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Tag Archives: Peter Paul Rubens

A Few Comments on the Newtown Massacre

15 Saturday Dec 2012

Posted by michelinewalker in Art, Sharing

≈ 12 Comments

Tags

John Locke., National Rifle Association, Peter Paul Rubens, Thomas Hobbes, White House

Nicolaas Rubens, by Peter Paul Rubens, 1625-26

Nicolaas Rubens, by Peter Paul Rubens, 1625-26

There was a time in history when parents lost many children. Well-to-do individuals  often protected themselves by having their children sent to a wet-nurse and having them raised in homes where they were sometimes loved, but often neglected. Yet, if their child died, these parents nevertheless grieved.

Times have changed. A child may develop a disease that threatens his or her life, but we now expect our children to survive illnesses and when they leave for school in the morning, we also expect them to return home and tell about the day’s activities.

Losing a child is the worst of pain.  I saw my father break down when one of my brothers died. He was sitting between two of his medical doctor friends who took him to another room.  But as of that moment, he never again allowed himself to love a child. My sister also lost a child: a five-year old. The death of her daughter broke not only her heart, but also her fragile health.

Nicolaas Rubens, by Peter Paul Rubens, 1621

Nicolaas Rubens, by Peter Paul Rubens, 1621

Yesterday, I spent the afternoon at the hospital being treated for an infected foot.  So I did not learn about the tragedy until supper time when I turned on the television to watch the news.  I heard myself say: not again!  There are details I do not know, but when I turned off the television, twenty children and seven adults, including Mrs Lanza, were dead.  The last thing I saw were people standing vigil in front of the White House.

I heard President Obama’s speech at least three times, and I believe he set the tone.  He was visibly saddened by the tragedy, saddened to the point of wiping off a few tears.  He is a father and he is also a sensitive and compassionate person.  Flags were at half-mast and Americans were keeping vigil, as was the world.

* * *

For the time being we are grieving, but afterwards, we must protest or call ourselves cowards.  These massacres must end and it is within our power to make changes that would reduce the death toll significantly.  It should, for one thing, be illegal to own and carry firearms.  There are many Republicans in Congress, but whether a member of Congress is a Republican or a Democrat is irrelevant when children die.  Many if not most are parents or grandparents.  They know that what happened to twenty children in Newtown yesterday could happen to their children or grandchildren.  So every one must act and act now.

It seems to me that the oft-amended American Constitution could be revised yet again so that it cannot be used to allow civilians access to firearms.  I am not saying that we can prevent all murders, but I am saying that if people cannot own and carry firearms they cannot shoot innocent children or anyone else.

I do not like pointing a guilty finger, but it would be my opinion that the National Rifle Association was complicit, albeit passively, in yesterday’s tragedy as well as earlier tragedies.  If yesterday’s shooter had not had access to a firearm, the people of Newtown, Connecticut would have been spared the worst imaginable loss, the loss of a child, and their children could have grown into adults and enjoyed life.  That right was taken away from them.

* * *

We have gone back to Thomas Hobbes (5 April 1588 – 4 December 1679), John Locke (29 August 1632 – 28 October 1704), and Jean-Jacques Rousseau (28 June 1712 – 2 July 1778), but their ideology is also that of millions of individuals who live in the United States of America and want this madness to end. Carrying firearms constitutes the “freedom we surrender” to live in safety.  In other words, safety dictates that we not own and carry firearms.      

I feel immense sorrow for the bereaved mothers and fathers of Newtown, but I also feel very angry because ultimately the system failed these families. Before I close, allow me to praise the courageous teachers and other individuals who put their lives at risk to save little ones. They acted selflessly and some paid the ultimate price.

Yesterday, children died and they died needlessly. Take away those horrible guns.

composer: J. S. Bach (31 March 1685 – 28 July 1750)
piece: “Ich ruf’ zu Dir, Herr Jesu Christ,” BWV 639
“Ich ruf’ zu Dir, Herr Jesu Christ,” BWV 639

© Micheline Walker
15 December 2012
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A Brief Introduction to the Dutch Golden Age in Art

04 Tuesday Dec 2012

Posted by michelinewalker in Art

≈ 10 Comments

Tags

Dutch Golden Age, Dutch Master, Encyclopædia Britannica, Frans Hals, Johannes Vermeer, Peter Paul Rubens, Rembrandt, Ruysdael

The Night Watch, by Rembrandt van Rijn, 1642

The Night Watch, by Rembrandt van Rijn, 1642

The Golden Age of Dutch Painting

Having admired a number of Dutch paintings last week, leaving the subject is very difficult. In the Fine Arts, I should think it would be difficult to find so many masters living in one area of Europe during a mere hundred years.

Flemish artist Peter Paul Rubens (28 June 1577 – 30 May 1640) was active in the early part of the seventeenth century, and he is an accomplished artist and was a fine diplomat.  He was not Dutch, but how does one not mention him?

But let us focus on Holland. Dutch artist Rembrant van Rijn (15 July 1606 – 4 October 1669) is usually considered the most prominent artist of the seventeenth century in Holland. However, it is a question of degrees. Johannes Vermeer (1632 – December 1675) is also a Dutch Master. The same is true of Jacob Isaackszoon van Ruisdael (c. 1628 – 14 March 1682), Franz Hals (c. 1582 – 26 August 1666).

Some excelled at portraiture (Vermeer, Hals), others painted landscapes (the Ruisdaels) but Rembrandt was the most eclectic. He painted portraits, the Jewish population of Amsterdam, seascapes, biblical subjects and the very large Night Watch (1642), housed in the Rijksmuseum, in Amtersdam. Vermeer was also a “genre,” painter.  He painted interiors where individuals are going about their everyday activity.

A Young Man in a Large hat, by Frans Hals,  1626/1629

A Young Man in a Large Hat, by Frans Hals, 1626/1629[i]

The Girl with the Pearl Earring, by Johannes Vermeer, 1632 - 1675

The Girl with the Pearl Earring, by Johannes Vermeer, 1665

The Windmill at Wijk bij Duurstedec. 1670 Oil on canvas, 83 x 101 cm Rijksmuseum, Amsterdam

The Windmill at Wijk bij Duurstede, by Jacob Isaackszoon van Ruisdael, c. 1670 

A Backdrop

The above is a mere backdrop or introduction. However, it is quite acceptable. We have identified four Dutch Masters, possibly the most prominent Dutch Masters of the seventeenth century, the Dutch Golden Age. We have linked each of them to subjects they depicted which, by an large, are not religious subjects.

In this regard, a potential gallery of the Dutch Golden Age paintings would contain portraits, seascapes, depiction of Jews in a tolerant Holland, and depictions of rather large groups of people. On the subject of Jews, I should note that the citizens of seventeenth-century Holland were a tolerant society.

As a result, there was considerable emigration to Holland. Not all stayed, but many did, some of whom were artists. Jewish and Mannerist artist Gillis van Coninxloo emigrated to Holland.

I have explored the life and times of several Golden Age Dutch artists, but realize I am now too tired to continue my work. I will have to rest. So I may not post blogs for a few days. However, I will try to catch up with messages and comments.That is very important.

 
© Micheline Walker
4 December 2012
WordPress
_________________________

[i] “Frans Hals”. Encyclopædia Britannica. Encyclopædia Britannica Online.
Encyclopædia Britannica Inc., 2012. Web. 04 Dec. 2012
<http://www.britannica.com/EBchecked/topic/253063/Frans-Hals/2988/Additional-Reading>.

composer: Gabriel Fauré (12 May 1845 – 4 November 1924)
piece: Sicilienne, for cello & piano, Op. 78
performers: Steven Isserlis & Pascal Devoyon
 

 
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A Note, a Portrait by Peter Paul Rubens & Books of Hours

05 Monday Nov 2012

Posted by michelinewalker in Baroque, Dutch Golden Age painting

≈ 5 Comments

Tags

Book of Hours, Book of Kells, France, National Gallery, Peter Paul Rubens, Refus global, Très Riches Heures du Duc de Berry, WordPress

Portrait of Susanna Lunden,* by Peter Paul Rubens

Photo credit:  The National Gallery, London UK

*When he was 53, Rubens married 16-year-old Hélène Fourment. Susanna Lunden, née Fourment, was Hélène’s sister.

* * *

Just a few words before I continue to write about Refus global or Total Refusal (Refus Global)

Yesterday I received an email in which I was informed that my email account would be closed because I had exceeded the limit. I thought the writer was referring to my personal e-mail account, but the bulky account was my Gmail account.

I started reading the comments and realized I would be reading, approving and deleting for a long time. I therefore deleted a large number of comments, many of which had also been published by WordPress. But in the process, I learned who had subscribed to my blog. These emails have not been deleted.

The moral of the story is that one should look at one’s email accounts on a regular basis.

I apologize to my readers whose comments may not have been posted.

Peter Paul Rubens: a Flemish Master

Peter Paul Rubens (28 June 1577 – 30 May 1640) was active at a turning-point in European history. Before the Renaissance, the Franco-Flemish lands were the cultural hub of Europe. Adrian Willaert (1490 – 7 December 1562) went to Venice to teach music to the Italians! Moreover, extraordinary miniaturists had illuminated (enluminures) books of hours that chronicled an entire era. The Limbourg brothers ‘s Très Riches Heures de Jean de France, duc de Berry, or Belles Heures de Jean de France, is their foremost achievement.

I have written posts on Books of Hours (see list below), a lay version of the Canonical Hours kept by monks whose Gregorian chant is extremely rich. Vatican II, the Council that promulgated a degree a laicization of liturgy, such as using a modern language instead of Latin, had to make exceptions. Gregorian chant was protected.

RELATED ARTICLES

Les Très Riches Heures de Jean de France, duc de Berry (17 November 2011)
The Book of Kells (18 November 2011)
Music for the Très Riches Heures and the Book of Kells (19 November 2011)
The Fitzwilliam Book of Hours: comments, palimpsests (20 November 2011)
 
© Micheline Walker
5 November 2012
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A Glimpse at the Art of François Boucher

21 Saturday Jul 2012

Posted by michelinewalker in Art

≈ 8 Comments

Tags

Antoine Watteau, Boucher, Encyclopædia Britannica, François Boucher, French Revolution, Giovanni Battista Tiepolo, Jacques-Louis David, Peter Paul Rubens, Rococo, Wikipedia

La Toilette by François Boucher
Photo credit: La Toilette
François Boucher: 1703 – 1770 Rococo
Video: the music is by Haydn
 

François Boucher (29 September 1703 – 30 May 1770) “was a French painter, a proponent of Rococo taste, known for his idyllic and voluptuous paintings on classical themes, decorative allegories representing the arts or pastoral occupations, intended as a sort of two-dimensional furniture. He also painted several portraits of his illustrious patroness, Louis XV’s official mistress, Madame de Pompadour.” (Wikipedia)

The son of an artist, François Boucher won the prestigious Prix de Rome in 1723.  He was influenced by Giovanni Battista Tiepolo and Peter Paul Rubens.  On his return from Rome, he did engravings of drawings by Antoine Watteau.  Later, “[a]fter illustrating an edition of Molière’s works, he drew cartoons of farmyard scenes and chinoiserie for the Beauvais tapestry factory.”[i]

News of his talents quickly reached Versailles.  He worked for the queen and for Mme de Pompadour, the chief mistress of Louis XV and Boucher’s friend and patron. “He became a member of the Royal Academy in 1734 and then became the principal producer of designs for the royal porcelain factories, as well as director of the Gobelins tapestry factory. In 1765 he became director of the Royal Academy and held the title of first painter to King Louis XV.”[ii] 

Madame de Pompadour by François Boucher (please click on the picture to enlarge it)

Rococo art, decoration and architecture are characterized by movement. It is a busy and often features a profusion of fabrics.  It followed the baroque, a more restrained style.  Rococo æsthetics is in fact an extreme that called for a return to sober depictions and more serious contents that would reflect the intellectual endeavour of the Encyclopédistes.  For instance, although Jacques-Louis David was a student of François Boucher, he is a neoclassicist.  As for Boucher, his art typifies the lightheartedness that preceded the French Revolution.  We see opulence and hear laughter, but a storm is approaching.  In this regard, Boucher’s art resembles that of Antoine Watteau (1684 – 1721) and Jean-Honoré Fragonard 1732 – 1806).

Related blogs:
Resilience: from the French Revolution to the Interstate Highway System
Peter Paul Rubens (28 June 1577 – 30 May 1640)
_________________________
[i] “François Boucher.” Encyclopædia Britannica. Encyclopædia Britannica Online. Encyclopædia Britannica Inc., 2012. Web. 20 Jul. 2012. <http://www.britannica.com/EBchecked/topic/75367/Francois-Boucher>.
[ii] Ibid.
 
© Micheline Walker
20 July 2012
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Peter Paul Rubens (28 June 1577 – 30 May 1640)

26 Tuesday Jun 2012

Posted by michelinewalker in Art, Music

≈ 5 Comments

Tags

Flemish Baroque painting, Peter Paul Rubens, Publishers, Rembrandt, Templates, Tools, WordPress, YouTube

Peter Paul Rubens, Portrait of a Young Girl, 1615-16
 

One can no longer embed the video featuring Rubens pictures. However, one can click on the link I have put at the bottom of this page. Just click on Peter Paul Rubens.

It is such a beautiful presentation. A gift from God to us mortals.

The music is Vivaldi’s music, his Concerto for Two Flutes, Op. 47, No. 2, Largo. Vivaldi was a priest who had red hair: he was the Red Priest. The largo. Usually the second movement of a concerto is a slow tempo. Here we have a largo, which is a slow tempo.  The third or last movement has a faster tempo. The musicians who are performing Vivaldi’s music are the Arcangelos Chamber Ensemble and the video was assembled to help people concentrate.

Concentrate.  For some, maybe.  But not quite if you go into a spell of ecstasy because the music is heavenly.  Music is very powerful and can therefore be therapeutic, etc. I concentrate, but on the music and the pictures.

The fusion of art and music in the privacy of one’s home is one of the internet’s finest features.

As a former university teacher, I enjoy preparing informative blogs. It takes time and effort, especially when you have problems operating machines. I used to leave the doors to my house unlocked for fear I would not be able to get back in. Keys do not always work very well. So think of me using a computer.

The effort. Do not worry. What about those persons who cannot afford to attend a university or those persons, sometimes older persons, who want to remember.

Enjoy.


The Straw Hat, 1625

© Micheline Walker
25 June 2012
WordPress
 
 
 
Peter Paul Rubens
(click on Peter Paul Rubens to see and hear the video)
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