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Tag Archives: Dietrich Fischer-Dieskau

Lieder & the News: June 28, 2012

28 Thursday Jun 2012

Posted by michelinewalker in Music

≈ 1 Comment

Tags

CBC News, Dietrich Fischer-Dieskau, Franz Schubert, Gazette, Globe & Mail, Le Devoir, National Post, New York Times, Smithsonian American Art Museum, Sviatoslav Richter

Portrait of a Young Girl, by Jacques-André Portail

Portrait of a Young Girl by Jacques-André Portail

Today, I am sending not only the news and art, but music: more Schubert Lieder interpreted by Dietrich Fischer-Dieskau, with Sviatoslav Richter at the piano.
 
English
The Montreal Gazette: http://www.montrealgazette.com/index.html
The National Post: http://www.nationalpost.com/index.html
The Globe and Mail: http://www.theglobeandmail.com/
The New York Times: http://www.nytimes.com/
Le Monde diplomatique: http://mondediplo.com/ 
CBC News: http://www.cbc.ca/news/(national)
CTV News: http://www.ctvnews.ca/ 
 
French
Le Monde: http://www.lemonde.fr/ 
Le Devoir: http://www.ledevoir.com/
La Presse: http://www.lapresse.ca/
 
German
Die Welt: http://www.welt.de/
 
 
 

Dietrich Fischer-Dieskau sings Im Fruhling
  

jacques-andre-portail-a-portrait-study-of-a-young-girl-in-profile-to-the-right
© Micheline Walker
28 June 2012
WordPress
45.408358 -71.934658

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Franz Schubert: Die Forelle & Ständchen, “Serenade”

28 Thursday Jun 2012

Posted by michelinewalker in Art, Music, Romanticism

≈ 9 Comments

Tags

An die ferne Geliebte, Die Forelle, Dietrich Fischer-Dieskau, Franz Schubert, Ludwig van Beethoven, Schubert, Schumann, Song cycles

—View near Camonteign, Devon (detail), by John White Abbott (1764-1851), 1803

View near Camonteign, Devon (detail), by John White Abbott (1764 – 1851), 1803 (Photo credit: Google images)

 
 
 

Die Lieder

In the nineteenth century, instrumental music came of age.  It was, at long last, morally acceptable.  Yet, in nineteenth-century Europe, the humble song reached its apex.  In music, the song is the only permanent genre.  It found its finest composers in Beethoven’s (An Die Ferne Geliebte, To the distant beloved), but, to a greater extent, in Schubert, the Master: Die Forelle (The Trout) and Ständchen, a “Serenade,” and in Schumann: “Die wunderschönen Monat Mai” (“The Wonderful Month of May”) and “Hör’ ich das liedchen klingen”  (“I hear a little sound sounding,” in Dichterliebe).

Song Cycles

Composers wrote song cycles, such as Schubert’s Winterreise and Die schöne Müllerin, and Schumann’s Dichterliebe.

Let’s listen to Die Forelle (The Trout) and Ständchen, interpreted by Dietrich Fischer-Dieskau, in 1951, as well as an instrumental version of the “Serenade.”

Die Forelle

Ständchen “Serenade” (from: Schwanengesang)

Franz Schubert (1797 – 1828)

© Micheline Walker
June 28th, 2012
WordPress

 

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