Tags
Charles Maurice de Talleyrand-Périgord, Eugène Delacroix, Hector Berlioz, Jacques-Louis David, Jean-Auguste-Dominique Ingres, La Marseillaise Hector Berlioz, le Duc de Morny, Liberté guidant le Peuple, Liberty Leading the People, Neoclassicism, Romanticism, Rouget de l'Isle

La Liberté guidant le peuple (Liberty Leading the People) by Eugène Delacroix, 1830 (Photo credit: Wikipedia)
On 14 July, I wanted to publish a post on Eugène Delacroix (26 April 1798 – 13 August 1863), one of two illegitimate sons fathered by Charles Maurice de Talleyrand Périgord (2 February 1754 – 17 May 1838) (2 February 1754 – 17 May 1838), but life took me to a second parking lot narrative. I am learning over and over again that planet Earth is not “the best of all possible worlds” (Voltaire’s Candide).
But let us first take a brief look at events, art, and life in 19th-century France.
The Duc de Morny and Eugène Delacroix: Half-Brothers
We have already met le duc de Morny (15–16 September 1811, Switzerland – 10 March 1865, Paris). He transformed the talented and beautiful Marie Duplessis (15 January 1824 – 3 February 1847) into Paris’ most prominent salonnière and courtesan. At that time in history, many marriages were arranged. In the aristocracy, lineage was a priority. Consequently, men took a mistress. The duc de Morny was born to Hortense de Beauharnais (10 April 1783 – 5 October 1837) and Charles Maurice de Talleyrand-Périgord’s grandson. But Hortense, whose mother, Joséphine de Beauharnais, married Napoleon I, married Napoleon’s brother, Louis Bonaparte, king of Holland.
David, Delacroix, Ingres: Romanticism and Neoclassicism
Part of Delacroix’s story was told in a post entitled Eugène Delacroix’s “Mandarin Drake” (5 June 2014). Delacroix is associated with Romanticism and therefore differs from Jacques-Louis David (30 August 1748 – 29 December 1825) who is presented to students of the fine arts for works such as his Oath of the Horatii, a painting in the neoclassical style. Yet David is also the artist who painted The Death of Marat (1793), a masterpiece one cannot easily subject to pigeonholing.

The Death of Marat (1793) by Jacques-Louis David (Photo credit: Wikipedia)

Oath of the Horatii (second version; 1786) by Jacques-Louis David (Photo credit: Wikipedia)
Jean-Auguste-Dominique Ingres (29 August 1780 – 14 January 1867) is also a very prominent painter. His Grande Odalisque (1814) is magnificent, despite its share of Orientalism: Art is Art.

Grande Odalisque, Jean-Auguste-Dominique Ingres, 1814 (Photo credit: Wikipedia)
Régimes from 1792 until the Franco-Prussian War (1870-1871)
Between 1792 and 1871, France was a Republic, twice; a Monarchy, twice; an Empire, twice, and it suffered a Second French Revolution, which took place in 1848. The 1848 French Revolution echoed various uprisings occurring in several European countries, some rooted in decisions made at the Congress of Vienna (November 1814 to June 1815), which ended the Napoleonic Wars, others reflecting national disasters, such as the Greek War of Independence. The Greek War of Independence inspired Delacroix, and Lord Byron (2 January 1788 – 19 April 1824). Lord Byron had in fact, become a militant who died of a fever he contracted at Missolonghi.

Étude d’Arabe assis, Eugène Delacroix, 1830s (Photo credit: Wikipedia)
Love & Vive la France ♥
La Marseillaise, Rouget de l’Isle and Hector Berlioz
version intégrale, complete with lyrics, Alex Le Fou (YouTube)

“The Departure of the volunteers of 1792” (a.k.a. La Marseillaise), sculpture by François Rude, Arc de Triomphe de l’Étoile, Paris, France (Wikipedia)
© Micheline Walker
23 July 2018
WordPress
Pingback: France from 1792 to 1870: Moments — Micheline’s Blog | O LADO ESCURO DA LUA
Merci, merci.:-)
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Berlioz was my father’s favourite composer. He liked the range: gentle to powerful.
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An excellent background to mostly well-known paintings
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Thank you Derrick, It is possible to present this kind of information in a nutshell. I enjoyed doing so for my students. Given undeniably poorer health, posts have to be shorter, yet informative. In the first half of the 19th century, these were the great artists.
I hope you are well.
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Recovering slowly but surely, Micheline. Thank you
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Derrick, The problem has been eliminated. I think you will be just fine. It’s day at a time. 🙂
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Yep 🙂
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I love Ingres, especially the way he does fabrics. I am sorry to hear that you had more parking lot stress.
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Yes, Ingres was a very gifted artist. The fabrics are painted in a wealth of details and his nudes are depicted in a flattering manner. He leaves room for one’s imagination.
Allow me a digression. Prince Harry helps Meghan choose her clothes. She is dressed in an elegant manner. But the heels are too high. Slightly shorter heels would not make her less beautiful. She is not as tall as Kate, but that is not a fault. She is nevertheless tall. Both princes are married to lovely and loving women. Love is infinitely precious.
I love all three artists: David, Ingres and Delacroix. All three are very accomplished in their own way or as La Fontaine would put it: “en son langage,” in their own tongue. Kind regards, Micheline
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I am always astounded by the height of the heels some women wear particularly those who have to attend public engagements with a lot of standing and walking.
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How to they manage to wear such high heels. Meghan buys shoes one size too large. Kate wears has also found a way of dealing with problem. They will have to attend many events. That is expected of them. They would look just as beautiful wearing lightly lower heels. I suppose they do what is fashionable. Take care.
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