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Micheline's Blog

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Category Archives: Easter

Pietro Bembo: Titian or Bassano?

26 Saturday Mar 2016

Posted by michelinewalker in Art, Easter, Renaissance

≈ Comments Off on Pietro Bembo: Titian or Bassano?

Tags

Bembismo, Jacopo Bassano, Latin, Pietro Bembo, Titian, Vernacular

 

07cardin

Portrait of a Cardinal by Jacopo Bassano, c. 1545

Portrait of a Cardinal
c. 1545
Oil on canvas, 58 x 46 cm
Szépmûvészeti Múzeum, Budapest
Web Gallery of Art

Jacopo Bassano

It appears the portrait of Cardinal Pietro Bembo (20 May 1470 – 18 January 1547) published in a post dated 27 January 2016 is not by Titian (1488/1490  – 27 August 1576). It is by Jacopo Bassano (1510 – 14 February 1592) and it was painted in c. 1545, a few years after Titian painted his portrait of Cardinal Pietro Bembo. Bassano’s cardinal is not given a name by the Szépmûvészeti Museum, but I suspect it is a portrait Cardinal Pietro Bembo.

Wikipedia’s entry on Pietro Bembo shows the above painting but it is attributed to Titian, However, the same painting is featured in Wikipedia’s entry on Jacopo Bassano. It is one of the paintings that forms part of a gallery located at the foot of the entry on Jacopo Bassano. The cardinal shown in Wikipedia’s entry on Bassano is not named, nor is the cardinal whose portrait, by Jacopo Bassano, is housed in Budapest’s Szépmûvészeti. It is the “Portrait of a Cardinal.”

Budapest’s Szépmûvészeti Múzeum is closed at the moment, but one may browse its collections online. Budapest’s “Portrait of a Cardinal” is attributed to Jacopo Bassano.

There is a third portrait of Cardinal Bembo. It was painted by Giovanni Bellini. I believe it is a portrait of a young man, but…

Titian (Titiano Vecelli)

As noted above, Titian did make a portrait of Pietro Bembo, which I presume explains the kerfuffle. Titian’s portrait is a more formal of Cardinal Bembo and it is dated c. 1540. It did occur to me that the portrait held at the Szépmûvészeti was wrongly attributed to Jacopo Bassano, but I doubt it very much.

Jacopo Bassano was a great artist.

Pietro Bembo by Titian, 1540 (WikiArt)
Pietro Bembo by Titian, 1540 (WikiArt)
Pietro Bembo by Jacopo Bassano, 1545 (Wikipedia)
Pietro Bembo by Jacopo Bassano, 1545 (Wikipedia)

About Pietro Bembo

The use of the vernacular as a literary language was the subject matter of the post I published on 27 January 2016. In Italy, the vernacular started to replace Latin relatively early and it was called the Petrarchan Movement. Bembo’s “way of making direct imitations of Petrarch was widely influential and became known as bembismo.”[1] According to Pietro Bembo, Petrarch’s use of Italian was a model for the modern Italian language. Petrarch lived in the 14th century (20 July 1304 – 19 July 1374).

Other models were Giovanni Boccaccio (1313 – 21 December 1375) and, to a lesser extent, Dante Alighieri (c. 1265 – 1321). (See Pietro Bembo, Wikipedia.)  In the Italian states, the vernacular, Italian, started to be used as a literary language at the beginning of the 14th century, which is an early date. It precedes the Renaissance which began when the Byzantine Empire fell to the Ottoman Turks, in 1453. However, the scholars who fled to Italy were Greek scholars.

Yes, I am writing my book, despite limitations.

Wishing all of you a very Happy Easter ♥

RELATED ARTICLES

  • Pietro Bembo by Titian, and the Vernacular (27 January 2016)
  • The Petrarchan Movement (6 December 2011)

_______________

[1] “Pietro Bembo”. Encyclopædia Britannica. Encyclopædia Britannica Online.
Encyclopædia Britannica Inc., 2016. Web. 26 mars. 2016
<http://www.britannica.com/biography/Pietro-Bembo>.

Philippe Jaroussky sings Vivaldi

portrait-of-a-young-man-1_jpg!HalfHD

Portrait of a Young Man by Giovanni Bellini

© Micheline Walker
26 March 2016
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Music for Easter

31 Sunday Mar 2013

Posted by michelinewalker in Easter, Music

≈ 12 Comments

Tags

Claudio Abbado, Easter, Giovanni Battista Pergolesi, London Symphony Orchestra, Lucia Valentini Terrani, Margaret Marshall, Michel-Richard de Lalande, Regina Cæli

Archetypal Gothic Lady of Sorrows from a triptych by the Master of the Stauffenberg Altarpiece, Alsace c. 1455

Archetypal Gothic Lady of Sorrows from a triptych by the Master of the Stauffenberg Altarpiece, Alsace c. 1455, Musée d’Unterlinden, Colmar. (Photo credit: Wikipedia)

I wish all of you a very Happy Easter.  Let it be musical.  The new Marian antiphon is the “Regina Cæli.”  Michel-Richard Delalande (or de Lalande) , whose “Regina Cæli” I selected, was the finest composer of French

  • A Portrait of Giovanni Battista Pergolesi (20 December 2011)

The second selection is Pergolesi’s French grands motets. The second selection is Pergolesi’s “Quando Corpus Morietur.”

Regina Cæli

The authorship of the Regina Cæli is unknown.  It was composed in the twelfth century and was in Franciscan use after Compline a century later.  According to Wikipedia, “legend has it that St Gregory the Great heard angels chanting the first three lines one Easter morning in Rome, while following barefoot in a great religious procession of the icon of the Virgin painted by Luke the Evangelist.  He was thereupon inspired to add the fourth line.”  (See Regina Cæli, Wikipedia.)

The Regina Cæli is one of the four Antiphons or Antiphonies (Anthems in the Anglican Church) dedicated to Mary.  It is sung during the Easter season.

Queen of Heaven, rejoice, alleluia.
For He whom you deserved to bear in your womb, alleluia.
Has risen, as He promised, alleluia.
Pray for us to God, alleluia.
V. Rejoice and be glad, O Virgin Mary, alleluia.
R. For the Lord has truly risen, alleluia.
 
 
Michel-Richard Delalande (15 December 1657 – 18 June 1726)
Regina Cæli
 
 
 
 
composer: Giovanni Battista Pergolesi (4 January 1710 – 16 March 1736)
piece: “Quando Corpus Morietur”
performers: Margaret Marshall, Soprano and Lucia Valentini Terrani, Contralto 
orchestra: London Symphony Orchestra (1985)
conductor: Claudio Abbado 
 
  
Detail of the Stauffenberg Altarpiece – Dead Christ

Detail of the Stauffenberg Altarpiece (Photo credit: Wikipedia)

© Micheline Walker
31 March 2013
WordPress
 

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