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Tag Archives: Louis Hémon

The Exodus: Canadiens leave Canada

01 Saturday May 2021

Posted by michelinewalker in Bilingualism, Canada, Canadian History

≈ 8 Comments

Tags

Clarence Gagnon, l'abbé Lionel Groulx, le curé Labelle, Louis Hémon, Maria Chapdelaine, Seigneurial System, The Exodus

La Maison rouge par Clarence Gagnon

—ooo—

In earlier posts, I discussed Louis Hémon‘s Maria Chapdelaine (1913). Louis Hémon (12 October 1880 – 8 July 1913) was born in France but visited Quebec in 1912-1913. He went North to the small community of Péribonka. Having worked with French Canadians, he spent the winter of 1912-1913 writing Maria Chapdelaine and sent his manuscript to a publisher in France. He started walking west, but he was hit by a train.

In my discussion of Maria Chapdelaine, I also introduced the legendary Antoine Labelle (1834-1891). Antoine Labelle was a priest who encouraged Quebecers who had no land to go North, to the Lac-Saint-Jean FR or up the Ottawa River and “make land,”(faire de la terre). They were running out of land. Others, however, went to the United States.

Since the 1850s, or perhaps as early as the Rebellions or 1837-1838, Quebecers were moving to the United States.The thirty acres French colons (colonists) had farmed since the 17th century were a peau de chagrin.[1] They could no longer be divided among sons. Moreover, when the Seigneurial System was abolished in 1854, farmers could buy their ancestral land if they had money. The censitaires who could not buy their thirty acres had to pay “rente” for a lifetime.

Faire de la terre, making land, is the choice Maria’s father has made. Maria falls in love with François Paradis, but he dies in a storm, hoping to spend Christmas with Maria. An émigré to the United States, Lorenzo Surprenant, also wishes to marry Maria, but she will live and die as her mother lived and died. She marries Eutrope Gagnon who is “making land.”

My grandfather left Canada because he could not making a living in his native land. He went to the Canada d’en bas,[2] a down below Canada, or New England states. Traditionally, Quebecers had left for the pays d’en haut, north. They became voyageurs or worked as loggers (bûcherons) or river drivers (draveurs). Raftsmen drove the lumber down rivers, which was very dangerous.

Draveurs / Raftsmen (Bytown is Ottawa and the Ottawa River is l’Outaouais)

However, French Canadians left Québec for reasons other than unemployment. There were jobs in the United States, but French-speaking Canadians did not escape the spellbinding notion that, in order to be rich, one migrated to the United States. It was described as a land of plenty. My grandfather was unemployed, so he went to work in a New England factory. He saved his money and bought a large farm. Owning land was everything.

It remains true, however, that nearly one million[3] French-speaking Canadians left Canada mostly because they could not make a living in their country. Besides, although it did not happen the minute Confederation was signed, provinces legislated the exclusive, or nearly exclusive, use of French as a language of instruction. Sir Wilfrid Laurier could not accommodate immigrants and refugees. Needy French-speaking Canadians could not go west.

For instance, under Premier Sir James Whitney, Ontario was not prepared to have a dual system of education. In July 1912, Whitney’s government passed Regulation 17, which banned the teaching of French in schools beyond the first two or three years. This measure inflamed French-Canadian opinion across Canada, but more so in Quebec. French-speaking Quebecers wondered if they should accept conscription.

In 1922, Quebec nationalist, Lionel Groulx, a priest, published L’Appel de la race, (the call of…). Jules Lantagnac, a lawyer, has married Maud Fletcher, a Catholic Anglophone. They live in Ottawa. He is elected into office in Ontario, but wants his children to be educated in French. His wife opposes him and she threatens to leave him if he supports a motion by Kamouraska (Quebec) Member of Parliament, Ernest Lapointe. The marriage falls apart. A few years ago, Lionel Groulx, Quebec’s most prominent nationalist ever, was accused of racism. Although I would rather read Gabrielle Roy, I will say that race also means breed and that Lantagnac’s roots are a French and bilingual Canada. Sir James Whitney, was influenced by Ontario Orangemen. Sir John A. Macdonald, the main father of Confederation, was an Orangeman and the Orange Order was anti-French and anti-Catholic. (See James Whitney, Wikipedia.)

But French-speaking Canadians had friends.

They [French Canadians] have adopted our system, but there are two things they have clung to, their religion and their language. I believe that their national sentiment is even stronger than their religious sentiment—I really believe so. The national feeling among them is intensely strong, but I would ask you English, Irish and Scotch descendants born in this country, and brought up here, supposing a regulation similar to No. 17 were passed in the Province of Quebec, what do you think our duty towards it would be? Supposing Sir Lomer Gouin—I cannot imagine it—but supposing he did have the courage, or the nerve, so to speak, to pass a regulation of that kind. There would be a rebellion in this Province, I think. And here we have our French-Canadian brethren in the sister Province who by constitutional means are trying to obtain the repeal or the modification of the regulation, or some other settlement of the question which would be satisfactory to all concerned.)

Mr. JUSTICE McCORKILL, in Bilingualism by N. A. Belcourt speech given at the Canadian Club in 1916.
Gutenberg [EBook #25040]

George-Étienne Cartier (1814-1873), the Prime Minister of Canada East, signed Confederation. Quebec was part of a federated Canada. He was pleased that Quebecers would keep their language, their religion, and their Code Civil. He negotiated Manitoba’s entry into Confederation. But could he presume that a dual system of education would be opposed? He died in 1873, twelve years before Louis Riel was executed.

However, it remains difficult to say to what extent being confined to one province hurt French-speaking Canadians. Emigration to the United States was a loss. All I know is that the people living in Canada are compatible. So many French-speaking Canadians are federalists. They inherited a Constitutional Monarchy and liked that system. One could speak. As for Sir John A. Macdonald, he had a dream. Canada would stretch from the Atlantic to the Pacific. That vision was enibriating, but…

RELATED ARTICLES

  • La Question des écoles / The Schools System.2 (28 April 2021)
  • La Question des écoles / The Schools System (24 April 2021)
  • Le Vent du Nord’s “Confederation” (21 April 2021)
  • About the Seigneurial System, cont’d (23 August 2020)
  • About the Seigneurial System (21 August 2020)
  • Félix-Antoine Savard: Menaud Maître-Draveur: a Metaphysical Land (1937) (14 January 2014)
  • Regionalism in Quebec Fiction: Ringuet’s Trente arpents (Part Two) (1938) (29 July 2012)
  • Regionalism in Quebec Fiction: Ringuet’s Trente arpents (Part One) (1938) (27 July 2012)
  • Louis Hémon: Regionalism in Quebec Fiction: Maria Chapdelaine (1914; 1916) (7 June 2012)
  • Louis Hémon: Maria Chapdelaine (1914; 1916) (26 January 2012)
  • Pierre-Joseph-Olivier Chauveau’s Charles Guérin (1846) DCB/DBC (5 June 2012)
  • Patrice Lacombe’s La Terre paternelle (1846) DCB (3 June 2012)
  • Canadiana.1 (page)
  • Canadiana.2 (page updated 2 May 2021)

Sources and Resources

  • Louis Hémon, Maria Chapdelaine, illustrated by Clarence Gagnon (1881-1942), is a beq.ebooksgratuits.com/.pdf FR
  • Maria Chapdelaine, W. H. Blake, transl. is Gutenberg [Ebook 4383] EN
  • [The Project Gutenberg eBook of Address Delivered Before The Quebec Canadian Club At Quebec, by The Honorable N. A. Belcourt, K.C., P.C..]

_________________________
[1] I am borrowing from Honoré de Balzac (1799-1850) who wrote a novel entitled La Peau de chagrin. Shagreen shrinks. It may, therefore, represent life, love, and all paradis perdus (paradise lost)
[2] Pierre Anctil, « La Franco-Américanie ou le Québec d’en bas », in Maurice Poteet, responsable, Textes de l’Exode (Montréal : Guérin Littérature, collection Francophonie, 1987), pp. 91-111.
[3] Télesphore Saint-Pierre, « Les Canadiens des États-Unis : ce qu’on perd à émigrer », in Maurice Poteet, responsable, Textes de l’Exode (Montréal : Guérin Littérature, collection Francophonie, 1987), p. 47.

—ooo—

Love to everyone 💕

“Meeting of the Delegates of British North America to Settle the Terms of Confederation, Quebec, October 1864” by Robert Harris, 1883

© Micheline Walker
1st May 2021
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Regionalism in Québec Fiction: Maria Chapdelaine

14 Tuesday Jan 2014

Posted by michelinewalker in Art, French-Canadian Literature, Quebec, Regionalism

≈ Comments Off on Regionalism in Québec Fiction: Maria Chapdelaine

Tags

1914, Clarence Gagnon, illustrations, Louis Hémon, Maria Chapdelaine, Quebec, Quebec seen by a Frenchman, Regionalism, roman de la terre, roman du terroir

Revised on 14 January 2014
Images by Clarence Gagnon

Péribonka

The next step in our examination of regionalism in Quebec literature is Maria Chapdelaine.  I have published a short post on Maria Chapdelaine, a novel written by Louis Hémon (12 October 1880 – 8 July 1913), a Frenchman born in Brest.  After studying law and oriental languages at the Sorbonne, Hémon moved to London and, in 1911, to Quebec, Canada.  In 1912, he spent several months working with cultivateurs, or farmers, in the Saguenay-Lac-Saint-Jean area, up the beautiful Saguenay River.  He  lived in a community called Péribonka and spent the winter of 1912-1913 in that community, writing his novel.

Having completed his manuscript, Hémon sent it to France and started travelling west, probably to Edmonton, where French citizens had settled at that time.  Hémon was killed in a train accident on 8th July 1913, at Chapleau, Ontario.  He did not live to see Maria Chapdelaine become a bestseller.  It has been translated into more than 20 languages in 23 countries and it has been made into three movies.[i] 

The plot is simple. But, although Maria Chapdelaine is a roman du terroir, it differs substantially from Patrice Lacombe’s La Terre paternelle and from Pierre-Joseph-Olivier Chauveau’s Charles Guérin. Louis Hémon did not feel dispossessed of his ancestral land and betrayed.  And he had not transformed the insurrections of 1837-1838 into an ethnic conflict, which they were not, at least initially.

pu-logo

The artwork featured in this post are illustrations for Maria Chapdelaine, executed by Clarence Gagnon and housed at the McMichael Museum, in Kleinburg, Ontario.

However, Hémon worked with men like Maria Chapdelaine’s father, Samuel Chapdelaine a name not coincidentally resembling that of the Father of New France, Samuel de Champlain.  These otherwise unemployed men were trying to transform rebellious soil into arable land.  They had gone north, as the colourful curé Labelle (24 November 1833 – 4 January 1891) advocated, and were “making land” (faire de la terre).[ii]  Father Labelle preached “colonisation.” That was the “patriotic” alternative to leaving for the New England states.

Maria’s ‘Choices:’  F. Paradis, L. Surprenant & E. Gagnon

As indicated in my post, Hémon gives Maria Chapdelaine three suitors: François Paradis, Lorenzo Surprenant and Eutrope Gagnon.  François dies in a snow storm, which was to be expected.  In traditional Quebec society, happiness was viewed not only as impossible, but as dangerous.  Lorenzo Surprenant has come north to find a wife and take her down to the United States, but Maria turns him down.  She will marry a neighbour, Eutrope  Gagnon, and live as her mother lived.  The names of the suitors are revealing: Paradis is paradise, Surprenant, surprizing, and Gagnon, close to the verb gagner: to win.  Hémon’s novel is somewhat stylised.

Maria Chapdelaine also differs from La Terre paternelle and Charles Guérin in that, unlike Chauveau’s Charles Guérin, it does not feature an ‘ugly’ Englishman: Mr Wagnaër. As for La Terre paternelle, although the novel does not feature an explicit ‘ugly’ Englishman, Jean Chauvin fails where an Englishman would have succeeded.  I believe this is the reason why Lacombe views cities as unhealthy.  

 —ooo—

Our next regionalistic novel is Father Félix-Antoine Savard‘s (August 31, 1896 – August 24, 1982) Menaud maître-draveur, 1937 (translated as Boss of the River, or Master of the River by Alan Sullivan (1947).  It earned Savard a Medal from the French Academy.  

To view more illustrations of Maria Chapdelaine, by Marc-Aurèle de Foy Suzor-Coté,
please click on the following link: http://www.archiv.umontreal.ca/exposition/louis_hemon/oeuvre/oeuvre_page2-3.html
 
_________________________  

[i]  1934: Maria Chapdelaine, directed by Jean Duvivier, starring Madeleine Renaud and Jean Gabin (France); 1950: The Naked Heart, directed by Marc Allégret, starring Michèle Morgan (France); 1984, Maria Chapdelaine, directed by Gilles Carle, starring Carole Laure (Québec).

[ii] Curé Labelle, a legendary figure, is featured in Claude-Henri Grignon’s (Sainte-Adèle, 8 July 1894 – Québec, 3 April 1976) novel Un homme et son péché (1933).  Grignon’s novel was transformed into a very popular serialized radio and television drama.   A film adaptation, entitled Séraphin: Un homme et son péché, Séraphin: Heart of Stone, was released in 2003, but it had been filmed in 1949.  Séraphin is a miser and he is cruel to his wife Donalda.

The White Horse, by Clarence Gagnon 
 
 
thedayafterthestorm300© Micheline Walker
7 June 2012
WordPress 
 
revised
14 January 2014
 
 
 
 
Related Posts:
  • Maria Chapdelaine
  • Patrice Lacombe’s La Terre paternelle (3 June 2012)
  • Pierre-Joseph-Olivier Chauveau’s Charles Guérin (5 June 2012)

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The Regionalist Novel in Quebec: Survival

27 Wednesday Jun 2012

Posted by michelinewalker in Canada, Literature

≈ Comments Off on The Regionalist Novel in Quebec: Survival

Tags

Claude-Henri Grignon, Félix-Antoine Savard, French-Canadian literature, Germaine Guèvremont, Louis Hémon, Maria Chapdelaine, Philippe Panneton, Regionalism

Mild Spring by Claude A. Simard, R.C.A. (2010)

(Claude A. Simard is featured with permission from La Galerie Walter Klinkhoff, Montreal)

Today, I will start and perhaps finish writing about our last Regionalist Novel in Quebec: Ringuet‘s Trente Arpents. If you are interested in French-Canadian literature and use my posts as further information on both Canadian literature and history, you may wish to keep the list below. There are other romans de la terre or romans du terroir, or novels of the land (regionalism), but the works listed below are fine representatives of this school, and some are classics. The theme underlying these novels is survival, as in Margaret Atwood‘s Survival.

Classification: The Canadien runs out of Land

I do not want to put these novels into little boxes, but a moderate degree of classification is necessary. Maria Chapdelaine, by Louis-Hémon, a Frenchman, tells the entire story. However, it does not convey the despair of those French-Canadians who had to leave Canada because they the thirty acres allotted their ancestors in the seventeenth century had shrunk. The exodus was a tragic and quasi-genocidal episode. Quebec could not afford to lose close to a million inhabitants.

The finest depiction of the Exodus is Ringuet’s (Dr Philippe Panneton)  Trente Arpents or Thirty Acres.

Ideological Texts

1. In La Terre paternelle, French-Canadians are told that it is better to stay on the land. The same advice is given in Charles Guérin, were it not that Charles Guérin, Pierre-Joseph-Olivier Chauveau‘s novel, also brings up the thorny matter of the lack of professions available to French-Canadians living in Quebec.

2. Un Homme et son péché (Les Belles histoires des pays d’en haut), by Claude-Henri Grignon, is about a séraphin, a miser. But it features real-life who advocate colonisation: faire de la terre (making land). “Notre culture sera paysanne… ” supports that ideology.

Poetical

1.  In Menaud, maître-draveur, Félix-Antoine Savard‘s novel, no explicit ideology is expressed, but Englishmen will be renting the mountain so they can harvest its riches. Menaud feels dépossédé (disowned). A French-Canadian no longer “tied” (lié) to the land, le Délié, will be pocketing the rental money. Savard’s novel is a masterpiece. It is a poetical, evocative, and “green” novel. Do not abuse nature.

2.  Le Survenant (and its sequel: Marie-Didace), Germaine Guèvremont‘s novel is also very poetical. It has a bucolic and, at times, spell-binding quality. The land is rich and it still feeds French-Canadians. In The Outlander (Le Survenant), the central character, is both liked and feared.

Patrie Littéraire (after Lord Durham’s Report)

La Terre paternelle and Charles Guérin are Patrie littéraire novels. They were written in the wake of Lord Durham’s report, who described French-Canadians as having no history or literature.

Radio and Television serials

Un Homme et son péché* (Radio and TV) and Le Survenant* (TV) were serialized and extremely popular.

The “Bad” Englishman and the “Vendu” (sold)

The “bad” Englishman is Wagnaër in Charles Guérin and the “vendu,” le Délié in Menaud, maître-draveur.    

  • La Terre paternelle, Patrice Lacombe (1846) ←
  • Charles Guérin, Pierre-Joseph-Olivier Chauveau (1846)
  • Maria Chapdelaine, Louis-Hémon (1914)
  • Un Homme et son péché, Claude Henri Grignon (1933)*
  • Notre culture sera paysanne ou elle ne sera pas (We will be peasants or we will not be), Public letter to André Laurendeau, an article published in L’Action nationale, n° 6, juin 1941, pp. 538-543. 
  • Menaud, maître-draveur, Félix Antoine Savard (1937)
  • Trente Arpents, Ringuet (Dr Philippe Panneton) (1938)
  • Le Survenant, Germaine Guèvremont (1945)*
  • The Canadian & his “Terroir”

I will be writing about Laurendeau, l’Action nationale, Refus global, etc.

 —ooo—

Gilles Vigneault sings Gilles Vigneault: Mon Pays

© Micheline Walker
17 June 2012
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Regionalism in Québec Fiction: Maria Chapdelaine

07 Thursday Jun 2012

Posted by michelinewalker in Art, French-Canadian Literature, Quebec, Regionalism

≈ 4 Comments

Tags

1914, Clarence Gagnon, illustrations, Louis Hémon, Maria Chapdelaine, Quebec, Quebec seen by a Frenchman, Regionalism, roman de la terre, roman du terroir

Péribonka

Maria Chapdelaine is the next step in examining regionalism in Quebec literature. I have published a short post on Maria Chapdelaine, a novel by Louis Hémon (October 12, 1880 – July 8, 1913), a Frenchman born in Brest. After studying law and oriental languages at the Sorbonne, Hémon moved to London and, in 1911, to Quebec. In 1912, he spent several months working with cultivateurs, or farmers in the Saguenay-Lac-Saint-Jean area, up the beautiful Saguenay River. He lived in a community called Péribonka and spent the winter of 1913 in that community, writing his novel.

Having completed his manuscript, Hémon sent it to France and started travelling west, probably to Edmonton, where French citizens had settled. He was killed in a train accident on July 8, 1913, in Chapleau, Ontario. He did not live to see Maria Chapdelaine become a bestseller. It has been translated into more than 20 languages in 23 countries, and it has been made into four movies.

The plot is simple, but although Maria Chapdelaine is a roman du terroir, it differs substantially from Patrice Lacombe’s Terre paternelle and Pierre-Joseph-Olivier Chauveau’s Charles Guérin. Louis Hémon’s Samuel Chapdelaine does not feel dispossessed of his ancestral land and betrayed. Moreover, Louis Hémon’s novel, Maria Chapdelaine, does not feature an ethnic conflict.  

The artwork featured in this post is illustrations for Maria Chapdelaine, executed by Clarence Gagnon and housed at the McMichael Museum, in Kleinburg, Ontario.

However, Hémon worked with men like Maria Chapdelaine’s father, Samuel Chapdelaine, a name not coincidentally resembling that of the Father of New France, Samuel de Champlain. These otherwise unemployed men were trying to transform rebellious soil into arable land. They had gone north, as the colourful curé Labelle (November 24, 1833 – January 4, 1891) advocated, and were “making land” (faire de la terre).[i] Father Labelle preached “colonisation,” which was the “patriotic” choice. Leaving for the United States wasn’t.

Maria’s ‘Choices:’ F. Paradis, L. Surprenant & E. Gagnon 

As indicated in my post, Hémon gives Maria Chapdelaine three suitors: François Paradis, Lorenzo Surprenant and Eutrope Gagnon. In traditional Quebec society, happiness was viewed not only as impossible but as dangerous. François dies in a snowstorm, which was to be expected. Lorenzo Surprenant has come north to find a wife and take her to the United States, but Maria turns him down. She will marry a neighbour, Eutrope Gagnon, and live as her mother lived. The names of the suitors are revealing: Paradis is paradise; Surprenant is surprising, and Gagnon’s name is close to the French verb gagner: to win.

Maria Chapdelaine also differs from Patrice Lacombe’s La Terre paternelle and Chauveau’s Charles Guérin in that, unlike Chauveau’s Charles Guérin, it does not feature an “ugly” Englishman: Mr Wagnaër. As for La Terre paternelle, although the novel does not feature an explicit “ugly” Englishman, Jean Chauvin fails where an Englishman would succeed. I believe this is the reason why Lacombe views cities as unhealthy.  

—ooo—

Our next regionalist novel is Father Félix-Antoine Savard‘s (August 31, 1896 – August 24, 1982) Menaud maître-draveur, 1937 (translated as Boss of the River, or Master of the River by Alan Sullivan (1947). It earned Savard a Medal from the French Academy.  

To view more illustrations of Maria Chapdelaine, by Marc-Aurèle de Foy Suzor-Coté, 
please click on the link below: http://www.archiv.umontreal.ca/exposition/louis_hemon/oeuvre/oeuvre_page2-3.html 
_________________________      

[i] Curé Labelle, a legendary figure, is featured in Claude-Henri Grignon’s (Sainte-Adèle, 8 July 1894 – Québec, 3 April 1976) novel Un homme et son péché (1933). Grignon’s novel was transformed into a popular serialised radio and television drama and made into a movie three times. The second movie is entitled Séraphin: Heart of Stone (2003). Séraphin is a miser, and he is cruel to his wife Donalda.

The White Horse, by Clarence Gagnon 
 
 
 
thedayafterthestorm300© Micheline Walker
7 June 2012
WordPress 
 
Related Posts:
Maria Chapdelaine 
Patrice Lacombe’s La Terre paternelle
Pierre-Joseph-Olivier Chauveau’s Charles Guérin
 
 
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