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Tag Archives: Mass

Liturgy as a Musical Form: the Hours and the Mass

07 Friday Dec 2012

Posted by michelinewalker in Feasts, Liturgy, Music

≈ 8 Comments

Tags

Canonical Hours, Gregorian chant, illumination, Mass, Michaelmas, Mont-Saint-Michel, Second Vatican Council

   
Illuminations

Illumination

This post contains a tiny list of three posts written in 2011.  They have been revised.  For instance, they include more links.

1. The first post was republished earlier this week.  It tells that nature and, in particular, the degree of darkness and light, dictates the dates on which feasts are celebrated.  In other words, it tells about the calendar.

2. The second post deals with the Hours.  The Hours predate Christianity.  However, the concept of “watching” also finds its roots in Christ’s agony in the Garden of Gethsemane.  His apostles would not stay awake when he was about to be taken away and crucified.  My parish, so to speak, is the Benedictine monastery at Saint-Benoît-du-Lac, on Lake Memphremagog.  The Hours and the Mass are the two components of daily liturgy at Saint-Benoît-du-Lac.  Other priests, priests who are not monks, read their Breviary which is also a book of hours. This post also alludes to the solstices and equinoctial points.

Not mentioned in the posts listed below are the equinoctial tides.  Again, a natural phenomenon dictates a feast.  In September, at about the time the feast of St. Michael the archangel is celebrated, on September 29th, the tides are briefly at their lowest point.  The year I lived in Normandy, one could not see the water from the shore and Mont-Saint-Michel was an island.  When the water receded sheep would graze on the salted meadows, the prés salés.  We often ate lamb from the prés salés.  It was a treat.

3. The third post discusses Mass, the second and most important part of daily liturgy.  Mass can be short (the Ordinary of the Mass) and have no movable parts, such as the Agnus Dei, or it can be long, the Proper of the Mass).  It is also called the Eucharist as Communion is a constant reminder of the Last Supper.

Musicology

I thought I had learned the Mass as a child as well as Gregorian Chant.  I also had a brief career as church organist.  However, I did not know much, if anything, about the Mass or liturgy in general until I took courses in musicology from a teacher who was not a Catholic.  Secular music has existed for a very long time but sheer bulk precludes leaving Sacred Music out of musicology courses.  The same could be said about studying the Fine Arts, but to a lesser extent.

In particular, sacred music allows us to trace the development of polyphonic music, i.e. soprano, alto, tenor, bass (SATB) combined.  Some pieces combine more or fewer voices.  In secular music, studying the Madrigal is also a way of learning how polyphonic music developed.  However, Gregorian music is monodic or monophonic.

REVISED POSTS: 
  • The Four Seasons: from Darkness into Light (15 November 2011: revised 6 December 2012)
  • Canonical Hours and the Divine Office (19 November 2011: revised 7 December 2012)
  • Components of the Mass as a Musical Form (12 December 2011: revised 7 December 2012) 
 
composer: J. S. Bach  (31 March 1685 – 28 July 1750)
piece: Gloria in excelsis Deo, Messe h-Moll (BWV 232)
performers: Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
conductor: Ton Koopman
painting: “The Calling of Saints Peter and Andrew,” Caravaggio (29 September 1571 – 18 July 1610)
The Visitation in the Book of Hours of the Duc de Berry; the Magnificat in Latin

The Visitation in the Book of Hours of the Duc de Berry; the Magnificat in Latin

© Micheline Walker
December 7th, 2012
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(please click on the picture to enlarge it)

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Components of the Mass as a Musical Form

19 Monday Dec 2011

Posted by michelinewalker in Liturgy, Music

≈ 10 Comments

Tags

Andreas Scholl, David Bižić, Fauré, JSBach, Mass, Pergolesi, Requiem, sacred music

Missel dominicain

Ordinary of the Mass or Eucharist

  • Kyrie
  • Gloria
  • Credo
  • Sanctus
  • Agnus Dei
  • Ite missa est

Proper of the mass or Eucharist

  • Introit
  • Gradual
  • Alleluia or Tract
  • Sequence
  • Offertory
  • Eucharist (Communium)

Ordinary (in bold) & Proper of the mass

Introit, Kyrie, Gloria, Collect, Epistle, Gradual, Alleluia or Tract, Sequence (on major feasts), Gospel, Sermon, Credo, Offertory, Prayers, Secret, Preface, Canon, Sanctus, Pater noster (The Lord’s Prayer), Agnus Dei, Communion, Postcommunion, Ite missa est

Mass as a Musical Form

  • parts sung by the choir:
  • Introit, Kyrie, Gloria, [Gradual, Alleluia or Tract, Sequence], Credo, Offertory, Sanctus, Agnus Dei, [Communion], Ite missa est
  • parts intoned:
  • Collect, Epistle, Gospel, Preface, Pater Noster (The Lord’s Prayer), Post Communion
  • parts spoken:
  • Sermon, Prayer (Confiteor), Secret, Canon

Requiem* mass:

Introit, Kyrie eleison, Gradual, Tract, Sequence, Offertory, Sanctus, Agnus Dei, Communion, Pie Jesu, Libera me, In paradisum.

*Requiem mass

The Last Supper, Bouveret

—ooo—

  • J. S. Bach – Bist Du bei mir, Andreas Scholl
  • Fauré – Requiem: Libera me, David Bižić
  • Pergolesi – Stabat Mater

(Please click on the title to hear the music.)

—ooo—

© Micheline Walker
18 December 2011
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Liturgy as a Musical Form

15 Thursday Dec 2011

Posted by michelinewalker in Liturgy, Music

≈ 40 Comments

Tags

Accentus, Canonical Hours, Equinoctional Points, Liber Usualis, Magnificat, Mass, Missal, St Benetict

codex-calixtinus

Liturgy as a Musical Form

I often encounter persons who tell me they love a certain piece of Christian liturgical music, but feel embarrassed because they are atheists, agnostics, Muslims, Buddhists, etc. We should note, therefore, that Sacred Music is not only liturgical, but that it is also, and officially, a musical form.

The Daily Liturgy

The Canonical Hours: Daily Liturgy

As we have seen in an earlier blog, Benedictine and other monks observe the Canonical Hours, thereby following the directives of Benedict of Nursia, the father of monasticism. But monks also celebrate Mass, the more important service of daily liturgy.

The Canonical Hours could be defined as a Vigil. During his agony, at Gethsemane, as he was about to be taken by the Romans and later crucified, Jesus was alone. One of his disciples had betrayed him and now everyone slept. Therefore, monks have long kept Hours.

The Mass: Daily Liturgy

Mass (liturgy)* is the central service of the Church and it commemorates the Last Supper, or the last time Jesus and his disciples broke bread and drank wine together. This explains why Mass is also called the sacrament of the Eucharist. The priest and the faithful take communion in remembrance of the Last Supper. Praticing Christians, Catholics at any rate, do not usually observe the Hours, except Vespers, occasionally. But they attend Mass every Sunday and on feast days, such as Christmas.

*or Mass (musical form); Mass (liturgy)

The Catholic Mass

The Ordinary of the Mass: Permanent Components

There are as many masses as there are days in the year, if not more, but all contain the Ordinary of the Mass. The Ordinary of the Mass is not variable and it comprises the Kyrie, Gloria, Credo, Sanctus, Agnus Dei, Ite missa est. The Ite missa est (Mass is finished) is sometimes replaced in Requiem Masses, Masses for the dead or Masses commemorating the dead. Mozart’s Requiem is considered one of the foremost examples of the genre.

The Proper of the Mass: Moveable Components

There is also a Proper of the Mass, which is variable. For example, Christmas Mass differs from Easter Mass. Moreover Masses are said in honour of apostles, martyrs, saints, archangels, etc. So the Proper of the Mass changes accordingly. The Proper contains the Introit, Gradual, Alleluia or Tract, Sequence, Offertory, Communion. These components are added to the Ordinary of the Mass.

The Accentus ecclesiasticus: more Moveable Components

Also variable are those parts of the liturgy which the priest, the deacon, the subdeacon, or the acolyte sing. These are the Collect, Epistle, Gospel, Secret, Preface, Canon and the Postcommunion.

The http://en.wikipedia.org/wiki/Postcommunion was probably introduced by Andreas Ornithoparchus in his Musicæ Activæ Micrologus, Leipzig, 1517. Parts sung by the entire choir (mass ordinary, hymns, psalms, alleluia) form the concentus.

Mass is incorporated in the Liber usualis, but masses are usually the main content of the Missal.

The Nativity: Simeon’s Song of Praise at the Consecration of the firstborn son by Aert de Gelder, c. 1700-1710

The Four Seasons: Soltices and Equinoxes

Although the moveable parts of the Mass can be used to honour an apostle, a martyr, a saint, or serve some other purpose, the liturgical calendar also corresponds to the seasons or, more precisely, the solstices and the equinoxes, as we have seen in earlier blogs. But let us repeat that, traditionally, Christmas has been celebrated near the longest night of the year. In 2011, the winter solstice was on December 22nd.

As for Easter, the most important celebration of the liturgical year, traditionally, it has been celebrated near the vernal equinox, when night and day are the same length. The summer solstice, the longest day, is St. John’s Day, celebrated on the 24th of June. As for the autumn equinox, it used be called Michaelmas, but Michaelmas has disappeared. However, on September 29th, Christians still celebrate the feast of Michael the Archangel.

In order words, nature has been the mold in which feasts were, metaphorically speaking, poured. This eased the transition between “paganism” and Christianity. Roman Saturnaliæ and the Greek kômos (comedy) were replaced by Christmas.

—ooo—

To sum up, although Sacred Music is liturgical, it is also a musical form. As a musical form it contains the daily liturgy, i. e. the Mass and the Canonical Hours, but it also includes oratorios (Handel’s Messiah), motets, cantatas, canticles, for the Virgin Mary especially, such as the Magnificat and the Ave Maria, and other forms or genres.

Sacred music has in fact proven an enduring musical form. John Rutter composed the music that was sung at the wedding of Prince William and Kate Middleton and is also the composer of a Requiem, as is Andrew Lloyd Webber, or Baron Lloyd-Webber.

Moreover, the story of sacred music is also the story of polyphony “music in which voices sing together in independent parts”[i] in which it resembles the story of the Madrigal, to which composers kept adding voices.

This blog is now rather long, so I will end it. But I will include several musical examples from which you can choose.  

—ooo—

The Lacrimosa and the Piu Jesu are part of a Requiem Mass. Here is a description of a Nunc dimittis (a song of praise).

(Click on title to hear music.)

  • J. S. Bach – Messe en si: Marc Minkowski & les Musiciens du Louvre
  • J. S. Bach – Mass in B minor: Kyrie, Hengelbrock
  • J. S. Bach – Magnificat, Tarja Turunen
  • Hector Berlioz – Grande Messe des Morts: Lacrimosa
  • Hector Berlioz – Grande Messe des Morts: Dies irae
  • Georges Bizet – Agnus Dei, Luciano Pavarotti
  • Gabriel Fauré – Requiem, Movement 1:  Introit & Kyrie
  • Lloyd Webber – Requiem: Pie Jesu, Anna Netrebko
  • Machaut – Messe de Notre-Dame, Ensemble Gilles Binchois
  • Mozart – Requiem: Lacrimosa
  • Mozart – Requiem
  • Palestrina – Nunc dimittis, The Tallis Scholars

_________________________

[i] J. P. Burkholder, D. J. Grout and Claude V. Palisca, A History of Western Music, 7th edition (New York and London: W. W. Norton & Company), p. 87.

RELATED POSTS

  • The Four Seasons: from Darkness into Light
  • Canonical Hours and the Divine Office

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