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Tag Archives: Madame Récamier

Odalisques & Arabesques

27 Saturday Aug 2016

Posted by michelinewalker in Art, History Painting, Middle East, Orientalism

≈ 2 Comments

Tags

Arabesques, calligraphy, Claude Debussy, Exoticism, Jacques-Louis David, Jean-Auguste-Dominique Ingres, Madame Récamier, Odalisque, Orientalism, Stephen Malinowski

Ingres-the-turkish-bathj_pg_

The Turkish Bath, 1862, oil on canvas, diam. 108 cm, Louvre. A summation of the theme of female voluptuousness attractive to Ingres throughout his life, rendered in the circular format of earlier masters. (Caption credit: Wikipedia; Photo credit: Google images)

1024px-Jean_Auguste_Dominique_Ingres,_La_Grande_Odalisque,_1814

Grande Odalisque, 1814, oil on canvas, 91 x 162 cm, Louvre. The subject’s elongated proportions, reminiscent of 16th-century Mannerist painters, reflect Ingres’s search for the pure form of his model. (Photo and caption credit: Wikipedia)

Orientalisme

We have seen a few examples of Islamic art and Orientalisme. The paintings featured above are by Jean-Auguste-Dominique Ingres (29 August 1780 – 14 January 1867) and constitute examples of orientalisme and exoticism, paintings associated with the Orient, the Near East. Several Europeans had gone to the Crusades centuries earlier. Their destination was Jerusalem, the Holy Land. But 19th-century orientalisme is associated with Napoléon‘s military campaigns. Napoléon took his Armée d’Orient to Egypt and Syria. (See French Campaign in Egypt and Syria, Wikipedia.) Egyptology was born at that time. Deciphering the Rosetta Stone, found in 1799, was one of its first and chief achievements.

We looked at the art of Jean-Léon Gérôme who had travelled to Egypt and returned with a large supply of ‘images,’ sketches. He depicted scenes from ordinary activities, genre painting. Ingres, however, had not travelled to the orient, the Near East. His style was the same as Gérôme: academicism. Moreover, both artists specialized in historical painting. Several artists travelled to the Near East, but no Orientaliste ever entered a harem, un sérail, where women were guarded by castrated servants called eunuchs. Yet, Orientalists did paint the interior of harems and Turkish baths, favourite scenes.

“Some of the most popular Orientalist genre scenes—and the ones most influential in shaping Western aesthetics—depict harems. Probably denied entrance to authentic seraglios, male artists relied largely on hearsay and imagination, populating opulently decorated interiors with luxuriant odalisques, or female slaves or concubines (many with Western features), reclining in the nude or in Oriental dress. Jean-Auguste-Dominique Ingres (1780–1867) never traveled to the East, but used the harem setting to conjure an erotic ideal in his voluptuous odalisques.”[1] (Orientalisme at the Metropolitan Museum of Art.)

Ingres’ Grande Odalisque shows an elongated female body. Painting elongated figures is a characteristic of 16th-century mannerism. However, Ingres’ odalisque is somewhat reminiscent of the curvy linear arabesque motifs of Islamic art. Yet, it isn’t busy. La Grande Odalisque has been an inspiration to several artists, one of whom is Matisse. It otherwise ressembles Jacques-Louis David‘s (30 August 1748 – 29 December 1825) depiction of Madame Récamier, an unfinished but celebrated portrait. For information on this painting, see Madame Récamier, Louvre. You may also visit the Wikipedia site on Juliette Récamier.

1024px-Jean_Auguste_Dominique_Ingres,_La_Grande_Odalisque,_1814

David_Juliette-recamier-rmn

Madame Récamier by Jacques-Louis David, 1800 (Photo cedit: Wikipedia)


Juliette Récamier
 (4 December 1777 – 11 May 1849) was a salonnière who had married Jacques-Rose Récamier (1751 – 1830), a wealthy older man and banker, on 24 April 1793. The marriage was never consummated and rumour has it that he was her father. In 1805, Jacques-Rose sustained financial losses. (See Juliette Récamier, Wikipedia.) He and Juliette had a salon where they entertained distinguished guests, but she retired at l’Abbaye-aux-Bois. The salons survived the French Revolution. Juliette had befriended François-René de Chateaubriand  (4 September 1768 –4  July 1848), the author of Le Génie du Christianisme (1802), a literary monument that incorporated Atala and René, exotic novellas based on Chateaubriand’s stay in North America. He was an aristocrat and therefore fled France during part of the French Revolution. When Chateaubriand started to live as a recluse, Juliette Récamier was the only person he visited. He visited her every day. In David’s painting, she is leaning on a sofa now called a récamier, after her. By clicking on Madame Récamier, one can read what the Louvre has to say about this very famous painting.

800px-Turquoise_epigraphic_ornament_MBA_Lyon_A1969-333

Arabesque motif (Photo credit: Wikipedia)

Arabesques

Orientalisme also includes Arabesques in music.

Arabesques, Turkish music, are composed in the Phrygian mode. This form of music was used by Claude Debussy and other composers. It was orientalisme, “in the manner of,” rather than Turkish music. I have inserted two pieces by Debussy.

There are several orientaliste painters. You will find names: Eugène Delacroix, Alexandre-Gabriel Decamps, Jean-Léon Gérôme, William Holman Hunt, etc. at Orientalisme, the Metropolitan Museum of Art (MMA), in New York. Our black bashi-basouk, an irregular soldier, or mercenary (a hired soldier), is housed at the MMA, in New York.

Let me conclude by recommending you read Orientalisme and Madame Récamier.  At this point, my continuing to write about this topic would be repetitious and not as and complete and concise as the documents I have referred to. I will note, however, that interest in the Orient takes us back to Marco Polo and the above-mentioned Crusades. Moreover, Islamic art includes elegant calligraphy, Islamic calligraphy, and illuminated manuscripts.

Love to every one. ♥

RELATED ARTICLES

  • Chateaubriand’s Atala (24 April 2014)
  • On Madame de Staël (12 March 2014)
  • The Nineteenth Century in France (5 March 2014)
  • Salons and Cafés survive “la terreur” (19 February 2014)

Sources and Resources

  • Souvenirs et correspondance tirées des papiers de Madame Récamier is a Gutenberg publication [EBook #25403]
  • Various items at Internet Archive
  • Orientalisme at the Metropolitan Museum of Art
  • Madame Récamier at the Louvre
  • The Zykes-Picot Agreement

____________________

[1] Meagher, Jennifer. “Orientalism in Nineteenth-Century Art.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/euor/hd_euor.htm (October 2004)

—000—

Claude Debussy
Arabesque Nos 1 & 2
Stephen Malinowski (piano and animation)

Ingres-the-turkish-bathj_pg_

mainimage-new

Calligraphy (Christie’s)

 

© Micheline Walker
27 August 2016
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Napoleon’s Ascendancy & the Empire Style

16 Sunday Feb 2014

Posted by michelinewalker in Napoleonic Wars, The French Revolution

≈ 2 Comments

Tags

A Genocide, Empire style, Grande Armée, Madame Récamier, Merit, Rise of Napoleon, The Consulate, the Levée en masse or Conscription

Image result for madame récamier de jacques louis david

Madame Récamier by Jacques-Louis David, 1800 (Louvre)
(Photo credit: Wikipedia)

François_Pascal_Simon_Gérard_003 (1)

18 Brumaire 1799 (9 November 1799) Year VIII

  • Napoléon as “first Consul”
  • the Empire style

Jacques-Louis David (30 August 1748 – 29 December 1825)
Napoleon Bonaparte (15 August 1769 – 5 May 1821)

Jacques-Louis David‘s portrait of Madame Récamier (1748 – 29 December 1825) is rather puzzling. It was painted in 1800, after Napoleon Bonaparte‘s coup d’État of 18 Brumaire Year VIII (9 November 1799). Yet Madame Récamier, a society lady who had a salon, is wearing an Empire-style dress. These dresses were simple dresses compared to the heavily girded gowns worn before the French Revolution. Empire-style dresses were often made of mousseline (muslin), a gossamer-like fabric. They were low-neck dresses gathered below a woman’s breasts.[i]

Moreover, Madame Récamier is reclining on a récamier sofa, an Empire-style piece of furniture as is the torchère lamp to the left of David’s painting. There are bookcases in the background, but Jacques-Louis David has left them out of his portrait, focussing on Madame Récamier. In 1802, François Pascal Simon, Baron Gérard, a celebrated French artist, also made a portrait of Madame Récamier sitting on an Empire-style “spoon chair,” a modified bergère, i.e. an armchair without arms.

The Château de Malmaison

The Château de Malmaison (Photo credit: Wikipedia)

Joséphine de Beauharnais at Malmaison

By 1800, Napoleon was not an emperor. He did not install himself as Emperor until 1804, when he also bestowed the title of Empress, impératrice, on his Créole and aristocratic wife, Joséphine de Beauharnais, née Tascher de La Pagerie. The paintings at the top of this post are by David and Gérard, therefore suggest that, by 18 Brumaire (9 November 1799), although Napoleon had yet to become an emperor. He was First Council and his government was the Consulat. he had already made himself the leader of the French, which is precisely the case. A picture is worth a thousand words. In fact, by 18 May 1799, the Law of 22 Floréal Year VI, a much later even, deprived 106 left-wing deputies of their seat on the Council of Five Hundred, the lower-house.

Although the Consulate may have seemed a triumvirate, it wasn’t. As self-proclaimed premier Consul, Napoleon would be the sole ruler of France. The other two Consuls, Jean-Jacques-Régis de Cambacérès and Charles-François Lebrun, would have little power. In other words, the Consulat would be a form of dictatorship, except that Napoleon was already a hero to the French and was seen as a leader through military might.

A portrait of the three Consuls, Jean-Jacques- Régis de Cambacérès, Napoleon Bonaparte and Charles-François Lebrun (left to right).

A portrait of the three Consuls, Jean-Jacques- Régis de Cambacérès, Napoleon Bonaparte and Charles-François Lebrun (left to right) (Photo credit: Wikipedia)

The Flight to Varennes and the Levée en masse

the Flight to Varennes (June 1791)
the Declaration of Pillnitz (August 1791)
the Tuileries massacre (10 August 1792)
the Battle of Valmy (20 September 1792)
the Levée en masse (23 August 1793)
the Grande Armée  (1793)
Napoleon in Egypt (1798)

In other words, Napoleon was not Place de la Révolution, in Paris, knitting as he watched heads fall. He was on a battlefield fighting foreign powers who had threatened to wage war against France in order to save Louis XVI, Marie-Antoinette, and their two children.

Marie Antoinette en chemise, portrait of the queen in a "muslin" dress, by Louise Élisabeth Vigée Le Brun (1783).

Marie Antoinette en chemise, portrait of the queen in a “muslin” dress, by Louise Élisabeth Vigée Le Brun (1783) (Photo credit: Wikipedia)

The War in the Vendée, or la Chouannerie

However, Napoleon did not join the Army of the West (1793), the army that would attempt to suppress Royalist uprisings known as la Chouannerie. Paradoxically, the leaders of Revolutionary France were caught somewhat unawares by the War in the Vendée, Brittany. It is as though they did not realize that there were Royalists in France. This war, a civil war, was triggered by the levée en masse, or mass conscription, decreed on 23 August 1793 by the National Convention.

General Thomas-Alexandre Dumas was called upon to help quell la Chouannerie, Royalist uprisings. Thomas-Alexandre accepted this assignment, as generals normally do, except Napoleon. Tom Reiss[ii] tells us that Alex Dumas was a “‘good’ Republican” and “Mr Humanity,” which he may have be, but the War in the Vendée, la Chouannerie,   remains the first genocide in modern history.

The Need for Officers: Opportunity

For Napoleon, opportunity was knocking at the door. Although France had a Grande Armée, its military officers, members of the nobility, had been guillotined or had fled France. There was a gap: no one could lead the Grande Armée. It was therefore possible for Napoleon Bonaparte to rise to power mainly on his own, which he did. By 22 December 1793, at the age of 24, an ambitious Napoleon Bonaparte was a general defending France from angry counter-revolutionary forces. As stated above, unlike Thomas-Alexandre Dumas, Napoleon refused to serve in the Army of the West, against the Chouans, because it would deprive him of the visibility he needed to rise to power.

Instead, he fought the English, by pushed back English royalist forces at Toulon. Furthermore, in 1795, he also defeated royalist rebels marching against the National Convention (13 Vendémiaire year IV; 5 October 1795), “thereby saving the National Convention and the Republic.”[iii] He was then given command of the Army in Italy. Consequently, when he returned to France in 1797, he did so “as the nation’s brightest star, having fully emerged from the need for a patron.”[iv] 

Napoleon then went to Egypt. You may remember that Thomas-Alexandre Dumas, the “Black Count,” had words with Napoleon when la Grande Armée was in Egypt. One could not disagree with Napoleon, so Thomas-Alexandre Dumas eventually loaded an unsafe boat and set sail for France. He was captured and thrown into a dungeon in 1798, more than one year before the Consulate.

The Declaration of Pillnitz  & the Brunswick Manifesto

The royal family’s unsuccessful flight to Varennes (June 20-21, 1791) was construed as counter-revolutionary. It helped radicalize the French Revolution. Two events were particularly portentous. The first was the Declaration of Pillnitz, signed on 27 August 1791 by the Holy Roman Emperor Leopold II, Marie-Antoinette’s brother. As for the second, it was the Brunswick Manifesto (21 July 1792). 

Leopold II did not intend to invade France because England would not have joined him, but the French did not know that the Declaration of Pillnitz was a ploy. On 20 April 1792, the French Assembly declared war against Austria.

The Duke of Brunswick attempted to march on Paris, but French Generals François Kellermann and Charles Dumouriez stopped his advance near the northern village of Valmy in Champagne-Ardenne. The Battle of Valmy took place on 20 September 1792.

On 10 August 1792, citizens stormed the Tuileries Palace and killed six hundred of the King’s Swiss guards. On that day, the monarchy was suspended. (See 10 August 1792, Wikipedia.) 

A year later, on 23 August 1793, the National Convention (1792-1795) decreed a levée en masse, or the first conscription in modern history.

The Levée en Masse or Mass Conscription

  • the War in the Vendée, Britanny or la Chouannerie
  • Napoleon’s rise to power

On 23 August 1793, at the beginning of the Reign of Terror (1793-1794),

“[a]ll unmarried able-bodied men between 18 and 25 were requisitioned with immediate effect for military service. This significantly increased the number of men in the army, reaching a peak of about 1,500,000 in September 1794, although the actual fighting strength probably peaked at no more than 800,000.” (See levée en masse, Fordham University.)

Mass conscription was intended to protect France from attacks by monarchies outside France. Marie-Antoinette’s brother was Holy Roman Emperor Leopold II, so the French could not and did not ignore the Declaration of Pillnitz. As a result, they first declared war on Austria and, a year later, the National Convention decreed the levée en masse caused a civil war while providing Napoleon with a Grande Armée that would become his Grande Armée. The Napoleonic era can be traced back to the levée en masse or Mass Conscription of 23 August 1793:  

“[a]s a continuation of the wars sparked by the French Revolution of 1789, they [the Napoleonic wars] revolutionised European armies and played out on an unprecedented scale, mainly owing to the application of modern mass conscription.” (See Napoleonic Wars, Wikipedia).

 … mainly owing to the application of modern mass conscription.

Jacques-Louis David’s painting explained

In other words, by 1800, because of the Revolutionary wars and “mainly owing to the application of modern mass conscription,” Napoleon was ready to install himself as first Consul and, a few victories later, he would have himself sacred as Emperor of an expansionist himself France. The First Republic had collapsed.

Coronation of Napoleon, Jacques-Louis David
Coronation of Napoleon (detail), by Jacques-Louis David (Photo credit: Wikipedia)

The Empire Style 

  • Salons
  • Madame Récamier

Now we know why Madame Récamier is reclining on an Empire-style récamier, wearing an Empire-style gown. There’s no puzzle. Napoleon’s ascendancy had started years before the Consulate (late 1799) and so had the Empire style. Napoleon had proven invaluable when foreign monarchies threatened to rescue the ill-fated French monarchy, which is the message the French received when they were apprised of the Declaration of Pillnitz (August 1791).  As of that day, the young Republic needed a Napoleon, and Napoleon was at the ready.

—ooo—

Napoleon would remarry because Joséphine (née Tascher de La Pagerie), who had given birth to two children as the wife of guillotined Alexandre de Beauharnais, could no longer conceive. Napoleon wanted a son and married Marie-Louise of Austria, the mother of Napoleon II or Franz, Duke of Reichstadt (20 March 1811 – 22 July 1832) who died at 21, probably of tuberculosis. Contrary to other reports, Joséphine’s divorce from Napoleon did not break her heart, at least not altogether. For one thing, she would now reside at Château de Malmaison, which she had bought for Napoleon. It is a lovely castle, located twelve kilometers away from Paris and decorated in the new style: the Empire style.

At the Château de Malmaison, Joséphine cultivated roses and entertained such dignitaries as kings and tsars. The style she introduced in fashion, lovely light gowns, was comfortable and flattering. Gone were the girded gowns of yesteryear. Joséphine died in 1814, before Napoleon’s demise at Waterloo.

Joséphine de Beauharnais, (Photo credit: Google Images)
Joséphine de Beauharnais, detail, by Jacques-Louis David (Photo credit: Google images)

Conclusion

As I noted in my post, entitled The Tennis Court Oath, Napoleon ruled alone, but he respected, to a point, the ideals of the Revolution: liberté, égalité and fraternité. These ideals were perhaps too lofty to be attainable, but they were inspiring and under the ancien régime a young man from Corsica would not have been given the opportunity to transform himself into an emperor. Merit played a role in Bonaparte’s ascendancy.

Moreover, a style emerged which to a certain extent was in the image of an Emperor, except that Madame Récamier had a salon. The French salon, a revered institution, had survived the Revolution and so had Cafés. Everyone, from Voltaire to Robespierre, was a regular, un habitué, of Le Café Procope that has not closed shop since its establishment in 1689.

We have entered a new world.

_________________________

[i] To be precise, muslin dresses had been introduced by Marie-Antoinette.

[ii] Tom Reiss, The Black Count: revolution, betrayal, and the real Count of Monte Cristo (New York: Crown Publishers, 2013)

[iii] “Napoleon I.” Encyclopædia Britannica. Encyclopædia Britannica Online. Encyclopædia Britannica Inc., 2014. Web. 16 Feb. 2014. <http://www.britannica.com/EBchecked/topic/402943/Napoleon-I>.

[iv] See europeanhistory.about.com.

800px-Portrait_de_madame_de_Verninac_by_David_Louvre_RF1942-16_n2

Madame de Verninac by Jacques-Louis David

© Micheline Walker
16 February 2014
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