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Tag Archives: Emily Carr

Autumn in Orillia & other Canadian Paintings

06 Saturday Nov 2021

Posted by michelinewalker in Canadian art

≈ 11 Comments

Tags

Canadian Paintings, Cornelius Krieghoff, Emily Carr, The Group of Seven

Autumn in Orillia by Franklin Carmichael, 1924 (WikiArt.org)

After posting October Gold (1922), I wondered why I did not speak about the Group of Seven. They left an unforgettable heritage. They were active during the 1920s and were based in Toronto. However, they painted Ontario’s north and west. They are also known as the Algonquin School. (See Group of Seven, Wikipedia.)

October Gold by Franklin Carmichael, 1922 (WikiArt.org)
Frederick Varley, A. Y. Jackson, Lawren Harris, Barker Fairley (not a member), Frank Johnston, Arthur Lismer, and J. E. H. MacDonald. Image ca. 1920, F 1066, Archives of Ontario, I0010313.

—ooo—

Emily Carr

British Columbia artist Emily Carr, who lived in Victoria, has been associated with the Group of Seven. Still, she wasn’t sitting with other group members at a table in a Toronto restaurant. I remember sitting with colleagues at a table in a Toronto restaurant. That conversation, a unique conversation, will never end.

Emily Carr was also part of my life. My husband and I honeymooned on the west coast of Vancouver Island, where she worked. She lived in Victoria, which was home to me for ten years. I thought I would retire in Victoria, but it didn’t happen.

Indian Church by Emily Carr, 1929 (WikiArt.org)
Tree Trunk by Emily Carr, 1932 (WikiArt.org)

—ooo—

Cornelius Krieghoff

Quebec’s most iconic artist is Dutch-born Cornelius Krieghoff (19 June 1815 – 5 March 1872). Krieghoff depicted Quebec’s people, “habitants” and several Amerindians (North American Indians), and the land. Members of the Group of Seven painted nature mostly.

https://www.gallery.ca/collection/artist/cornelius-krieghoff

Cornelius Krieghoffs painting of a wild crowd in front of a mid-19th Century bar in the early hours of the morning.
Breaking up of a countryball in Canada, early morning: a closer look, by Cornelius Krieghoff, 1857 (The Thomson Collection at the Art Gallery of Ontario.)
These are a few words about members of the Group of Seven, Emily Carr, now associated with the Group of Seven. I have also mentioned Cornelius Krieghoff who depicted French Canada.
Off the Road – The Upset Sleigh, by Cornelius Krieghoff, 1856 (Art Gallery of Ontario.) 
The Woodcutter by Cornelius Krieghoff (Wikimedia Commons)

Conclusion

This post is a mere glimpse of Canada’s artistic heritage. The painters I featured in this post are classics. Krieghoff was born in Holland, but he is a “genre” artist who depicted everyday life in Quebec.

RELATED ARTICLES

  • Krieghoff: Winter, “Habitants” & Amerindians (30 December 2013)
  • The Aftermath: Krieghoff’s Quintessential Quebec (29 March 2012)

Love to everyone 💕

Group of Seven
The Jack Pine by Tom Thompson. 1916 (Photo credit: Wikipedia)
Lawren S. Harris (Pinterest)

© Micheline Walker
5 November 2021
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Wickanninish Inn, Vancouver Island

02 Thursday Jan 2020

Posted by michelinewalker in Sharing

≈ 7 Comments

Tags

a Honeymoon, art, Emily Carr, The Tonquin, Vancouver Island, Wickanninish Inn

Emily Carr, The Indian Church, 1929. Lawren Harris bought the painting and showcased it in his home. He considered it Carr's best work.

The Indian Church by Emily Carr, 1928 (Photo credit: Wiki2.org)

I want to wish you all a Happy New Year. May it be generous and kind.

A Coincidence

Ironically, the Duke and Duchess of Sussex spent their holidays on the west coast of Vancouver Island, which brought back gilded images from the past. My husband and I spent our honeymoon on the west coast of Vancouver Island, but north of the area the Royals chose for their holidays. We were at Wickanninish Inn, before the Trans-Canada Highway reached that far. Therefore, it was the end of an era. Hundreds of people now travel to a formerly desert beach.

We had Long Beach to ourselves: 13.6 kilometers, but much longer… The only live beings we met were sea lions and a dog.

Other guests had flown in, but we had used loggers’ roads. It was a bumpy, but relatively short ride, and well worth the inconvenience. The chef was from New York and the food, excellent.

The Inn was beautiful and smaller than it is today, but it was Paradise. At night we could see an impressive display of stars.

Emily Carr, Blunden Harbour, 1930
Emily Carr, Blunden Harbour, 1930
Emily Carr, Kitwancool, 1928
Emily Carr, Kitwancool, 1928

 

Artist Emily Carr (1871 – 1945) had spent time in that area. We explored in the hope of finding signs of her presence. She was everywhere.

Some of you may remember who gave his name to the Inn. It was Amerindian Chief Wickanninish who destroyed the Tonquin, a boat built for John Jacob Astor, the owner of the American Fur Trade Company. It carried voyageurs from New York to the “Oregon country.”

I will always remember the Wickanninish Inn.

RELATED ARTICLES

  • Gabriel Franchère’s Narrative of a Voyage (Part Two) (10 June 2015)
  • Gabriel Franchère’s Narrative of a Voyage (Part One) (6 June 2015) 

Sources and Resources

  • https://www.wickinn.com/

 

King regards to everyone 💕

I have been sick for several days, but the illness has turned into simple sinusitis.

Wickanninish Inn (brochure)

© Micheline Walker
2 January 2020
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Wickanninish Inn (1968)

45.404160
-71.914291

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Gabriel Franchère’s Narrative of a Voyage (Part One)

06 Saturday Jun 2015

Posted by michelinewalker in Aboriginals, Sharing, Travel Literature, Voyageurs

≈ 4 Comments

Tags

Alexander Ross, Chief Wickaninnish, Emily Carr, Gabriel Franchère, J. V. Huntington, John Jacob Astor, Paul Kane, The Haida People, The Tonquin, Voyage from New York to Fort Astoria

Paul Kane, 1846
Paul Kane, 1846

Buffalo Bulls Fighting by Paul Kane

Paul Kane, 1846, watercolour on paper. Kane visited the West when the bison were still numerous (courtesy Stark Foundation, Orange, Texas)

(Photo and caption credit: The Canadian Encyclopedia)

Progress Report

We are now at the mouth of the Columbia River, aboard the Tonquin, when the War of 1812 broke out, ending John Jacob Astor‘s dream of a monopoly on the fur trade in North America.  John Jacob Astor (17 July 1763 – 29 March 1848), had just founded the Pacific Fur Company (PFC). The demise of the Tonquin, a bark, at the Clayoquot Sound, was a factor in the collapse of the Pacific Fur Company. Chief Wickaninnish and members of his tribe, murdered most of the Tonquin’s crew.

At Fort Astoria, in the Oregon country, nearly everyone was British. Fort Astoria quickly became Fort George. The Montreal-based North West Company, rivals to the Hudson’s Bay Company, bought the Pacific Fur Company‘s assets.

Gabriel Franchère

Gabriel Franchère (Photo credit: The Canadian Encyclopedia)

I am reading online publications of Gabriel Franchère‘s narrative of the journey that took him from New York to short-lived Fort Astoria, as well as my own copies of such works as Alexander Ross’s account of his adventures in the Oregon country.

Gabriel Franchère, a clerk, was one of John Jacob Astor’s most trusted employees who, as it turns out, would become an author. Franchère wrote a detailed Relation, a narrative, of the trip that took him and all men aboard the Tonquin, from partners in the Company to the lowliest employees, from New York to Fort Astoria, around Cape Horn.

In 1836, John Jacob would commission famed author Washington Irving (3 April 1783 – 28 November 1859; Rip van Winkle) to write Astoria. Consequently, Franchère’s narrative was requisitioned. Gabriel Franchère was a mere clerk.

In Franchère’s Narrative, translated and edited by J. V. Huntington, Aboriginals are often referred to as “barbarians” and “savages,” but Franchère observed that it was best to treat them as equals and thereby avoid hostility. I don’t know what led Chief Wickaninnish to murder most of the crew of the Tonquin.

A Honeymoon 

Coincidentally, my husband and I spent our honeymoon at Wickaninnish Inn, on the west coast of Vancouver Island, in the area where the Tonquin was destroyed. The food was extraordinary and we were in the company of celebrities who flew to the Inn regularly to “get away from it all.” At the time, there was no road to Wickaninnish Inn. We had Long Beach all to ourselves. Emily Carr had lived in that area. So we visited and worshipped.

Haida Totems by Emily Carr

Haida Totems by Emily Carr (Photo Credit: Google Images)

When we returned to Vancouver, I took a course on textile and was taught the Haida people‘s techniques for spinning, dyeing, and weaving wool. I still have wool I spun decades ago, but I gave my artwork. I believe it was destroyed, which could be what it deserved. 

The years I spent on the west coast were my happiest.

Sources and Resources

  • Ali Alizadeh Interviews Paul Kane, Cordite Poetry Review
  • pen.org/Paul Kane
  • Irving, Washington, Astoria, Gutenberg [EBook #1371]
  • Franchère, Gabriel and J. V. Huntington: Narrative of a voyage to the northwest coast, Gutenberg [EBook #15911] EN
  • Franchère, Gabriel and J. V. Huntington: Narrative of a voyage to the northwest coast (Internet Archives) EN
  • Franchère, Gabriel: Relation d’un voyage à la côte du Nord-Ouest de l’Amérique septentrionale (Internet Archives) FR
  • Ross, Alexander: Ross’s Adventures of the First Settlers on the Oregon or Columbia River, 1810-1813 (Internet Archives) EN
  • Ross, Alexander: Ross’s Adventures of the First Settlers on the Oregon or Columbia River, 1810-1813 (Internet Archives) FR

With kindest regards ♥
_________________________

I am  inserting a brief video on Emily Carr (The Canadian Encyclopedia). Simply click on the link below and use the arrows to see the video:

Emily Carr (click)

I am also inserting, once again, Canada’s National Film Board‘s documentary on Paul Kane. It is a 1972 production by Gerard Budner (1972: 14 min 28 s.). It cannot be embedded, but one is a mere click away, below:

https://www.nfb.ca/film/paul_kane_goes_west (click)

untitled

Boat Encampment, Sketch made by Paul Kane on the Columbia River, BC, c. 1846, watercolour. (Courtesy Stark Foundation, Orange, Texas). (Photo credit: The Canadian Encyclopedia)

© Micheline Walker
6 June 2015
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Tom Thomson’s Jack Pine

13 Friday Apr 2012

Posted by michelinewalker in Art, Canada

≈ 42 Comments

Tags

Canada, Canadian, Emily Carr, Grey Day, Group of Seven, Jack Pine, Painting, Tom Thomson

Jack Pine

The Jack Pine, by Tom Thomson (1916-1917)
A maple leaf adorns the Canadian flag.  However, the painting to the left, Thomas John Thomson’s The Jack Pine and The West Wind, to be featured in a future blog, constitute powerful symbols of Canada.

13. Mendelssohn Lieder ohne Worte, Op.38 – No. 1. Con moto in E flat (please click on the title to hear the music)

Tom Thomson (b at Claremont, Ont 5 Aug 1877; d at Canoe Lk, Ont 8 July 1917) was not a member of the Group of Seven, arguably the most famous group of Canadian artists, but he is associated with the group, as is Emily Carr (December 13, 1871 – March 2, 1945) who worked on the West Coast. 

Tom Thomson died at the age of forty, in somewhat mysterious circumstances, and he did not leave a large number of paintings for posterity to enjoy, but the Jack Pine, above, and the West Wind are iconic.  Canada has changed, but when Canadians think of Canada, they remember the Jack Pine. 

 

Tom Thomson, artist
With his instinctive technical abilities and his intense love of the North, Thomson had all the elements necessary to become a great painter (courtesy Library and Archives Canada/C-17399). The Canadian Encyclopedia                              

April 13, 2012 

 

 

 

 

 

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