However, “Liberty Guiding the People” is associated with the July Revolution, when France toppled Charles X. The Revolution lasted three days. The new king would be Louis-Philippe, Duc d’Orléans. The Orléans were the cadet branch of the Bourbon kings. Louis-Philippe was the son of Philippe Égalité who espoused early objectives of the French Revolution: equality. He voted in favour of the execution, by guillotine, of Louis XVI, his cousin. Louis-Philippe II, duc d’Orléans, was guillotined on 6 November 1793.
La Liberté guidant le peuple (Liberty Leading the People) by Eugène Delacroix, 1830 (Photo credit: Wikipedia)
On 14 July, I wanted to publish a post on Eugène Delacroix (26 April 1798 – 13 August 1863), one of two illegitimate sons fathered by Charles Maurice de Talleyrand Périgord (2 February 1754 – 17 May 1838) (2 February 1754 – 17 May 1838), but life took me to a second parking lot narrative. I am learning over and over again that planet Earth is not “the best of all possible worlds” (Voltaire’s Candide).
But let us first take a brief look at events, art, and life in 19th-century France.
The Duc de Morny and Eugène Delacroix: Half-Brothers
We have already met le duc de Morny (15–16 September 1811, Switzerland – 10 March 1865, Paris). He transformed the talented and beautiful Marie Duplessis (15 January 1824 – 3 February 1847) into Paris’ most prominent salonnière and courtesan. At that time in history, many marriages were arranged. In the aristocracy, lineage was a priority. Consequently, men took a mistress. The duc de Morny was born to Hortense de Beauharnais (10 April 1783 – 5 October 1837) and Charles Maurice de Talleyrand-Périgord’s grandson. But Hortense, whose mother, Joséphine de Beauharnais, married Napoleon I, married Napoleon’s brother, Louis Bonaparte, king of Holland.
David, Delacroix, Ingres: Romanticism and Neoclassicism
Part of Delacroix’s story was told in a post entitled Eugène Delacroix’s “Mandarin Drake” (5 June 2014). Delacroix is associated with Romanticism and therefore differs from Jacques-Louis David (30 August 1748 – 29 December 1825) who is presented to students of the fine arts for works such as his Oath of the Horatii, a painting in the neoclassical style. Yet David is also the artist who painted The Death of Marat (1793), a masterpiece one cannot easily subject to pigeonholing.
The Death of Marat (1793) by Jacques-Louis David (Photo credit: Wikipedia)
Oath of the Horatii (second version; 1786) by Jacques-Louis David (Photo credit: Wikipedia)
Between 1792 and 1871, France was a Republic, twice; a Monarchy, twice; an Empire, twice, and it suffered a Second French Revolution, which took place in 1848. The 1848 French Revolution echoed various uprisings occurring in several European countries, some rooted in decisions made at the Congress of Vienna (November 1814 to June 1815), which ended the Napoleonic Wars, others reflecting national disasters, such as the Greek War of Independence. The Greek War of Independence inspired Delacroix, and Lord Byron (2 January 1788 – 19 April 1824). Lord Byron had in fact, become a militant who died of a fever he contracted at Missolonghi.
Fantasia arabe by Eugène Delacroix, 1833 (Photo credit: Wikipedia)
Women of Algiers by Eugène Delacroix, 1834 (Photo credit: Wikipedia)
Egyptology and Orientalisme
The Rosetta Stone
There was a period of Egyptomania, just as there had been a period of turquerie. Interest in Egypt followed Napoléon’s campaign in Egypt and Syria (1798 – 1801).
Napoléon was defeated by Horatio Nelson of the British Royal Navy at the Battle of the Nile, in 1801. By then l’Armée d’Orient had spent three years in the Near East or Asia Minor and all things oriental had become immensely popular, obelisks in particular. Bonaparte’s objective was to undermine British trade with India. He failed, but, in 1799, Pierre-François Bouchard, an officer in theFrench Armydiscovered the Rosetta Stone. Egyptology was born. The Rosetta Stone was a rockstele with inscriptions in 1) Ancient Egyptian hieroglyphs, 2) Demotic script, a predecessor to Ancient Coptic, and 3) Greek script.
Jean-François Champollion (23 December 1790 – 4 March 1832), a French scholar, deciphered the Rosetta Stone’s Egyptian hieroglyphs. British polymath Thomas Young (13 June 1773 – 10 May 1829) had translated the Demotic script and had made some progress deciphering the Egyptian hieroglyphs. However, success evaded Young.
The stone, a rock stele, had been transported to the British Museum where it is still housed. The British had defeated the French at the above-mentioned Battle of the Nile, in 1801, led by the legendary Horatio Nelson. The Rosetta Stone was therefore a British acquisition.
Deciphering: phonetic or ideographic
A main obstacle to linguists deciphering a newly found language is whether or not the symbols of the language are phonetic (sounds) or ideographic (images). In the case of the Rosetta Stone, they were both phonetic and ideographic. The Egyptian hieroglyphs were also a paraphrase rather than a translation of the Ancient Greek script. His knowledge of Ancient Greek and progress in mastering Eastern languages helped Champollion decipher hieroglyphs. He published his results in 1822. Later in the decade, after visiting Egypt, Champollion published further findings.
Rosetta Stone (National Geographic)
Obelisks
The exotic has always fascinated artists and all manner of designers. Obelisks, not to be confused with Odalisques, were plentiful and were taken by ship to Europe, or, at times, made in Europe. I have often wondered whether or not Maelzel, who invented the modern metronome in 1815, was influenced by obelisks. Mechanical metronomes are shaped like elongated pyramids. The Washington Monument is an obelisk. Many are located in Rome, Italy. has (See List of obelisks in Rome, Wikipedia.)
The Lateran Obelisk, Rome (Photo credit: Wikipedia)
The largest obelisk, the Lateran obelisk, is located in Rome. When it was transported from Alexandria to Rome, it weighed 455 tons and stood at 37.2 meters (122 feet) After its collapse, a higher obelisk was built: 45.7 meters (149.9 feet). The Lateran obelisk was made for the temple of Amun in Karnak. At the very top of the rebuilt obelisk stands a crucifix, which could explain the difference in height. Most Oriental obélisques were viewed as precious and pillaged. Obelisks had several destinations and smaller ones were used in the decorative arts. Many are engraved with names or very intricate bas-reliefs.
Obélisque de Paris, gravure (Photo credit: Le Point.fr)
Eugène Delacroix
Eugène Delacroix (26 April 1798 – 13 August 1863) was a Romantic painter as well as a lithographer. Lithographs are copies and therefore more affordable than an original painting. Movement is a main characteristic of Delacroix paintings and it suggests passion. The Romantics expressed their sentiments. Such paintings as the Massacre at Chios and the Death of Sardanapalus convey despair. The Massacre at Chios depicts Greek survivors of a massacre awaiting to be taken as prisoners or slaves. The enslavement of prisoners was a common fate after a victory and they could remain captives for many years, if a ransom were not paid. Before committing suicide, having suffered a final defeat, Sardanapalus has eunuchs kill his concubines.
It is said, however, that in real life Delacroix controlled his passions: reason over passion. He was with near certainty an illegitimate son of the very famous Talleyrand, a Prince and, arguably, the most powerful man in France. He was Napoleon’s éminence griseand may have orchestrated his defeat at Waterloo.Talleyrand is also the man behind the Congress of Vienna (1815), an event foretelling of such partitioning as the Sykes-Picot Agreement.
As for Delacroix, the leader of the French Romantics, his father protected him discreetly and promoted his career. After Talleyrand’s death, Delacroix was the protégé of the Duke of Morny, Talleyrand’s grandson.
Delacroix early in his career (Photo credit: Wikipedia)
Conclusion
I intended to show the art of several Orientalists, one of whom is Delacroix who actually travelled to the Near East. My favourite orientalist is Jean-Léon Gérôme, but there are gems among Horace Vernet’s paintings and the artwork of other Orientalists. Orientalism crossed the English Channel and grew into an inspiration to members of the Aesthetic Movement, next to Japonism. The Orient became affordable as a decorative art.
In 2011, art critic Julia Cartwright exclaimed:
“There are lovely things at every turn, Persian potteries, hangings of every variety, cabinets and rugs. I fell in love with a sunflower paper at fourpence ha’penny a yard.”
(The Guardian)
Love to everyone♥
Massacre at Chios, 1824
Death of Sardanapalus, 1827
Arab Saddling his Horse, 1855
Arab Horses Fighting in a Stable,1860
Greece on the Ruins of Missolonghi, 1826 (Photo credit: Wikipedia)
Eugène Delacroix (13 August 1863) is one of the most accomplished artists associated with Romanticism. He was also one of the most prolific and versatile artists of the early nineteenth-century. Hence the breadth of his influence.
His “Mandarin Drake” is a watercolour. But as an artist, Delacroix also used pen, chalk, graphite, pastels, and oil. In fact, he was a fine lithographer who illustrated various literary works by William Shakespeare, Walter Scott and Johann Wolfgang von Goethe. The paintings of Rubens were a source of inspiration to Delacroix. Moreover, he was a friend of Théodore Géricault (1791 -1824), and Géricault’s “spiritual heir.” (See Eugène Delacroix, Wikipedia.) Géricault completed his Raft of the Medusa, Le Radeau de la Méduse, at the age of 27, and his horses are magnificent.
Delacroix is known mainly for his “Liberty Guiding the People” (1830), a painting that captures the “genius,” or essence, of Revolutions. However, although the video at the foot of this post presents “Liberty Guiding the People” and reveals a more intense Delacroix, I have assembled works that show other and, at times, seemingly simpler facets of Delacroix’s art.
The work featured at the top of this post is one of my favourites. It shows a drake, a Mandarin drake or mallard (canard mallard, canard colvert [green neck]).
Delacroix’s subject matter also consisted of flowers and studies of flowers, simple branches. Moreover, he travelled abroad seizing a less familiar beauty. The Romantics loved the exotic.
However, the art of this “Romantic” tends to override the notion of movements, which may of course be true of most great artists.
Photo credit: WikiArt.org (all images)
Please click on the lower part of each image to see its title. The pictures may be enlarged and viewed as a video (press escape to exit). I just discovered this WordPress feature.
Study of Flowers, 1845-1850
Two Branches with Leaves (pen, ink, watercolour)
House in a Grove (Bocage)
The Coast of Spain at Salabrena
Horse (Cheval) (watercolour)
For “The Cottage in a Grove,” 1838, Delacroix used a pen, chalk, and ink. “The Coast of Spain at Salabrena” is a watercolour, dated 1832. Delacroix’s “Study of Flowers” is a later work, executed between 1845 and 1850. “The Portrait of Turk in a Turban” (1826) was produced with pastels. For his magnificent tiger (below, 1830), Delacroix used a pencil and watercolours.
Portrait of a Turk in a Turban
Seated Arab in Tangier, 1832
Tiger, 1830
Yet, we have Willibald von Gluck at the “clavecin” composing the score of his Armide (1831). This painting is a watercolour and “European.” A clavecin is a harpsichord. However, the instrument Gluck is using resembles my grandfather’s humble spinet, a type of harpsichord.
Willibald von Gluck at the clavecin composing the score of his Armide
Today is not a blogging day. But pictures are worth a thousand words, so I have used pictures to let you know that I am still blogging, but at a slower pace.
Consequently, Delacroix was a protégé of the enigmatic Talleyrand (his father) and, later, a protégé of the Duc de Morny (Talleyrand’s grandson), whose brother ruled France.
My best regards to all of you.
Bouquet of Flowers, by Eugène Delacroix (Photo credit: WikiArts.org)
Delacroix
Frédéric Chopin
Nocturne, Opus 9 N° 2
Video by Philip Scott Johnson
I have been trying to work, but I am not feeling well enough to do so. Therefore, please accept this lovely bouquet of flowers painted by one of France’s finest artists: Eugène Delacroix (26 April 1798 – 13 August 1863), rumored to be the illegitimate son of Charles Maurice de Talleyrand-Périgord (1754 – 1838), a French prince and one of the most enigmatic diplomats in the history of Europe.
My kindest regards to all of you,
Micheline
Chopin, by Eugène Delacroix (Photo credit: Wikipaintings)
Eugène Delacroix (Romanticism)
0:20 – Liberty Leading the People 0:40 – Ovid Among the Skythen 0:50 – Frédéric Chopin (Unfinished) 1:00 – George Sand (Amandine Aurore Lucille Dupin – Unfinished) 1:15 – The Massacre of Chios 1:25 – The Barque of Dante 1:35 – Andromeda 1:55 – The Sultan of Morocco and His Entourage 2:05 – Tiger (Drawing) 2:15 – Aspasia (Drawing) 2:25 – Mounay ben Sultan 2:35 – Christ on the Lake of Gennesaret 2:45 – Tasso in the Madhouse 2:50 – Cleopatra and the Peasant 3:00 – An Arab Horseman at the Gallop 3:30 – The Death of Sardanapalus 3:35 – Greece on the Ruins of Missolonghi 3:45 – Girl Seated in a Cemetery 3:55 – Self-Portrait
Nocturne in E-Flat Major, Op. 9 No.2 Frédéric Chopin
1810 – 1849
Philip Scott Johnson
Richard Parkes Bonington (25 October 1802 – 23 September 1828: aged 26) was a Romantic landscape painter who enjoyed painting coastal scenes. So the content of his paintings may lead one to believe he was influenced by the Dutch masters, which could well be the case. He learned the watercolour techniques of Thomas Girtin (a name probably derived from the French Guertin) an artist of French Huguenot descent and a rival of J. M. W. Turner. Turner was influenced by Flemish art. At any rate, we see the sailboats and windmills of the Netherlands. However, Bonington also produced a series of historical scenes and illustrated Sir Walter Scott.
The painting above is minimalist, uncluttered, somewhat monochromatic and the composition is extraordinary. The ships, the focal point, are positioned along a low horizontal line, intersected by a slightly oblique line that drops from the brightest area of the painting, the nearly white unshadowed water. The shores lead the eye to a vanishing point hidden beyond the sails. And then we have the sky, an immense backdrop.
Richard Parkes Bonington,
by Alexandre-Marie Colin (1798-1875)
(Photo credit: Wikipedia)
In fact, Bonington and Delacroix travelled together to Bonington’s native England and became interested in the burgeoning fashion of painting historical scenes, a fashion exemplified by Sir Edward Burne-Jones and the Pre-Raphaelites, but also put to use by French Romantic painters, including Delacroix and Bonington. Bonington’s watercolours were very popular with the French public. He therefore sold many, which enabled him to travel to Picardy and to Flanders. These destinations may also help explain Bonington’s choice of content: French coastal scenes reminiscent of Flanders.
Bonington showed at the famous Paris Salon in 1822 and in 1824. In 1824, he showed with John Constable and Sir Thomas Lawrence, yet won a Gold Medal. He was 22 at the time and life was promising, but tuberculosis would soon kill him. He died when he was 25, just shy of his 26th birthday. It is therefore somewhat surprising that he should have been so influential. On the one hand, he brings to mind the Dutch masters, but his paintings nevertheless herald imprecise impressionism or impressionistic imprecision. According to the Encyclopædia Britannica,
[a]s a master of the Romantic movement and as a technical innovator in oil and watercolour, Bonington was influential in England and France. His gifts as a draftsman were high; as a colourist, good. He also showed his talent in the new medium of lithography, illustrating Sir Walter Scott.[i]
Two windmills in Normandy at sunset
The Louvre, Paris[i] “Richard Parkes Bonington.” Encyclopædia Britannica. Encyclopædia Britannica Online. Encyclopædia Britannica Inc., 2012. Web. 31 May. 2012.http://www.britannica.com/EBchecked/topic/73108/Richard-Parkes-Bonington>.
Franz Peter Schubert (31 January 1797 – 19 November 1828: aged 31)
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