sleep on the bed. This was unusual because he was always as close to me as possible.
I took him to the vet’s knowing what I would be told, yet hoping I was wrong.
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Dom Garcie de Navarre and Les Fâcheux have both been considered Précieux plays and both are a discussion on jealousy. Is jealousy a sign of love or is it destructive? The question was discussed in Salons, one of France’s major cultural and social institutions. Salons have now closed. In French seventeenth-century salons, questions d’amour were dissected by men and women. Topics discussed in salons changed from century to century and, to some extent, from salon to salon. In earlier posts, we have seen la carte du Tendre, the map of love. It appeared in Clélie, Histoire romaine, a novel by Madeleine de Scudéry. The Map of Tendre was engraved by François Chauveau. In Dom Garcie de Navarre, jealousy is as we have seen it in Molière’s Amphitryon. The seventeenth-century masterpiece on the subject of jealousy is Madame de La Fayette‘sPrincesse de Clèves, published in 1678.
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I’m so sorry my little Belaud has left us. He was affectionate, quiet, friendly, and always happy. He had been with me since he was old enough to be adopted and ran my life in a manner that suited us both. Belaud was named after Joachim du Bellay‘s Belaud, also a chartreux.
I have not been able to write due to various house chores. I haven’t quite finished settling down. In the past, I settled into a home in a matter of days. This time, I will have to hire professionals or spend years settling in. How humbling!
You may remember that I lost my voice on 11 December. It has now returned, but it is different. X-rays revealed emphysema. I could not believe my doctor. I have never smoked and I can breathe ‘normally,’ so no treatment is necessary.
I nearly lost my driver’s license, but for reasons other than emphysema.
However, given that my license could be taken away. I bought an apartment located close to a little market. Just in case… The little market has everything I need. I have been told I qualified for a service dog, but Belaud said no.
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My cat Belaud was delighted when I discovered a painting featuring a chartreux sitting on a lady’s lap: artistic roots. French poet Joachim du Bellay had a chartreux named Belaud. When his Belaud died, he wrote an extroardinary epitaph entitled Sur la mort de Belaud. As you know, I share my home and life with a cat named Belaud. Belaud is a pure-bred French chartreux. I named my chartreux after Joachim du Bellay‘s Belaud. Du Bellay’s Sur la mort de Belaud is a long poem I would not attempt to translate.
Belaud Portrayed & Elevated
literary roots
artistic roots
Belaud has literary roots, but the J. Paul Getty Museum has a painting featuring a dignified lady, nose up, holding her precious chartreux. Artist Jean-Baptiste Perronneau (French, 1715 – 1783) is not as prominent a figure as Joachim du Bellay, but we owe him the portrait of a chartreux, and images are immediate. Upon analysis, we may find that a picture is complex, but in the case of Perronneau’s portrait, we know we are seeing a lady, Magdaleine Pinceloup de la Grange, holding her beloved cat, a chartreux.
Because of this portrait, chartreux have acquired greater stature. A cat protrayed is a thousand cats. Moreover, Jean-Baptiste Perronneau depicted a chartreux sitting in the lap of the distinguished madame Pinceloup de la Grange. I told Belaud that a portrait of a chartreux had surfaced. “Well, mother,” said Belaud, “I knew. We cats research our ancestry.” Mme Pinceloup de la Grange’s chartreux could indeed be Belaud’s ancestor. However, my Belaud does not wear a collar because he is not a threat to birds. He would love to be hired to chase away various rats, “gros rats.” In fact, one gentleman offered him a lucrative contract: “toxicity” said the gentleman, “toxicity! It will be the Black Death all over again.” The gentleman died a few weeks later.
Given their profession, chasing rats, chartreux are large and very robust cats. Fearing the cold, they wear two coats of fur. I should also mention that they enjoy sitting with their legs extended forward and that they sometimes cross their legs, as though they were dogs, or human beings. They may be referred to as blue cats, but they are grey cats. The light, however, may make their fur appear blue and even mauve.
The chartreux and their British Blue relatives have a round face, large cheeks, a permanent smile and yellow to copper eyes. I should also tell you that Chartreux are very quiet. Legend has it that their silent owners, Carthusian monks, taught them silence. Belaud purrs, but he is otherwise absolutely silent. A long time ago, I read they were brought to France by crusaders. Were Carthusians crusaders?
Du Bellay’s epitaph on Belaud is very long, but very rich. Besides, du Bellay is a better-known figure than monsieur Perronneau. He was a member of La Pléiade, a group of stellar poets who are the fountainhead of poetry in French. Poet Pierre de Ronsard (11 September 1524 – 27 December 1585) was a prince of poets, un prince des poètes, which is not insignificant, but he is famous for a carpe diem poem. In one of his Sonnets pour Hélène, he enjoins Hélène to love him dès aujourd’hui, as of today, life being so short. There was an Hélène whose gentleman friend had died in a war. She was not in the least interested in Ronsard, but Ronsard’s poem is unforgettable.
Vivez, si m’en croyez, n’attendez à demain :
Cueillez dès aujourd’hui les roses de la vie.
Italy was the first refuge of Greek scholars. As for painters, Christians, they fled to Russia, carrying icons. Constantinople had been a Holy See for Eastern Christianity. We know about the Great East/West Schism, 1054. The Vatican is Western Christianity’s Holy See. The Eastern Church would have several Holy Sees, called Synods.
The arrival in Italy of Greek scholars may have led scholars to look to Antiquity and learn Greek. The Renaissance, however, saw the emergence of the vernacular, the mother tongue.
Du Bellay promoted the vernacular, French in his case. He was inspired by Italian author Sperone Speroni’s Dialogo delle lingue, 1542. Speroni was a friend and supporter of Venetian-language playwright Angelo Beolco (el Ruzante). However, the greater supporter of the vernacular was Pietro Bembo (20 May 1470 – either 11 January or 18 January). Bembo championed the use of Italian by poet Petrarch (20 July 1304 – 18/19 July 1374). Predecessors were Dante Alighieri (c. 1265 – 1321), the author of the Divine Comedy, written in the vernacular, and Giovanni Boccaccio (16 June 1313 – 21 December 1375), the author of the Decameron, written in the Florentine language.
Yvonne de Gaulle in a London kitchen (Getty Images)
Chartreux are often compared to British blue cats. There is a resemblance, but the two breeds differ. The snout of British Blues does not point forward as much as the snout of chartreux. Consequently, British Blues have rounder faces and larger jowls. Belaud’s face is round, but his jowls are not as prominent as the jowls of his British cousins.
I was able to gather precious information about Chartreux and British Blues. My very bilingual Scottish friend, Francis, was hired to go between English-speaking Winston Churchill and Charles De Gaulle, who spoke French, as D-Day was planned. How did Francis survive being a go-between to such men? De Gaulle would not always agree with Churchill and he communicated with the Free French Forces, Forces françaises libres which he led beginning on 28 June 1940. L’appel du 18 juin (1940), a radio broadcast, the BBC, gave hope to the French. France had defenders: the United States and the British Empire. Churchill was at times livid, said Francis, discreetly. We have learned since that De Gaulle told the Forces françaises libres that Paul Verlaine’s Chanson d’automne would be used in the planning of D-Day. Verlaine is un prince des poètes, but Chanson d’automne was a code.
Obviously, sharing the code was dangerous, but I wonder whether Francis had a role to play in the Querelle des Chartreux et des Bleus britanniques. He would not have told me. But truth me told, a querelle des chats took place in the thick of a devastating war. The British wanted to mix the Chartreux with the British Blue and De Gaulle would not allow the national cat of France simply to vanish. Later, Yvonne, De Gaulle’s wife, gave her husband a chartreux which le général called Gris [grey]-Gris. Gris-Gris probably had an aristocratic name, but le général called him Gris-Gris. Gris-Gris followed De Gaulle from room to room.
Sidonie-Gabrielle Colette
Charles Baudelaire by Étienne Carjat
Writers Sidonie-Gabrielle Colette, and Charles Baudelaire also adopted a chartreux. Belaud’s mother was a Sidonie de… I cannot remember the rest of her name, but his father was Tennessee. The cat she called la dernière chatte (the last cat), was no doubt a chartreux.
This post is a shameful coq-à-l’âne (jumping from one subject to another). The coq-à-l’âne had a terrible reputation, but now that marginalia is all the rage, I’m saved. However, I will close proudly as Belaud is all over this post, un fil conducteur, a link, carrying weight.
I am Belaud (pronounced ‘below’), the little fur person who shares Micheline’s life. She has asked me to write a note on her behalf. She somehow got interested in “The Fox and the Crow” and started writing a post she could not finish.
She is lucky to be able to count on me when such “accidents” occur. The best remedy, I told her, is to slash and slash. She explained that there were times when one could not slash and slash. Since the Syrian crisis and the debt-ceiling crisis, one nearly overlapping the other, she has not been her usual self. What would she do without me?
Micheline is now returning to her post. The arrangement is that she will discuss the moral in one post and will provide additional information in a separate post. I explained that she may run out of pictures, but this does not appear to be the case.
About me, Belaud
I am a pure-bred chartreux and, as we will see, a celebrated cat, but Micheline does not take me to shows. The two of us stick to a humble lifestyle. She says class is irrelevant. After all, she is, on her maternal grandmother’s side, a descendant of Alix de France, one of Eleanor of Aquitaine‘s (1122 or 1124 – 1 April 1204) two daughters by King Louis VII.
During the years she spent in Nova Scotia, she didn’t know this and knowing has not improved her life. She cannot play a musical instrument in this apartment and selling it, the apartment that is, would not buy her a little house or a townhouse however humble.
Joachim du Bellay (c. 1522 – 1 January 1560; aged 37) was the first French author who felt French could be a literary language. He was a member of the Pléiade, an informal academy. He wrote their manifesto: Défense et illustration de la langue française (La Deffence, et Illustration de la Langue Francoyse, 1549.)
There is one poem Micheline loves: Heureux qui, comme Ulysse, a fait un beau voyage,…(Happy is he who, like Ulysses, has gone on a beautiful trip,…). Du Bellay was in Rome, but missed la doulceur angevine, gentle Anjou.
Despite lineage, no great author has made Micheline into a celebrity. But Joachim du Bellay eulogized his cat Belaud, one of my ancestors:Sur la mort de Belaud. I don’t think anyone will eulogize Micheline, not even me, except modestly, if I’m still alive. Public speaking scares me.