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Micheline's Blog

~ Art, music, books, history & current events

Micheline's Blog

Tag Archives: Charles Maurice de Talleyrand-Périgord

France from 1792 to 1870: Moments

23 Monday Jul 2018

Posted by michelinewalker in 19th-Century France, Art, France, Vignette

≈ 12 Comments

Tags

Charles Maurice de Talleyrand-Périgord, Eugène Delacroix, Hector Berlioz, Jacques-Louis David, Jean-Auguste-Dominique Ingres, La Marseillaise Hector Berlioz, le Duc de Morny, Liberté guidant le Peuple, Liberty Leading the People, Neoclassicism, Romanticism, Rouget de l'Isle

40-11-02/54

La Liberté guidant le peuple (Liberty Leading the People) by Eugène Delacroix, 1830 (Photo credit: Wikipedia)

On 14 July, I wanted to publish a post on Eugène Delacroix (26 April 1798 – 13 August 1863), one of two illegitimate sons fathered by Charles Maurice de Talleyrand Périgord (2 February 1754 – 17 May 1838) (2 February 1754 – 17 May 1838), but life took me to a second parking lot narrative. I am learning over and over again that planet Earth is not “the best of all possible worlds” (Voltaire’s Candide).

But let us first take a brief look at events, art, and life in 19th-century France.

The Duc de Morny and Eugène Delacroix: Half-Brothers

We have already met le duc de Morny (15–16 September 1811, Switzerland – 10 March 1865, Paris). He transformed the talented and beautiful Marie Duplessis (15 January 1824 – 3 February 1847) into Paris’ most prominent salonnière and courtesan. At that time in history, many marriages were arranged. In the aristocracy, lineage was a priority. Consequently, men took a mistress. The duc de Morny was born to Hortense de Beauharnais (10 April 1783 – 5 October 1837) and Charles Maurice de Talleyrand-Périgord’s grandson. But Hortense, whose mother, Joséphine de Beauharnais, married Napoleon I, married Napoleon’s brother, Louis Bonaparte, king of Holland.

David, Delacroix, Ingres: Romanticism and Neoclassicism

Part of Delacroix’s story was told in a post entitled Eugène Delacroix’s “Mandarin Drake” (5 June 2014). Delacroix is associated with Romanticism and therefore differs from Jacques-Louis David (30 August 1748 – 29 December 1825) who is presented to students of the fine arts for works such as his Oath of the Horatii, a painting in the neoclassical style. Yet David is also the artist who painted The Death of Marat (1793), a masterpiece one cannot easily subject to pigeonholing.

800px-Jacques-Louis_David_-_Marat_assassinated_-_Google_Art_Project_2

The Death of Marat (1793) by Jacques-Louis David (Photo credit: Wikipedia)

Jacques-Louis_David_-_Oath_of_the_Horatii_-_Google_Art_Project (1)

Oath of the Horatii (second version; 1786) by Jacques-Louis David (Photo credit: Wikipedia)

Jean-Auguste-Dominique Ingres (29 August 1780 – 14 January 1867) is also a very prominent painter. His Grande Odalisque (1814) is magnificent, despite its share of Orientalism:  Art is Art.

1024px-Jean_Auguste_Dominique_Ingres_-_The_Grand_Odalisque_-_WGA11841

Grande Odalisque, Jean-Auguste-Dominique Ingres, 1814 (Photo credit: Wikipedia)

Régimes from 1792 until the Franco-Prussian War (1870-1871)

Between 1792 and 1871, France was a Republic, twice; a Monarchy, twice; an Empire, twice, and it suffered a Second French Revolution, which took place in 1848. The 1848 French Revolution echoed various uprisings occurring in several European countries, some rooted in decisions made at the Congress of Vienna (November 1814 to June 1815), which ended the Napoleonic Wars, others reflecting national disasters, such as the Greek War of Independence. The Greek War of Independence inspired Delacroix, and Lord Byron (2 January 1788 – 19 April 1824). Lord Byron had in fact, become a militant who died of a fever he contracted at Missolonghi.

800px-Eugène_Ferdinand_Victor_Delacroix_052

Étude d’Arabe assis, Eugène Delacroix, 1830s (Photo credit: Wikipedia)

Love & Vive la France ♥

La Marseillaise, Rouget de l’Isle and Hector Berlioz
version intégrale, complete with lyrics, Alex Le Fou (YouTube)

800px-Le_Départ_des_Volontaires_(La_Marseillaise)_par_Rude,_Arc_de_Triomphe_Etoile_Paris

“The Departure of the volunteers of 1792” (a.k.a. La Marseillaise), sculpture by François Rude, Arc de Triomphe de l’Étoile, Paris, France (Wikipedia)

© Micheline Walker
23 July 2018
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The Duc d’Enghien: a Murdered Duke

20 Monday May 2013

Posted by michelinewalker in 19th-Century France, History, Literature

≈ 28 Comments

Tags

Alexandre Dumas, Émigrés, Charles Maurice de Talleyrand-Périgord, Duc d'Enghien, French Revolution, Honoré de Balzac, Leo Tolstoy, Les Chouans, Napoleon, Quibéron

Un Épisode de l'affaire de Quibéron, 1795, by Paul-Émile Boutigny

Un Épisode de l’affaire de Quibéron, 1795 by Paul-Émile Boutigny (Photo credit: Wikipedia)

On 21 March 1804, aged 31, His Serene Highness, the Duke of Enghien, born on 2 August 1772, was executed by single firearm. He was an émigré, but dragoons captured him and brought him to Strasbourg on 15 March 1804. He was the grand-son of Louis XIV, by Madame de Montespan, and the son of Louise Marie Thérèse Bathilde d’Orléans, the Duke of Orléans’ sister. Philippe duc d’Orléans, or Philippe Égalité, the duc d’Enghien’s uncle, voted in favour of his brother’s, Louis XVI, execution, by guillotine.

3consuls

A Portrait of the Three Consuls, from left to right, Jean Jacques Régis de Cambacérès, Napoleon Bonaparte and Charles-François Lebrun, duc de Plaisance (Photo credit: Wikipedia)

The Duc d’Enghien was a prince of the blood (Prince du Sang) and, therefore, a possible heir to the throne of France. He was accused of participating in a Royalist plot (Cadoudal-Pichegru) to defeat the Consulate (18 Brumaire [9 November] 1799 –1804), part of the Napoleonic era (c. 1795 – 1815 [Congress of Vienna]). He was tried for the sake of appearances, Napoleon having decided he had to be eliminated. D’Enghien had been the commander of a corps of émigrés during the French Revolutionary Wars (1792–1802), but he had not played a role in the above-mentioned 1804 conspiracy. By the time the duke was captured, he had married Charlotte de Rohan (25 October 1767 – 1 May 1841), privately and in near secrecy, and the couple lived in Ettenheim, in Baden, on the Rhine. (See Duc d’Enghien, Wikipedia.)

Louis-Antoine-Henri de Bourbon-Condé, duc d'Enghien

Louis-Antoine-Henri de Bourbon-Condé, duc d’Enghien (Photo credit: Wikipedia)

There were of course many Royalists among the French during the French Revolution (1789-1794). Particularly noteworthy is a failed invasion of France called l’affaire  Quibéron portrayed above by artist Paul-Émile Boutigny (1853 -1929). On 23 June 1795, émigrés landed at Quibéron to lend support to the Vendéens, who had long fought Revolutionary forces, and the chouannerie, royalist uprisings. The émigrés hoped they could raise support in western France, end the French Revolution and re-establish the monarchy.  By 21 July 1795, they had been routed.

As for the duke, nothing could be done to save him. If Joséphine de Beauharnais,[i] Napoléon I‘s first wife, could not dissuade her husband, born Napoleone Buonaparte, no one could.  Joseph Fouché, 1st Duc d’Otrante (known as the Duke of Otranto), Napoleon’s chief of police, said of the execution that “it was worse than a crime, it was a mistake:”  “C’est pire qu’un crime, c’est une faute.“ The crime, for it was a crime, was imputed, probably wrongly, to Charles Maurice de Talleyrand-Périgord, one of history’s foremost survivors. However, if the murder of the young duc d’Enghien is remembered to this day, it is as an obvious injustice, one that lingered in the mind of great writers.

The “Chouans” and the Duke in literature: Balzac, Dumas and Leo Tolstoy

In Les Chouans, a 1829 novel, French writer Honoré de Balzac (20 May 1799 – 18 August 1850) immortalized the royalist chouannerie, uprisings in western France and, by the same token, the royalist Vendéan insurrection.  For his part, the duc d’Enghien was bestowed life eternal by Leo Tolstoy (9 September 1828 – 20 November 1910), Count Lev Nikolayevich Tolstoy.  In the first book of War and Peace, Tolstoy has the vicomte de Mortemart, a French émigré, say that:

“‘[a]fter the murder of the duc, even the most partial ceased to regard [Buonaparte] as a hero. If to some people he ever was a hero, after the murder of the duc there was one martyr more in heaven and one hero less on earth.’ The vicomte said that the duc d’Enghien had perished by his own magnanimity, and that there were particular reasons for Buonaparte’s hatred of him.”

There is an anecdote according to which, during one of his fainting spells,[ii] Napoléon was at the mercy of the duke of Enghien who spared him. The execusion of the duc d’Enghien who spared him. The execusion of the duc d’Enghien might well have been Napolèons’ brief put personal French Revolution. He needed to kill an aristocrat. Alexandre Dumas, père (24 July 1802 – 5 December 1870) featured the duc d’Enghien in his The Last Cavalier (Le Chevalier de Sainte-Hermine), unfinished at the time of Dumas’ death, but now published and translated into English:

“[T]he dominant sentiment in Bonaparte’s mind at that moment was neither fear nor vengeance, but rather the desire for all of France to realise that Bourbon blood, so sacred to Royalist partisans, was no more sacred to him than the blood of any other citizen in the Republic.

‘Well, then’, asked Cambacérès,[iii] ‘what have you decided?’

‘It’s simple’, said Napoleon, ‘We shall kidnap the Duc d’Enghien and be done with it.'”[iv]

Let these words be the conclusion of this post.  The duc d’Enghien was a scapegoat.

Henri de La Rochejacquelein at the Battle of Cholet in 1793 by Paul-Émile Boutigny (10 March 1853  - 27 June 1929), Musée d'art et d'histoire de Cholet.

Henri de La Rochejacquelein at the Battle of Cholet in 1793 by Paul-Émile Boutigny (10 March 1853 – 27 June 1929), Musée d’art et d’histoire de Cholet.

 _________________________

[i] Napoleon divorced Joséphine in 1810 so he could marry Marie Louise d’Autriche, the future Duchess of Parma, who gave him a son. Napoléon wanted un ventre, a fertile woman.

[ii] Napoleon had epileptic seizures. One of Talleyrand’s duties was to remove Napoléon from public sight when seizures occurred.

[iii] Jean-Jacques Régis de Cambacérès, 1st Duke of Parma, is the author of the Napoleonic Code, a fine document still in use in Quebec.

[iv] See Duc d’Enghien, Wikipedia.

Hector Berlioz (11 December 1803 – 8 March 1869)
Grande Messe des Morts
 
 
Crop of a carte de visite photo of Hector Berlioz by Franck, Paris, c. 1855
Crop of a carte de visite photo of Hector Berlioz by Franck, Paris, c. 1855 (Photo credit: Wikipedia)
© Micheline Walker
20 May 2013 
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