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Micheline's Blog

~ Art, music, books, history & current events

Micheline's Blog

Tag Archives: Marin Marais

WordPress: please get in touch with me

10 Saturday Nov 2012

Posted by michelinewalker in Art, Music, Sharing

≈ 8 Comments

Tags

Credit card, Marin Marais, Micheline Walker, Nicolas Poussin, PayPal, Small business, WordPress

The Four Seasons: Summer, or Ruth and Boaz, 1660–1664, Louvre Museum

Nicolas Poussin (15 June 1594 – 19 November 1665)
Photo credit: Wikipedia

* * *

I have just destroyed my Credit Card.  It was a new Credit Card, a third card because I had already destroyed two cards.

Yesterday, a person from the Credit Card Company phoned to inform me that all the money available on my Credit Card had been spent.  They were suspicious because the money was used by a company located in France, which was unusual.  Normally, my card is used to pay for groceries or cat food.  To my surprise, someone authorized these expenses, but it was not me.  My money will be returned to me, but I must now involve the police.

I can think of only two ways in which they could have accessed my Credit Card number.  First, they could have done so when I paid WordPress for an update.  I did not use the Credit Card on the internet other than to pay WordPress money I owed.  Second, they may have entered my online bank account.  They are hackers.

My money will be returned to me, but the items will show on my next statement and I am now alarmed.

* * *

Two weeks (approximately), I received comments from a French site calling itself Référencement gratuit (Free reference).  Référencement would mean cataloguing.  I replied to these comments by explaining that if my posts were quoted, a source had to be given as the writer would otherwise be in violation of copyright laws.  I also feared they would make money using my posts.  A student would kill to have access to the blog I published yesterday.  It may not be popular with most readers, but for a student preparing a term essay it is very valuable.   So are my voyageur posts.

* * *

But we have left the realm of copyright violation.  That is bad enough, however…  using WordPress (the name, the ability to leave comments, etc.) to defraud me is just as serious a matter, and I cannot exclude the possibility that WordPress was used to defraud me, even though WordPress does not keep a Credit Card number.  The police will have to deal with this matter, but I need to contact WordPress.  Please tell me.  How does one contact WordPress?  If one phones WordPress, no one answers.  One leaves a message, but one’s call is not returned.  If you write a message to WordPress, again you will hit a brick wall.

I can reach the President of the United States and the Prime Minister of Canada.  I  believe I can also reach the Pope.  However, I cannot reach WordPress.  Nor can I reach most online businesses.

I have to talk to someone at WordPress.  It is an URGENT MATTER.  I have to secure my site.  WordPress is an honest platform, but hackers are not honest.  They are criminals.

If any of you could help reach WordPress, I would be most thankful.

By the way, change your password often.  Moreover, when you bank on the internet and your password is not accepted, please take that matter very seriously.  Do not use PayPal, unless you can authorize a payment and they have hired investigators.  Credit Card companies have professional investigators.

But it is best not to give your credit card number to anyone on the internet, including our above-suspicion WordPress.  Your Credit Card number will nevertheless be in cyberspace for a few minutes and cyberspace is not safe.

I have been removing what I considered harmless personal information from the internet.  It is not harmless.  In fact, if I post a lovely picture, I soon find that an internet company has chosen to put it in its inventory.  If they do this, they should pay me.  This keeps happening.  Moreover, Micheline Walker’s pictures are on the internet.  I have obtained or purchased permission to use art from certain sources, but some of these pictures are on the internet and not on my site.

P.S.  If I am late reading your posts, it has to do with the above-mentioned fraudulent activity.

_________________________
composer: Marin Marais (31 May 1656, Paris – 15 August 1728, Paris)
piece: Spectre de la Rose
performers:
Marie Knight – baroque violin,
Alison Crum – treble & bass viol,
Susanna Pell – treble & bass viol,
Elizabeth Liddle – bass viol,
Paula Chateauneuf – theorbo,
Timothy Roberts – harpsichord
 
© Micheline Walker
11 November 2012
WordPress
 
 

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“Plaisir d’amour” Revisited

20 Thursday Sep 2012

Posted by michelinewalker in Uncategorized

≈ 6 Comments

Tags

Élizabeth Vigée-Lebrun, Baroque, C'est mon ami, Kathleen Battle, Marie-Antoinette, Marin Marais, Plaisir d'amour, Vincent Dumestre

perfomers: Claire Lefilliâtre, Brice Duisit, Isabelle Druet
group: Le Poème Harmonique
conductor: Vincent Dumestre
 
Related blogs:
“C’est mon ami,” composed by Marie-Antoinette
“Plaisir d’amour,” sung by Kathleen Battle
Photo credit: Wikipedia  
 
Marie-Antoinette, by Elisabeth Vigée-Lebrun
“Ma Rose”
(please click on the picture to enlarge it) 

On the 13th of August 2012, I posted a blog on “Plaisir d’amour,” sung by Marian Anderson: “Plaisir d’amour,” sung by Kathleen Battle.  New information surfaced when I wrote about “Le Roi a fait battre tambour.”  As a result we need an update. 

The Dates: circa…

Marian Anderson’s rendition of Plaisir d’amour remains delightful, but it is different.  As for the date given by above, 1785, it may be the date “Plaisir d’amour” was first performed, but it may be safer to write c. 1785.  According to my earlier post, the lyrics, or poem, were written in 1780, now c. 1780, by Jean-Pierre Claris de Florian.   But the lyrics were not set to music until 1784 or c. 1784, by Jean Paul Égide Martini.

From Paul Aegidius Schwarzendorf to J. P. É. Martini

Composer Jean Paul Égide Martini, also known as Martini Il Tedesco, was born in Freystadt, Bavaria and his birth-name is Johann Paul Aegidius Schwarzendorf (31 August 1741 – 10 February 1816).  Martini changed his name when he arrived in France.  Martini Il Tedesco or Il Tedesco Martini would mean the German Martini.

The Revival of Ancient Music

However, what I should underline is the current revival of Baroque music and ancient music, interpreted using the instruments of that era in music, the seventeenth century or 1600 to 1730/50.  Eras in music overlap and going from era to era does not necessarily mean progress.  The same is true of eras in the fine arts.

The leader in the revival of Baroque or early music is Jordi Savall i Bernadet (born January 14, 1942, in Igualada, Spain), known as Jordi Savall.  I became aware of his effort when I saw Alain Corneau‘s Tous les matins du monde.[ii]  a 1991 film about composers Sainte-Colombe and Marin Marais, 17th-century French musicians.

The music Savall adapted and performed for Alain Corneau‘s film earned him a César (a French Oscar) from the French film industry in 1992 and the soundtrack to this film sold more than a million copies worldwide (Wikipedia).  There is a song entitled Sur tous les chemins du monde.

Poème Harmonique’s Vincent Dumestre is also engaged in a revival, but he seems to be focussing on songs.  He is recording old songs as they were performed when they were composed.  It is in this respect that Claire Lefilliâtre‘s rendition differs from Marian Anderson’s and vice versa.

Plaisir d’amour

  • The words, or lyrics, based on a poem by Jean de Florian (1755–1794), were written in 1780, now c. 1780;
  • The text was set to music by Jean Paul Égide Martini in 1784, now c. 1784;
  • In 1859, Hector Berlioz (1803–1869), a Romantic composer, arranged the piece for orchestra

Lyrics for Plaisir d’amour

Refrain:
Plaisir d’amour ne dure qu’un moment.
Chagrin d’amour dure toute la vie.
The pleasure of love lasts only a moment.
The pain of love lasts a lifetime.
 
1)
J’ai tout quitté pour l’ingrate Sylvie.
Elle me quitte pour prendre un autre amant.
I left everything for the ungrateful Sylvia.
She is leaving me for another lover.
Refrain 
 
2)
“Tant que cette eau coulera doucement,
Vers ce ruisseau qui borde la prairie,
Je t’aimerai”, me répétait Sylvie.
L’eau coule encore, elle a changé pourtant.
“As long as this water runs gently
Towards the brook that borders the meadow,
I will love you,” Sylvia said repeatedly.
The water still runs, but she has changed.
Refrain
_________________________
© Micheline Walker
20 September 2012
WordPress
 
[i] translation: Every Morning in the World.
 
45.408358 -71.934658

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