Tag Archives: The Golden Legend

Natural Histories

03 Friday Oct 2014

Posted by in Art, Beast Literature, Bestiaries, Illuminated Manuscripts

≈ 4 Comments

Tags

, , , , , , , , ,

m_03

Livre d’images de madame Marie Hainaut, vers 1285-1290 Paris, BnF, Naf 16251, fol. 22v. La naissance du Christ est annoncée aux bergers, aux humbles. “Et voici qu’un ange du seigneur leur apparut [.]. Ils furent saisis d’une grande frayeur. Mais l’ange leur dit : “Ne craignez point, car je vous annonce une bonne nouvelle [.]” (The Birth of Christ announced to the Shepherds) (Photo credit: the National Library of France [BnF])

 —ooo—

Introduction

I am providing you with a list of natural historians. There are other historians than those I have listed. Moreover, some of the authors of Medieval Bestiaries were historians. My sources are the Medieval Bestiary and Wikipedia.

The Contents of Natural Histories

Nature included not only animals, plants, flowers, but “the moon, stars, and the zodiac, the sun, the planets, the seasons and the calendar[.]” (Vincent de Beauvais). I have already noted that our humble calendars were cultural monuments. Jean de France’s Livre d’heures (Book of Hours) is probably the chief example of humanity’s need to chronicle its hours and the labours of the months. Les Très Riches Heures de Jean de France, Duc de Berry and the Book of Kells are genuine treasures. The beauty of the Book of Kells never ceases to amaze me. It is always new. As for Jean de France, Duc de Berry’s Livre d’heures, it is also an extremely beautiful book and it features the zodiac, thereby attesting to continuity between “paganism” and Christianity.

The Testimonial of Explorers: Marco Polo

The authors of the Natural Histories relied to a large extent on the testimonial of earlier natural historians, which did not make for accuracy, but was acceptable in the Middle Ages. Predecessors were masters one strove to equal. Marco Polo‘s (15 September, 1254 – 8–9 January, 1324) Book of the Marvels of the World (Le Livre des merveilles du monde), c. 1300, was also a source for natural historians who lived during Marco Polo’s lifetime and afterwards.

Marco Polo, however, did not have a camera and it would appear that few artists accompanied him. His descriptions could therefore be edited. Discovering trade routes, the silk road, was a more important mission for him than cataloging animals. Last September (2014), it was suggested that Marco Polo discovered America. (See The Telegraph.)

The Bestseller of the Middle Ages: The Golden Legend

Although Natural Histories listed mythical animals and much lore, I would not dismiss the accounts of the natural historians of Greece, Rome, early Christianity, and the Christian Middle Ages. Their books reveal various steps in our history. For instance, the bestseller of the Middle Ages was Jacobus de Voragine’s (c. 1230 – 13 or 16 July 1298) Golden Legend, which contained mostly inaccurate hagiographies (lives of saints). Although it was rather fanciful, it served as a mythology and humans need mythologies. They need to trace their roots.

Claudius Alienus’ On the Characteristics of Animals is available in print: Book 1, Book 2. But it may be read online at Internet Archive (Book 1, Book 2, Book 3). So are other books. For my purposes, On the Characteristics of Animals (EN) was extremely useful. It is the natural history I used when I prepared my course on Beast Literature.

lat_8878_014

Beatus de Saint-Sever. Manuscrit copié à Saint-Sever, XIe siècle, avant 1072 BnF, Manuscrits, Latin 8878 fol. 14 (An “historiated” letter: note the “eternal” knots and Renart standing on its back legs.) (Photo credit: the National Library of France [BnF]) 

Guillaume de Machaut, Rondeaux. Manuscrit copié à Reims, vers 1373-1377. BnF, Manuscrits, Français 1584 fol. 478

Guillaume de Machaut, Rondeaux. Manuscrit copié à Reims, vers 1373-1377.
BnF, Manuscrits, Français 1584 fol. 478 (Renart sits inside an historiated initial.) (Photo credit: BnF)

Natural Histories

Among historians, we can name:

  • Aelian (Claudius Alieanus) (c. 175 – c. 235 CE);
  • Æsop’s Fables (620 and 560 BCE);
  • Saint Ambrose (c. 340 – 4 April 397), Bishop of Milan;
  • Augustine of Hippo or St Augustine (13 November 354 CE – 28 August 430);
  • John Chrysostom c. 347 – 407);
  • Gervaise (end of 12th century), Bayeux, a Bestiaire);
  • Giraldus Cambrensis (Gerald of Wales, Gerald of Wales or Gerald de Barri) (c. 1146 – c. 1223);
  • Guillaume le Clerc (early 13th century), Anglo-Norman, Bestiaire divin, written around 1210 or 1211);
  • Hugh of Fouilloy (early 12th century), Anglo-Norman, Livre des Créatures, or Liber de Creatures, c. 1119, De avibus [birds]); 
  • Hugh of Saint Victor
  • Hrabanus Maurus (c. 780-856), Archbishop of Mainz, De rerum naturis (On the Nature of Things), or De universo, an encyclopedia in 22 books, written between 842 and 847);
  • Isidore of Seville (St. Isidore) (c. 560 – 4 April 636 CE), Archbishop of Seville, Etymologiæ;
  • Lambert of Saint-Omer (c. 1061 – 1250), Liber floridus (“book of flowers”), Le Livre fleurissant en fleurs;
  • Lucan (3 November 39 CE – 20 April 65 CE), Roman, Pharsalia (unfinished);
  • Jacob van Maerlant (c. 1235 – 1291), greatest Flemish poet of the Middle Ages, Der Naturen Bloeme, a translation in Middle Dutch of Thomas of Cantimpré’s Liber de Natura Rerum;
  • Konrad von Megenberg (early 14th century), Bavaria, studied in Paris, Das Buch der Natur, his source was Thomas of Cantimpré;
  • Ovid (20 March 43 BC – 17/18 BCE), the author of the Metamorphoses;
  • Philippe de Thaon (early 13th century), Anglo-Norman writer, Livre des Créatures, or Liber de Creatures;
  • the author of the anonymous Physiologus;
  • Pliny the Elder (23 CE – 24 or 25 August 79 CE), Naturalis Historia (mentioned below);
  • Strabo (63/64 BCE – c. 24 CE), Greek, Geographica;
  • Theophrastus (c. 370 – 285 BCE), Enquiry into Plants (9 books), On the Causes of Plants (six books) (Theophrastus will be discussed separately);
  • Thomas of Cantimpré (early 13th century, Brussels), Liber de Natura Rerum (19 books in 1228, 20 books in 1244);
  • Vincent of Beauvais (c. 1190 – 1264?), a French Dominican friar, Speculum [mirror] naturale (His Speculum Maius was the main encyclopedia used in the Middle Ages.).

Bestiary.ca

My list is the Medieval Bestiary‘s list. It can be found by clicking on Bestiary.ca. The following authors are fascinating:

  • Pliny the Elder (23 CE – 79 CE) wrote a Naturalis Historia, a History of Nature. Pliny died in the eruption of Vesuvius, on 24 August 79 CE. Accounts differ. Pliny the Elder may have been studying the eruption, but he was also trying to rescue friends. Pliny the Younger, Pliny the Elder’s nephew, wrote two letters on the eruption of Vesuvius that he sent to Tacitus. Pliny the Younger was a witness to the eruption of Vesuvius, but survived. (See Pliny the Elder, Pliny the Younger, and Tacitus, Wikipedia – the free encyclopedia.)
  • Claudius Alienus (c. 175 – c. 235 CE) known as Aelian, is the author of On the Characteristics of Animals. Aelian, however, used written sources, one of which was Pliny the Elder’s Naturalis Historia. Aelian told how beavers castrate themselves to escape hunters. As mentioned above, Aelian’s On the Characteristics of Animals is an Internet Archive publication Book 1, Book 2, Book 3. (See Claudius Alienus, Wikipedia – the free encyclopedia.)
Vincent de Beauvais (Photo credit: Wikipedia)

Vincent de Beauvais (Photo credit: Wikipedia)

RELATED ARTICLES

Sources and Resources

My kindest regards to all of you.

—ooo—

Guillaume de Machaut – Complainte: Tels rit au matin qui au soir pleure (Le Remède de Fortune) (He laughs in the morning who cries when evening comes)   

 

Beatus de Saint-Sever. Manuscrit copié à Saint-Sever, XIe siècle, avant 1072 BNF, Manuscrits, Latin 8878 fol. 14

© Micheline Walker
October 3, 2014
WordPress

Cupid and Psyche, or Magical Realism

07 Wednesday Aug 2013

Posted by in Art, Literature

≈ 6 Comments

Tags

, , , , , , , ,

the-fiddler-1913

The Fiddler, by Marc Chagall, 1913 (Photo credit:  Wikipaintings)
Marc Chagall  (6 July 1887 – 28 March 1985) 
 

Cupid and Psyche  as Magical Realism

Mythology and Magical Realism

According to Professor Matthew Strecher’s magic realism is “what happens when a highly detailed, realistic setting is invaded by something too strange to believe.”[1] Magical Realism is a main characteristic of Latin-American literature, but it has gained adherent elsewhere and it is not new. It present readers with a juxtaposition of what is usually considered the “real,” the “unreal,” and the “surreal.” An angel just may enter a room and play a role in a fictitious text. (See Magic Magic Realism, Wikipedia,)

The author of Wikipedia’s entry on magic realism states that “[t]his critical perspective towards magical realism as a conflict between reality and abnormality stems from the Western reader’s dissociation with mythology, a root of magical realism more easily understood by non-Western cultures.” (See Magic realism, Wikipedia)

Marc Chagall

In the visual arts, Marc Chagall (6 July 1887 – 28 March 1985) presents us with better examples of what could be called “magical realism,” whatever “school” his paintings are attached to. In the so-called “real” world, people seldom float in mid-air. But the world is not always real and the human imagination pushes its limits. We know that angels do not exist, but we nevertheless make room for them. In fact, we swear on the Bible, in which, ironically, angels dwell.

Apuleius’ Golden Ass

Apuleius‘ (c. 125 – c. 180 CE) Golden Ass is a novel, the first novel we have inherited in its entirety from Greco-Roman antiquity. First entitled Metamorphoses, the novel was renamed by Augustine of Hippo (St. Augustine). It is rather lewd, but The Tale of Cupid and Psyche isn’t, and mere mortals mix with immortal gods. This may confirm that magical realism has replaced mythology, but it may not.

It consists of a frame story and inner stories called “digressions.” One of these digressions, the third, The Tale of Cupid and Psyche, belongs to mythology and is a distant forerunner of magical realism in that its dramatis personæ  includes mortals and immortals who mingle informally. Venus, the immortal Roman goddess of love, whose Greek counterpart is Aphrodite, is featured next to Psyche’s father and seems a mere mortal.

Paris through the Window, by Marc Chagall, 1913 (Photo credit: Wikipaintings)
The Birthday, by Marc Chagall, 1915 (Photo credit: Wikipaintings)
 
paris-through-the-window-1913
the-birthday-1915_jpg!HD.2 

The Tale of Cupid and Psyche

In The Golden Ass, Lucius is transformed into a donkey, which normally is not  possible. Metamorphoses belong to a realm most would look upon as “unreal.” It is fantasy. Yet Ovid‘s (20 March 43 BCE – 17/18 CE), Metamorphoses is one of Western culture’s most influential books. Human beings do not float in mid-air, with the exception of astronauts, nor can they fly, but the human imagination can imagine another reality and that reality possesses a form of “truth.”

It remains, however, that Apuleius’ mythological third digression, The Tale of Cupid and Psyche, is pure fiction. Psyches lives in a world where gods and mere mortals mingle, which is not possible outside fiction. Consequently, The Tale of Cupid and Psyche seems an instance of magical realism avant la lettre, i.e. before the term was coined.

For instance, early in the narrative, Psyches’ father, who would like his unfortunate daughter to find a suitable husband, went to Milet, an ancient Greek city, now found in Turkey, and called Miletus, “to receive the Oracle of Apollo, where he made his prayers and offered sacrifice, and desired a husband for his daughter whose elder daughters are married to kings.” Although Apollo is a Greek god, he replies in Latin and says:

Let Psyches corps be clad in mourning weed
And set on rock of yonder hill aloft:
Her husband is no wight of humane seed,
But Serpent dire and fierce as might be thought.
Who flies with wings above in starry skies,
And doth subdue each thing with firie flight.
The gods themselves, and powers that seem so wise,
With mighty Jove [Jupiter] be subject to his might,
The rivers blacke, and deadly flouds of paine
And darkness eke, as thrall to him remaine.
 
(Apuleius, The Golden Asse, Book 4, Chapter 22
Translated by William Adlington
The Gutenberg Project [EBook #1666]) 
 

Having heard the Oracle, Psyches’ father does take her up a hill and sets her “on rock of yonder hill aloft” where she is left “weeping and trembling,” but is “blowne by the gentle aire and of shrilling Zephyrus, and carried from the hill with a meek winde, which retained her garments up, and by little and little bought her downe into a deepe valley, where she was laid in a bed of most sweet and fragrant flowers.” 

Instead of taking her where “she may fall in love with the most miserablest [that word should be reinvented] creature living,” as Venus has asked Cupid, Venus’ son, makes himself invisible and has the wind “Zephyrus” transport her to a “bed of most sweet and fragrant flowers.” Here again, we have an example of magical realism, even if Psyches is “clad in mourning weed,” which suggests that she has died. However, her sisters, mortals, visit her.  

The “fairy tale” begins and, after the compulsory tasks—three in most fairy tales—have been performed, Psyches is transformed into a goddess, which may be her rightful self. In the “real” world, she is the victim of envy. In fact, Venus herself, a goddess who mingles with mortals, which is magical realism, is so envious of her that she wants her destroyed. However, In fact, Venus herself, a goddess who mingles with mortals, which is magical realism, is so envious of her that she wants her destroyed. However, as the most beautiful woman in the world, Psyches is an oddity, so her becoming a goddess seems appropriate.

The Golden Legend

We may have forgotten the names of the god and goddesses of mythology. However, the human imagination is such that if mythology did not exist humans would probably invent a replacement, such as magical realism. The bestseller of the Middle Ages was not the Bible, but Jacobus de Voragine’s fanciful Golden Legend (Legenda Aurea), an embellished hagiography or telling of the lives of saints, in general, and martyrs (martyrologies), in particular. 

RELATED ARTICLES

Sources and Resources

LIST OF MODERN AUTHORS: Magical Realism

the-promenade-1918
The Promenade, by Marc Chagall, 1918  (Photo credit: Wikipaintings) 
                      

[1] Matthew C. Strecher, “Magical Realism and the Search for Identity in the Fiction of Murakami Haruki,” Journal of Japanese Studies, Volume 25, Number 2 (Summer 1999), pp. 263-298, at 267.

W. A. Mozart (27 January 1756 – 5 December 1791)
Piano Concerto n° 23 (Adagio)
 
the-blue-house-1917The Blue House, by Marc Chagall
(Please click on the image to enlarge it.)
 
© Micheline Walker
6 August 2013
WordPress
 
 

The Golden Legend: my Missing Paragraphs

06 Monday Feb 2012

Posted by in Myths

≈ Comments Off on The Golden Legend: my Missing Paragraphs

Tags

, , , , ,

Self-Portrait: Il Guercino,

Il Guercino*

*  Il Guercino: Giovanni Francesco Barbieri (8 February 1591 – 22 December 1666)

My Missing Paragraphs

For reasons I do not understand and will not investigate, the computer took three paragraphs away from my post on Jacques de Voragine (6 February), the author of The Golden Legend.  No, I will not investigate, but I must nevertheless give greater clarity to an incomplete blog.

The Golden Legend: the Bestseller in the Middle Ages

The blog was about an old book, The Golden Legend or La Légende dorée, the bestseller of the middle ages which went out of fashion as Renaissance humanism spread.

In one of the missing paragraphs, I had noted that “St George and the Dragon” was included in The Golden Legend and that, given The Golden Legend was a bestseller, St George must have become a famous hero, in an age where heroism was not quickly nor frivolously bestowed.  One had to qualify before being named a hero.

The Renaissance and the Fanciful or Fantasy

As for the other missing paragraph, it was a comment on the humanists who found fault with The Golden Legend.  It was fanciful.  It contained what the French call “le merveilleux chrétien.”  I have a great deal of respect for Erasmus, but if saints cannot perform miracles, how can we accept that there was a Minotauros, half bull half human, fathered by Pasiphaë and a bull, and that this Minotaurus was slaughtered by Theseus. Theseus also slaughtered Procrustes who stretched people to fit his bed, or cut off the limbs of tall victims so they could fit the very same bed.

Myths as Metaphors

Renaissance authors took an interest in ancient Rome and, particularly, in ancient Greece.  So, the point I wanted to make is that the lives of saints could not possibly be more fanciful than Greek mythology.  Obviously, the humanists were so impressed with the writings of Plato and Aristotle that their field of vision would not encompass ‘fanciful’ mythologies and myths. What would we do without the Procrustean bed?  We would lack a powerful metaphor.

St George as Dragon

The third paragraph had to do with the importance of such myths as the story of St George and the Dragon.  St George is no longer a saint.  That story is now looked upon as apocryphal.  However, we still have dragons and could use a St George to slay them.  But in our society, it seems it is St George we slay and not the dragon.

Christ with the Woman Taken in Adultery *

* by Il Guercino, 1621 (Dulwich Picture Gallery).

I had also spoken of Christ’s words regarding the punishment of the adulterous woman.  Jesus of Nazareth said:

Let He Who Is Without Sin Cast the First Stone. (John 8:7).

What would we do without this parable?  It is being ignored.  Nor have we got rid of the lex talionis.  It is still “an eye for an eye.”

But I must go or we may have too many paragraphs.

Ravel: Jeux d’eau (please click on title to hear music)

© Micheline Walker
6 February 2012
WordPress