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Tag Archives: Dublin

The Book of Kells: Details

20 Wednesday Mar 2013

Posted by michelinewalker in Art, Illuminated Manuscripts

≈ 9 Comments

Tags

Book of Armagh, Book of Kells, Chi Rho, Dublin, Gospel Book, Insular art, Lindisfarne Gospels, Trinity College Library

kell2bmp

Dear Readers,

I am forwarding a little more information on the Book of Kells: calligraphy,  the influence of the past, its history, the Chi Rho monogram, etc.

The Book of Columba

First, I should indicate that the Book of Kells is also called The Book of Columba, which presupposes that there was a Columba.  Columba means “dove,” and there was a St Columba (7 December 521 – 9 June 597).  Although the Book of Kells is Irish, according to Britannica, “[i]t is probable that the illumination was begun in the late 8th century at the Irish monastery on the Scottish island of Iona and that after a Viking raid the book was taken to the monastery of Kells in County Meath.”[i]

Between the 7th and 9th centuries, many illuminated manuscripts were produced in Irish monasteries.  However, illuminated manuscripts were also produced in Scotland and in the North of England (Northumbria).  There is a complete list of Hiberno-Saxon illuminated manuscripts on the internet, click on: List of Hiberno-Saxon Illustrated Manuscripts.  Here are a few:

  • the Book of Durrow (7th century), a Gospel Book. (Trinity College Library, MS 57);
  • the Lindisfarne Gospels (7th or 8th century), presumably the work of one monk, Eadfrith of Lindisfarne.  Originally, the Gospels were encased in a fine leather binding covered with jewels and metals made by Billfrith the Anchorite.  (London, BL, Cotton MS Nero D. IV);
  • the Echternach Gospels (8th century) also known as Willibrord Gospels.  The manuscript was written by the same scribe who wrote the Durham Gospels. Bibliothèque Nationale (BnF), in Paris (MS Lat. 9389);
  • the Cathach of St Columba (9th century), a Gospel Book, also known as the Canon of Patrick and the Liber Ar(d)machanus (Trinity College Library, Dublin (MS 52);
  • the Book of Armagh (9th century), also known as the Cathach of St Columba or Liber Ar(d)machanus, a Gospel Book  (Trinity College Library, Dublin, MS 52).  A large part of the manuscript is believed to be the work of one monk, a scribe named Ferdomnach of Armagh (died 845 or 846).

Among the above-mentioned books, the Lindisfarne Gospels combine Celtic and Saxon calligraphy.  It is, arguably, the finest example of the Hiberno-Saxon style.[ii]

The Chi Rho Monogram

The Book of Kells (a Gospel Book or Evangelion) contains the Chi Rho monogram (folio 34r).  In the Wikipedia entry on the Chi Rho, other early Christian symbols are shown.

Book of Kells, f 34r (Chi-Rho)

Book of Kells, f 34r (Chi Rho)

The Chi Rho monogram is an overlapping P and X.

150px-Simple_Labarum2.svg

According to Wikipedia,

“The Chi Rho is one of the earliest forms of christogram, and is used by some Christians. It is formed by superimposing the first two (capital) letters chi and rho (ΧΡ) of the Greek word “ΧΡΙΣΤΟΣ” =Christ in such a way to produce the monogram. Although not technically a Christian cross, the Chi-Rho invokes the crucifixion of Jesus, as well as symbolizing his status as the Christ.”  (See Chi Rho, Wikipedia.)

Insular Script

The script used by the calligrapher(s) of the Book of Kells is called Insular Script.  It developed in Ireland in the 7th century and was spread to England by the Hiberno-Scottish mission.  The Insular Script is a Majuscule Script because only upper case letters are used.  In the history of calligraphy, the upper case, the majuscule, precedes the use of lower case letters.  (See Insular Script, Wikipedia.)

Although the script used in the Book of Kells is called “insular” and was developed in Ireland, it resembles the Uncial Script used from the 3rd to the 8th centuries AD by Latin and Greek scribes.  Uncial letters were used to write Greek, Latin, and Gothic.  The uncial script had been brought to England by Augustine of Canterbury.  (See Insular Script, Wikipedia.)

As used above, the word Gothic refers to the Germanic tribes that invaded the Roman Empire.  It does not refer to medieval Gothic art and architecture, which followed Romanesque art and architecture and precedes Renaissance art and architecture (middle of the 15th century).  There is a Gothic font.  (See Gothic, Wikipedia)

(please click on smaller images to enlarge them)
Insular Majuscule (upper case)
Kells, f 309r, Insular Majuscule

Abstract Art: The Celtic Knot

Also important is the abstract art that characterizes Celtic manuscripts.  The main motif is the Celtic knot or Eternal knot.  (See Celtic knot, Wikipedia.)  However, the Book of Kells features representational art, especially fantasized animals.  At the bottom of this post, there is a link to a video showing how a Celtic knot is made.

ips_3983_g

Celtic Knots

Book of Kells, Celtic Knot

Representational Art

Animals

Decorated Initial

Book of Kells, Historiated Initial

Monster, Book of Kells

Book of Kells, Monster

Conclusion

There is much more to tell about the Book of Kells, but I believe it is best to stop here or we may not see the forest for the trees.

  • It is also called the Book of Columba;
  • It features the Chi Rho symbol;
  • It uses Insular Script, Majuscule;
  • Images such as the Celtic Knot are abstract, but some are representational and often depict rather fanciful animals.

_________________________

Sources

I have quoted Wikipedia abundantly.  Photo credit: Wikipedia (all).  For images contained in the Books of Kells, please click on Book of Kells: images Google.  

[i] “Book of Kells”. Encyclopædia Britannica. Encyclopædia Britannica Online.
Encyclopædia Britannica Inc., 2013. Web. 19 Mar. 2013
<http://www.britannica.com/EBchecked/topic/314429/Book-of-Kells>.

[ii] “Hiberno-Saxon style”. Encyclopædia Britannica. Encyclopædia Britannica Online.
Encyclopædia Britannica Inc., 2013. Web. 19 Mar. 2013
<http://www.britannica.com/EBchecked/topic/264813/Hiberno-Saxon-style>.

Celtic knot

nb004 
© Micheline Walker
19 March 2013
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The Book of Kells Revisited

17 Sunday Mar 2013

Posted by michelinewalker in Art, Illuminated Manuscripts

≈ 10 Comments

Tags

Abbey of Kells, Book of Kells, Dublin, Hiberno-Scottish Mission, Insular art, Trinity College Library, Vetus Latina, Western calligraphy

 
Book of Kells, f 34r

Book of Kells, folio 34r containing the Chi Rho monogram

Dear friends,

I am forwarding a blog I wrote on 18 November 2011.  It is about the Book of Kells, a Gospel Book.  In order to read it you need simply click on the link below.  In order to see the entire book, please click on the link that will take you to Trinity College Library, in Dublin.  The Book of Kells is also called the Book of Columba, which means the Book of the Dove and is the name of a beatified monk, St Columba.  The calligraphy is magnificent.  It is one of the great masterpieces of Western art, and Irish.

You are now familiar with illuminated manuscripts.  However I have provided more information.

The Book of Kells

To see all illuminations go to Book of Kells (Trinity College Library, Dublin) or to explore Irish illuminations, click on Irish.
One may also view the Book of Kells here:
http://digitalcollections.tcd.ie/home/index.php?DRIS_ID=MS58_003v.

 

Its Irish name is Leabhar Cheanannais
It is a Gospel book
It was made in the early part of the 9th century (c. 800)
It was made by Celtic monks
It is an illuminated manuscript
It is a masterpiece of Western Calligraphy
It is the finest example of Insular Art (See also: Hiberno-Scottish Mission and Anglo-Saxon Mission)
(See Insular Script [majuscule])
Most Insular Art originates in Irish Monasticism
Work on the manuscript was interrupted by Viking raids
The manuscript comprises 340 folios (pages)
It has been bound in four volumes since 1953
The parchment used was vellum (calfskin), the best
The font is Vetus Latina or Vetus Itala (Old Italic)
The ink is Iron Gall Ink
 
It was kept at the Abbey of Kells (forty miles from Dublin) until 1650
The Manuscript is housed at Dublin’s Trinity College Library, MS A. I. (58)
It resembles the Lindisfarne Gospels 
 
(please click on the smaller images to enlarge them) 
The Book of Kells, (folio 292r), circa 800, showing the lavishly decorated text that opens the Gospel of John.

The Book of Kells, (folio 292r), circa 800, showing the lavishly decorated text that opens the Gospel of John.

sv_bok_16_big© Micheline Walker
17 March 2013 
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The Book of Kells

18 Friday Nov 2011

Posted by michelinewalker in Art, Illuminated Manuscripts

≈ 11 Comments

Tags

Book of Hours, Book of Kells, Dublin, enluminures, Hildegard von Bingen, illuminations, Livre d'Heures, mille-fleurs motif, Trinity College, WordPress

The Book of Kells:  Christ Enthroned.

The Book of Kells, Christ Enthroned, folio 32v


An illuminated manuscript predating the Très Riches Heures du Duc de Berry

The anonymous Book of Kells (c. 800), a Gospel Book, is displayed at Trinity College Library, in Dublin.  It is a richly-ornamented illuminated manuscript, second or third only, in my opinion, to the Très Riches Heures du Duc de Berry (1412-1416).  Although the Celts preferred abstract designs, such as the eternal knot, to representational art, Ireland was nevertheless a good source of representational enluminures.  The Book of Kells dates back to c. 800.  It is therefore older than the Très Riches Heures du Duc de Berry.  To explore Irish illuminations, click on Irish or the Book of Kells (complete)
http://digitalcollections.tcd.ie/home/index.php?DRIS_ID=MS58_003v.

—ooo—

Franco-Flemish Miniatures: earlier and later ones 

I should also mentioned that prior to Jean 1er, Duc de Berry, members of the aristocracy often employed a personal illuminator who was also a designer of coats of arms as well as a portraitist.

Enluminures: an Ancient Art

Illuminating manuscripts is an ancient practice that culminated in the Franco-Flemish Middle Ages, the golden age of illuminations or miniatures, in Europe.  The Limbourg brothers are perhaps the most famous of miniaturists, but given that thousands of individuals commissioned Books of Hours and other illuminated manuscripts, it would be impossible to name all of them.  However,  here are a few names:

  • in the fourteenth century, illuminators were Jean Le Noir, his daughter Bourgot, Jean Suzanne, Jean de Jouy, Robin de Fontaines, employed by Isabeau (f.) de Bavière (1371 – September 24 – 435), the wife of Charles VI, and René le Maître de Boucicaut, to whom we owe a portrait of Charles VI;
  • Jean Fouquet, Jean Bourdichon and Barthélemy Guetty lived in the fifteenth century;
  • for the fifteenth century, let us also name: Barthélemy de Clerc, employed by Henri d’Anjou, Angelot de la Dresse and Jacquemart de Hesdin;
  • in the sixteenth century, Robinet Testart was illuminator to François Ier.  Also famous is Macé de Merey;
  • In the seventeenth century, Henri Jullien worked for Henri IV.

Printed illuminated books

I should also mention that after the invention of printing, there were times when wealthy employers asked printers to leave blank spaces on various pages so that printed books could be illuminated and, therefore, more beautiful and unique.  But, in France, the practice of illuminating books ended in the seventeenth century.

Antiquity

However, to explain the inclusion, in the Très Belles Heures du Duc de Berry, of motifs that were not associated with Christianity, such as Zodiacal signs, it is useful to remember that Christianity retained pre-Christian cultural elements.  Illuminating manuscripts is an ageless endeavour that has its own traditions.  For instance, Egyptians illuminated manuscripts, sometimes using gold.

Sources: Mythology, the Crusades and Celtic Art

  • Mythology:  With respect to motifs that are not associated with Christianity, let us mention the presence on the November page of the Très Riches Heures of Greek Mythology‘s Centaur, half horse, half human.
  • The Crusades:  Other illuminations made use of the mille-fleurs motif.  During the Crusades, Europeans discovered the beautiful rugs of Persia and other Middle-Eastern countries.  Henceforth, they made rugs and tapestries ornamented with such motifs as the mille-fleurs motif.  However, the mille-fleurs motif was also used in illuminations.
  • The Book of Kells predates the crusades. It features the Celtic knots.

—ooo—

I will conclude by pointing out that the status of illuminators was, more or less, the status of today’s illustrators.  Monks were calligraphers and also illuminated certain books.  As for Nuns, they made lace and fine liturgical garments.

Yet, anonymous artists have defined entire civilizations.

The Book of Kells

Historiated Initial

Historiated Initial

© Micheline Walker
18 November 2011
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