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Plan for a City Gate in Kiev, by Viktor Hartmann

Viktor Alexandrovich Hartmann (5 May 1834, St Petersburg – 4 August 1873, Kireyevo near Moscow) was a Russian architect and painter who lived during a period in European and Russian history when nationalism flourished. The quest for a national identity included a search for a national esthetics that had been expressed in some Golden Age, and would again be expressed in music, art, design, and other art forms. Hartmann’s plan was for a city gate in Kiev is an attempt to capture an inherently Russian and Ukrainian esthetics.

The Search for a National  Identity

For instance, as I may have mentioned elsewhere, in what would become a unified Germany, the brothers Grimm scoured the German-language states collecting its German-language states collecting its folklore and planting the seeds of what would become a discipline: ethnology. But Russia was an exceptional case in that the country stretched for thousands of kilometers. Esthetically and otherwise, it was therefore rooted in more than one culture.

Music: the “mighty Handful

In music, the “mighty handful,” Mily Balakirev (the leader), César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin, attempted a revival of Russia. They were looking eastwards and, in the years 1856-1870, they met in Saint Petersburg. But the Russian Revival was not limited to music. It also included the fine arts, architecture as an art form, and other cultural areas.

Painting, Design and Architecture

Viktor Hartmann was therefore associated with the Abramtsevo Colony. The Abramtsevo Colony had been purchased in 1870 by Savva Mamontov, a patron of the arts who promoted a Russian Revival. Abramtsevo was the hub of revivalism.

Viktor Hartman’s foremost contribution to the Russian Revival was his Plan for the Gates to Kiev (Ukraine), a design rooted in what he perceived as inherently Russian (and Ukrainan).

Mussorgsky’s Pictures at an exhibition

Hartmann was Mussorgsky’s closest friend, but the two were forever separated when Viktor Hartmann died from an aneurysm at the early age of 39. An exhibition of Hartmann’s paintings was organized which inspired Modest Mussorgsky‘s Pictures at an Exhibition (1874), a suite for the piano that painted musically and therefore constitutes a union of music and painting suggesting synesthesia. It is Abramtsevo.

I have inserted a tiny segment of Mussorgsky’s Pictures at an Exhibition, played on the piano, as it was composed by Mussorgsky. However, French composer Maurice Ravel  transformed the work for piano into an orchestral work of music. To hear it, please click on the following link: Mussorgsky/Ravel and enjoy yourselves. In this post, Mussorgsky’s piano suite is played by Sviatoslav Richter. By the way, listen for the sound of bells.

Modest Mussorgsky, by Ilya Repin[i] 

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[i] This portrait was painted in 1881, a short time before Mussorgsky’s death from alcoholism. Mussorgsky’s wealthy family was impoverished when serfdom was abolished in 1861. Mussorgsky did not recover.  
 
composer: Modest Mussorgsky (21 March 1839 – 28 March 1881)
pianist: Sviatoslav Richter (20 March 1915 – 1 August 1997) 
 

320px-Modest_Musorgskiy,_1870© Micheline Walker
8 September 2012
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