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Arts and Crafts Movement, Franz Schubert, Jean de La Fontaine, Neptune's Horses, Posts on La Fontaine, Pre-Raphaelite Brotherhood, Ständchen, Walter Crane
Illustrator: Walter Crane
I have endeavoured to collect all my posts on Jean de La Fontaine (8 July 1621 – 13 April 1695), most of which are also discussions of Æsop‘s Fables. We have now discussed many fables by La Fontaine and Æsop. My list may therefore be incomplete.
The ‘Golden Age’ of British book illustration
The illustrations shown in this post are by Walter Crane (1845–1915) who illustrated Æsop‘s Fables adapted for children. Crane lived during the ‘Golden Age’ of British book illustration. His contemporaries were Randolph Caldecott, Kate Greenaway, Arthur Rackham, Sir John Tenniel (Alice in Wonderland), and other celebrated illustrators.
Japonism of Toy Books
Crane was influenced by Japonisme: ukiyo-e prints. In England, Japonism was called the Anglo-Japanese Style. The Alphabet of Old Friends, shown above, one of Crane’s toy books, is an example of Japonism both from the point of view of subject matter (e.g. the heron or crane, the oranges) and style: flat colours, etc.
Pre-Raphaelite Brotherhood and the Arts and Crafts Movement
The Healthy and Artistic Dress Union
However, Crane is usually associated with the Pre-Raphaelite Brotherhood (middle of 19th century onward) and the Arts and Crafts Movement (1860 and 1910), movements that incorporated the decorative arts and design. William Morris (24 March 1834 – 3 October 1896), a leading member of both movements, designed wallpaper and tiles. Interestingly, Walter Crane designed not only wallpaper, etc., but clothes for women, looser-fitting clothes. He was in fact a Vice President of the Healthy and Artistic Dress Union. This, I would not have suspected.
At first sight, Walter Crane’s moral for the “Fox and the Grapes” seems rather negative, if one focusses on the word disappointment: “The grapes of disappointment are always sour.” However, this moral may serve to lessen cognitive dissonance, if the grapes are deemed sour. Since Æsop‘s Fables are for anyone to retell, morals may differ from author to author.
La Fontaine’s illustrators
Walter Crane was a fine artist. He is the creator of “Neptune’s Horses,” an artwork that is somewhat reminiscent of Hokusai‘s Great Wave off Kanagawa. “Neptune’s Horses” is featured at the very bottom of this post. However, although Crane illustrated Æsop‘s Fables, and, by extension, some of La Fontaine’s Æsopic fables, the most famous illustrators of La Fontaine’s Fables are Jean-Baptiste Oudry, François Chauveau, Jean Ignace Isidore Gérard Grandville, Gustave Doré, and others, some of whom I have already mentioned and some I will mention in future posts.
The Video
YouTube has a lovely video featuring Walter Crane’s art. However, it does not show his illustrations of fables. It does not fully belong to this post. The music is Franz Schubert‘s (31 January 1797 – 19 November 1828) Ständchen, D. 957.
FABLES by Jean de La Fontaine (I like the fable entitled “The Man and the Snake” [X.1])- The Cat’s Only Trick, “Le Chat et le Renard” (IX.14) (The Cat and the Fox)
- The Cat Metamorphosed into a Maid, by Jean de La Fontaine, “La Chatte métamorphosée en femme” (II.18)
- “The Cock and the Pearl,” La Fontaine cont’d (I.20), “Le Coq et la Perle” (I.20)
- La Fontaine’s “The Fox and the Grapes,” “Le Renard et les Raisins” (III.11)
- The Fox & Crane, or Stork, “Le Renard et la Cigogne” (I.18)
- The Fox with his Tail Cut Off, (see Another Motif: The Tail-Fisher) (V.5)
- The Frogs Who Desired a King , “Les Grenouilles qui demandent un roi” (III.4)
- The Hen with the Golden Eggs, “La Poule aux œufs d’or” (V.8)
- The Man and the Snake, “L’Homme et la Couleuvre” (X.1)
- The Miller, his Son and the Donkey: quite a Tale, “Le Meunier, son fils, et l’âne” (X.1)
- A Motif: Getting Stuck in a Hole, “La Belette entrée dans un grenier” (III.17) (The Weazel in the Granary)
- Another Motif: The Tail-Fisher, “Le Renard ayant la queue coupée” (V.5)
- The Mouse Metamorphosed into a Maid, by Jean de La Fontaine, “La Souris métamorphosée en fille” (II.18)
- The North Wind and the Sun, “Phébus et Borée” (VI.3)
- The Oak Tree and the Reed “Le Chêne et le Roseau,” (I.22)
- (The Oak and the Reed): the Moral “Le Chêne et le Roseau” (I.22)
- The Town Mouse and the Country Mouse, “Le Rat de ville et le Rat des champs” (I.9)
- La Fontaine’s “The Two Doves,” “Les Deux Pigeons” (IX.2)
- The Two Rats, the Fox and Egg: The Soul of Animals, “Les Deux Rats, le Renard, et l’Œuf” (IX. last fable)
- You can’t please everyone: Æsop retold, “Le Meunier, son fils, et l’âne” (X.1)
- “La Belette entrée dans un grenier” (III.17) A Motif: Getting Stuck in a Hole (“The Weazel in the Granary”)
- “Le Chat et le Renard” (IX.14) The Cat’s Only Trick (“The Cat and the Fox”)
- “La Chatte métamorphosée en femme” (II.18) The Cat Metamorphosed into a Maid, by Jean de La Fontaine
- “Le Chêne et le Roseau” (I.22) The Oak Tree and the Reed
- “Le Chêne et le Roseau” (The Oak and the Reed): the Moral (I.22)
- “Le Coq et la Perle” “The Cock and Pearl,” La Fontaine cont,d
- “Les Deux Pigeons” The Two Doves (IX.2)
- “Les Deux Rats, le Renard et l’Œuf” (IX.last fable) The Two Rats, the Fox and Egg: The Soul of Animals
- “Les Grenouilles qui demandent un roi” (III.4) “Les Grenouilles qui demandent un roi,” (The Frogs Who Desired a King)
- “L’Homme et la Couleuvre” (X.1) The Man and the Snake
- “Le Meunier, son fils, et l’âne” (III.1) The Miller, his Son and the Donkey: quite a Tale
- “Le Meunier, son fils, et l’âne” (III.1) You can’t please everyone: Æsop retold
- “Phébus et Borée” (VI.3) The North Wind and the Sun
- “La Poule aux œufs d’or” (V.8) The Hen with the Golden Eggs
- “Le Rat de ville et le Rat des champs” (I.9) The Town Mouse and the Country Mouse
- “Le Renard ayant la queue coupée” (V.5) Another Motif: The Tail-Fisher (“The Fox with his Tail Cut Off”)
- “Le Renard et la Cigogne” (I.18) The Fox & Crane, or Stork
- “Le Renard et les Raisins” (III.11) The Fox and the Grapes
- “La Souris métamorphosée en fille” (IV.7) The Mouse Metamorphosed into a Maid, by Jean de La Fontaine
Naomi Baltuck said:
Hi Micheline,
A lovely post!
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michelinewalker said:
How sweet of you Naomi. Compiling is time-comsuming, but there has to be a list somewhere and “decorations” to delight the human eye. I hope you are well Naomi and wish you a very fine week.
Love, Micheline
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Jane Hannah said:
Hi Micheline,
I love your blog — and the subjects that you show us and talk about. Thank you as this gives me food to find out about other worlds and artists -)
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michelinewalker said:
Hi Jane,
I thank you for your comment. Aesop and La Fontaine are great sources and we have illustrations. What would I do without the internet?
Many of my readers are students. I try to keep their needs in mind. I am no longer in the classroom, but I still enjoy research and providing information. It gives me pleasure to write on subjects such as fables. Somehow, I keep discovering aspects of Aesop and La Fontaine that I had not seen before.
I thank you for your note.
Micheline
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Jane Hannah said:
So true! Indeed — what would we do without the internet? It has become an indispensable tool for most of us nowadays — keep on the research then -)
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michelinewalker said:
I find so much information and images on the internet. It’s like living in a huge library.
Love,
Micheline
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michelinewalker said:
Merci,
Micheline
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Pingback: PIERRE FONTAINE (FRANCIA,1762-1853) | "HIJO PINTOR"
michelinewalker said:
Bonjour Pierre!
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Gallivanta said:
As always, a beautiful selection of art and music.
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michelinewalker said:
Beautiful pictures and music are a gift. They delight the soul. The rest is information.
Thank you Gallivanta. Have a good day.
Micheline
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michelinewalker said:
I thank you for writing such kind words. It is encouraging.
Best regards,
Micheline
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cocktail dress in uk said:
This is a really cool webisite that I found online.
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michelinewalker said:
Thank you, Micheline
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michelinewalker said:
Thank you,
Micheline
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Cora Conway said:
who is credited with two portraits of Aesop. “Aesop, poet of the fables” is in the El Escorial gallery and pictures him as an author leaning on a staff by a table which holds copies of his work, one of them a book with the name Hissopo on the cover.
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michelinewalker said:
It’s Jusepe de Ribera. http://en.wikipedia.org/wiki/Jusepe_de_Ribera
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fallen arch said:
Every man has his follies – and often they are the most
interesting thing he has got.
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michelinewalker said:
Yes, we all have our follies. Some are quite delightful.
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